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From Zora Neale Hurston to Derek Walcott to Toni Morrison, New World black authors have written about African-derived religious traditions and spiritual practices. The Sacred Act of Reading examines religion and sociopolitical power in modern and contemporary texts of a variety of genres from the black Americas. By engaging with ...
The Sacred Act of Reading: Spirituality, Performance, and Power in Afro-Diasporic Literature
From Zora Neale Hurston to Derek Walcott to Toni Morrison, New World black authors have written about African-derived religious traditions and spiritual practices. The Sacred Act of Reading examines religion and sociopolitical power in modern and contemporary texts of a variety of genres from the black Americas. By engaging with spiritual traditions such as Vodou, Kumina, and Protestant Christianity while drawing on canonical Euro-centric literary theory, Anne Margaret Castro presents a novel, nuanced reading of power through the physical and metaphysical relationships portrayed in these great works of New World black literature. Castro examines prophecy in the dramas of Derek Walcott, preaching in the ethnography of Zora Neale Hurston, and liturgy in the novels of Toni Morrison, offering comparative readings alongside the works of Afro-Colombian anthropologist Manuel Zapata Olivella, Jamaican sociologist Erna Brodber, and Canadian fiction writer Nalo Hopkinson. The Sacred Act of Reading is the first book to bring together literary texts, historical and contemporary anthropological studies, theology, and critical theory to show how black authors in the Americas employ spiritual phenomena as theoretical frameworks for thinking within, against, and beyond structures of political dominance, dependence, and power.
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72.980000 USD

The Sacred Act of Reading: Spirituality, Performance, and Power in Afro-Diasporic Literature

by Anne Margaret Castro
Hardback
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Arguing that race has been the specter that has haunted many of the discussions about Latin American regional and national cultures today, Anke Birkenmaier describes Latin American anthropology as a field of knowledge that evolved dramatically in the period between the two world wars. In response to the rise of ...
The Specter of Races: Latin American Anthropology and Literature between the Wars
Arguing that race has been the specter that has haunted many of the discussions about Latin American regional and national cultures today, Anke Birkenmaier describes Latin American anthropology as a field of knowledge that evolved dramatically in the period between the two world wars. In response to the rise of scientific racism in Europe and the American hemisphere in the early twentieth century, anthropologists joined numerous writers and artists in founding institutions, journals, and museums that actively pushed for an antiracist science of culture, questioning pseudoscientific theories of race and moving toward more broadly conceived notions of ethnicity and culture. Birkenmaier surveys key figures such as Cuban historian and anthropologist Fernando Ortiz, Haitian scholar and novelist Jacques Roumain, French anthropologist and museum director Paul Rivet, and Brazilian sociologist Gilberto Freyre, focusing on the transnational networks of scholars in France, Spain, and the United States to which they were connected. Reviewing their essays, scientific publications, dictionaries, novels, poetry, and visual arts, the author traces the cultural study of Latin America back to these interdisciplinary discussions about the meaning of race and culture in Latin America, discussions that continue to provoke us today.
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78.750000 USD

The Specter of Races: Latin American Anthropology and Literature between the Wars

by Anke Birkenmaier
Hardback
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Before the Caribbean-inflected spoken-word poetry of the 1990s, epitomized by poetry slams at the Nuyorican Poets Cafe in Manhattan, there was reggae. In the past thirty years, most Caribbean poetry written in English has come to the shores of the United States on waves of music, in the lyrics of ...
Talk Yuh Talk: Interviews with Anglophone Caribbean Poets
Before the Caribbean-inflected spoken-word poetry of the 1990s, epitomized by poetry slams at the Nuyorican Poets Cafe in Manhattan, there was reggae. In the past thirty years, most Caribbean poetry written in English has come to the shores of the United States on waves of music, in the lyrics of Bob Marley, Peter Tosh, and Burning Spear. Kwame Dawes, himself a musician and poet, is not surprised by this phenomenon. The region's political and cultural awakening of the 1970s was fueled by a growing African consciousness, often in competition with the multiple traditions--European, Indian, Chinese--that have permeated many Caribbean nations for centuries. The influence of reggae has produced a poetry that is quite different from earlier work from the Caribbean, but this is only one more chapter in a tradition characterized by continuing tension with a diverse heritage. The interviews in Talk Yuh Talk reflect a range of Caribbean voices from several generations, from those poets influenced by a dynamic interplay between the popular culture of reggae, calypso, folk music, and yard theater to those whose work is closer to classical forms of literature and oral narrative. Kwame Dawes talks with many of the most important poets to have emerged from the Caribbean who are still writing today. The poets discuss their techniques, their situations as poets, and the challenges they face in the profession and in their craft. Well-known figures like Lorna Goodison, Grace Nichols, Kamau Brathwaite, Fred D'Aguiar, and Martin Carter share space with such lesser-known but equally important poets as Mervyn Morris and Kendel Hippolyte. In a specific introduction to each poet, Dawes offers a sense of what is important or meaningful about the poet's work. He explores detachment with Mervyn Morris, intellectual rigor with David Dabydeen, the struggles of obscurity with Cyril Dabydeen, the poetics of surprise and the erotic with Grace Nichols, the reggae escape motif with Lillian Allen, ambivalence about Africa with James Berry, and more, talking with eighteen poets in all. By allowing them to speak in their own voices and by directing the questions along the lines of creative process and aesthetics, Dawes makes a compelling case for the strength of Caribbean poetry while offering a lively source of inspiration and information for practicing poets as well as critics.
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68.250000 USD

Talk Yuh Talk: Interviews with Anglophone Caribbean Poets

Hardback
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In Tropical Apocalypse, Martin Munro engages with the contemporary apocalyptic turn in Caribbean studies and lived reality, not only providing important historical contextualization for a general understanding of apocalypse in the region but also offering an account of the state of Haitian society and culture in the decades before the ...
Tropical Apocalypse: Haiti and the Caribbean End Times
In Tropical Apocalypse, Martin Munro engages with the contemporary apocalyptic turn in Caribbean studies and lived reality, not only providing important historical contextualization for a general understanding of apocalypse in the region but also offering an account of the state of Haitian society and culture in the decades before the 2010 earthquake. Through an interdisciplinary exploration, the author situates the question of the Caribbean apocalypse in relation to broader, global narratives of the apocalyptic present-notably Slavoj Zizek's Living in the End Times- and traces the evolution of apocalyptic thought in the work of Aime Cesaire, Frantz Fanon, Antonio Benitez-Rojo, Edouard Glissant, Michael Dash, David Scott, and others.
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72.980000 USD

Tropical Apocalypse: Haiti and the Caribbean End Times

by Martin Munro
Hardback
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Pathologies of Paradise presents the rich complexity of anglophone Caribbean literature from pluralistic perspectives that contest the reduction of the region to Edenic or infernal stereotypes. But rather than reiterate the familiar critiques of these stereotypes, Supriya Nair draws on the trope of the detour to plumb the depths of ...
Pathologies of Paradise: Caribbean Detours
Pathologies of Paradise presents the rich complexity of anglophone Caribbean literature from pluralistic perspectives that contest the reduction of the region to Edenic or infernal stereotypes. But rather than reiterate the familiar critiques of these stereotypes, Supriya Nair draws on the trope of the detour to plumb the depths of anti-paradise discourse, showing how the Caribbean has survived its history of colonisation and slavery. In her reading of authors such as Jamaica Kincaid, Michelle Cliff, V. S. Naipaul, Zadie Smith, Junot Diaz, and Pauline Melville, among others, she examines dominant symbols and events that shape the literature and history of postslavery and postcolonial societies: the garden and empire, individual and national trauma, murder and massacre, contagion and healing, grotesque humour and the carnivalesque. In ranging across multiple contexts, generations, and genres, the book maps a syncretic and flexible approach to Caribbean literature that demonstrates the supple literary cartographies of New World identities.
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68.250000 USD

Pathologies of Paradise: Caribbean Detours

by Supriya M. Nair
Hardback
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The literature of Cuba, argues Eduardo Gonzalez in this new book, takes on quite different features depending on whether one is looking at it from the inside or from the outside, a view that in turn is shaped by official political culture and the authors it sanctions or by those ...
Cuba and the Fall: Christian Text and Queer Narrative in the Fiction of Josa(c) Lezama Lima and Reinaldo Arenas (New World Studies) (New World Studies (Hardcover))
The literature of Cuba, argues Eduardo Gonzalez in this new book, takes on quite different features depending on whether one is looking at it from the inside or from the outside, a view that in turn is shaped by official political culture and the authors it sanctions or by those authors and artists who exist outside state policies and cultural politics. Gonzalez approaches this issue by way of two twentieth-century writers who are central to the canon of gay homoerotic expression and sensibility in Cuban culture: Jose Lezama Lima (1910-1976) and Reinaldo Arenas (1943-1990). Drawing on the plots and characters in their works, Gonzalez develops both a story line and a moral tale, revolving around the Christian belief in the fall from grace and the possibility of redemption, that bring the writers into a unique and revealing interaction with one another. The work of Lezama Lima and Arenas is compared with that of fellow Cuban author Virgilio Pinera (1912-1979) and, in a wider context, with the non-Cuban writers John Milton, Nathaniel Hawthorne, William Faulkner, John Ruskin, and James Joyce to show how their themes get replicated in Gonzalez's selected Cuban fiction. Also woven into this interaction are two contemporary films--The Devil's Backbone (2004) and Pan's Labyrinth (2007)--whose moral and political themes enhance the ethical values and conflicts of the literary texts. Referring to this eclectic gathering of texts, Gonzalez charts a cultural course in which Cuba moves beyond the Caribbean and into a latitude uncharted by common words, beyond the tyranny of place.
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78.750000 USD

Cuba and the Fall: Christian Text and Queer Narrative in the Fiction of Josa(c) Lezama Lima and Reinaldo Arenas (New World Studies) (New World Studies (Hardcover))

by Gonzalex
Hardback
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The Purloined Islands offers the first book-length exploration of literary and cultural exchanges between the United States and the Caribbean during the roughly eighty-year period of their greatest interaction, from the close of the Spanish-American War to the Cuban Revolution. The interconnected histories of colonization, migration, slavery, and political struggle ...
The Purloined Islands: Caribbean-U.S. Crosscurrents in Literature and Culture, 1880-1959
The Purloined Islands offers the first book-length exploration of literary and cultural exchanges between the United States and the Caribbean during the roughly eighty-year period of their greatest interaction, from the close of the Spanish-American War to the Cuban Revolution. The interconnected histories of colonization, migration, slavery, and political struggle thrust writers from both regions into a vibrant literary conversation across national borders. Jeff Karem charts this dialogue and its patterns of influence through an analysis of key literary and cultural sources in English, French, and Spanish, including a large body of rare archival evidence. What the author identifies in this wide-ranging exchange is the Caribbean's vital contribution not only to the literatures of the American hemisphere but also to the literary and intellectual culture of the United States itself. Specifically, he shows how such movements as pan-Africanism, the New Negro Renaissance, and pan-American modernism have significant Caribbean roots, although the United States has often failed to recognize them, effectively purloining those resources without acknowledgment. As his title's allusion to Poe's The Purloined Letter suggests, Karem argues that the contributions of the Caribbean have been borrowed, appropriated, and nationalized by U.S. culture but are hidden in plain sight. Both its multilingual character and its emphasis on the reciprocity in cultural cross-currents will make the book of interest to readers not only in Caribbean and American cultural and literary studies but also in pan-American or border studies, Black Atlantic studies, and African American studies.
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78.750000 USD

The Purloined Islands: Caribbean-U.S. Crosscurrents in Literature and Culture, 1880-1959

by Jeff Karem
Hardback
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In Market Aesthetics, Elena Machado Saez explores the popularity of Caribbean diasporic writing within an interdisciplinary, comparative, and pan-ethnic framework. She contests established readings of authors such as Junot Diaz, Julia Alvarez, Edwidge Danticat, and Robert Antoni while showcasing the work of emerging writers such as David Chariandy, Marlon James, ...
Market Aesthetics: The Purchase of the Past in Caribbean Diasporic Fiction
In Market Aesthetics, Elena Machado Saez explores the popularity of Caribbean diasporic writing within an interdisciplinary, comparative, and pan-ethnic framework. She contests established readings of authors such as Junot Diaz, Julia Alvarez, Edwidge Danticat, and Robert Antoni while showcasing the work of emerging writers such as David Chariandy, Marlon James, and Monique Roffey. By reading these writers as part of a transnational literary trend rather than within isolated national ethnic traditions, the author is able to show how this fiction adopts market aesthetics to engage the mixed blessings of multiculturalism and globalization via the themes of gender and sexuality.
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68.250000 USD

Market Aesthetics: The Purchase of the Past in Caribbean Diasporic Fiction

by Elena Machado Saez
Hardback
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As in many literatures of the New World grappling with issues of slavery and freedom, stories of racial insurrection frequently coincided with stories of cross-racial romance in nineteenth-century U.S. print culture. Colleen O'Brien explores how authors such as Harriet Jacobs, Elizabeth Livermore, and Gertrudis Gomez de Avellaneda imagined the expansion ...
Race, Romance and Rebellion: Literatures of the Americas in the Nineteenth Century
As in many literatures of the New World grappling with issues of slavery and freedom, stories of racial insurrection frequently coincided with stories of cross-racial romance in nineteenth-century U.S. print culture. Colleen O'Brien explores how authors such as Harriet Jacobs, Elizabeth Livermore, and Gertrudis Gomez de Avellaneda imagined the expansion of race and gender-based rights as a hemispheric affair, drawing together the United States with Africa, Cuba, and other parts of the Caribbean. Placing less familiar women writers in conversation with their more famous contemporaries-Ralph Waldo Emerson, Margaret Fuller, and Lydia Maria Child-O'Brien traces the transnational progress of freedom through the antebellum cultural fascination with cross-racial relationships and insurrections. Her book mines a variety of sources-fiction, political rhetoric, popular journalism, race science, and biblical treatises-to reveal a common concern: a future in which romance and rebellion engender radical social and political transformation.
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68.250000 USD

Race, Romance and Rebellion: Literatures of the Americas in the Nineteenth Century

by Colleen C O'Brien
Hardback
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Focusing on the literary representation of performance practices in anglophone, francophone, and hispanophone Caribbean literature, Jeannine Murray-Roman shows how a shared regional aesthetic emerges from the descriptions of music, dance, and oral storytelling events. Because the historical circumstances that led to the development of performance traditions supersede the geopolitical and ...
Performance and Personhood in Caribbean Literature: From Alexis to the Digital Age
Focusing on the literary representation of performance practices in anglophone, francophone, and hispanophone Caribbean literature, Jeannine Murray-Roman shows how a shared regional aesthetic emerges from the descriptions of music, dance, and oral storytelling events. Because the historical circumstances that led to the development of performance traditions supersede the geopolitical and linguistic divisions of colonialism, the literary uses of these traditions resonate across the linguistic boundaries of the region. The author thus identifies the aesthetic that emerges from the act of writing about live arts and moving bodies as a practice that is grounded in the historically, geographically, and culturally specific features of the Caribbean itself. Working with twentieth- and twenty-first-century sources ranging from theatrical works and novels to blogs, Murray-Roman examines the ways in which writers such as Jacques Stephen Alexis, Zoe Valdes, Rosario Ferre, Patrick Chamoiseau, and Marlon James experiment with textually compensating for the loss of the corporeality of live relationship in performance traditions. Through their exploration of the interaction of literature and performance, she argues, Caribbean writers themselves offer a mode of bridging the disjunction between cultural and philosophical approaches within Caribbean studies.
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62.480000 USD

Performance and Personhood in Caribbean Literature: From Alexis to the Digital Age

by Jeannine Murray-Roman
Hardback
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Despite their prominent place in twentieth-century literature in English, novelists and poets from Ireland and the anglophone Caribbean have long been separated by literary histories in which they are either representing a local, nationalist tradition or functioning within an international movement such as modernism or postcolonialism. Redressing this either/or framework, ...
Transatlantic Solidarities: Irish Nationalism and Caribbean Poetics
Despite their prominent place in twentieth-century literature in English, novelists and poets from Ireland and the anglophone Caribbean have long been separated by literary histories in which they are either representing a local, nationalist tradition or functioning within an international movement such as modernism or postcolonialism. Redressing this either/or framework, Michael Malouf recognizes an integral history shared by these two poetic and political traditions, arising from their common transatlantic history in relation to the British empire and their common spaces of migration in New York and London. In examining these cross-cultural exchanges, he reconsiders our conception of transatlantic space and offers a revised conception of solidarity that is much more diverse than previously assumed. Offering a new narrative of cultural influence and performance, this work specifically demonstrates the formative role of Irish nationalist discourse - expressed in the works of Eamon de Valera, George Bernard Shaw, and James Joyce - in the transnational political and aesthetic self-fashioning of three influential Caribbean figures: Marcus Garvey, Claude McKay, and Derek Walcott. It provides both an innovative historical and literary methodology for reading cross-cultural relations between two postcolonial cultures and a literary and political history that can account for the recent diversity of the field of anglophone world literature.
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63.000000 USD

Transatlantic Solidarities: Irish Nationalism and Caribbean Poetics

by Michael G. Malouf
Hardback
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Drawing on narratives from Martinique by Aime Cesaire, Edouard Glissant, Ina Cesaire, and Patrick Chamoiseau, among others, Christina Kullberg shows how these writers turn to ethnography-even as they critique it-as an exploration and expression of the self. They acknowledge its tradition as a colonial discourse and a study of others, ...
The Poetics of Ethnography in Martinican Narratives: Exploring the Self and the Environment
Drawing on narratives from Martinique by Aime Cesaire, Edouard Glissant, Ina Cesaire, and Patrick Chamoiseau, among others, Christina Kullberg shows how these writers turn to ethnography-even as they critique it-as an exploration and expression of the self. They acknowledge its tradition as a colonial discourse and a study of others, but they also argue for ethnography's advantage in connecting subjectivity to the outside world. Further, they find that ethnography offers the possibility of capturing within the hybrid culture of the Caribbean an emergent self that nonetheless remains attached to its collective history and environment. Rather than claiming to be able to represent the culture they also feel alienated from, these writers explore the relationships between themselves, the community, and the environment. Although Kullberg's focus is on Martinique, her work opens up possibilities for intertextual readings and comparative studies of writers from every linguistic region in the Caribbean-not only francophone but also Hispanic and anglophone. In addition, her interdisciplinary approach extends the reach of her work beyond postcolonial and literary studies to anthropology and ecocriticism.
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68.250000 USD

The Poetics of Ethnography in Martinican Narratives: Exploring the Self and the Environment

by Christina Kullberg
Hardback
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As modern Caribbean politics and literature emerged in the first half of the twentieth century, Haiti, as the region's first independent state, stood as a source of inspiration for imagining decolonization and rooting regional identity in Africanness. Yet at precisely the same moment that anticolonialism was spreading throughout the Caribbean, ...
American Imperialism's Undead: The Occupation of Haiti and the Rise of Caribbean Anticolonialism
As modern Caribbean politics and literature emerged in the first half of the twentieth century, Haiti, as the region's first independent state, stood as a source of inspiration for imagining decolonization and rooting regional identity in Africanness. Yet at precisely the same moment that anticolonialism was spreading throughout the Caribbean, Haiti itself was occupied by U.S. marines, a fact that regional political and cultural histories too often overlook. In American Imperialism's Undead, Raphael Dalleo examines how Caribbean literature and activism emerged in the shadow of the U.S. military occupation of Haiti (1915-34) and how that presence influenced the development of anticolonialism throughout the region. The occupation was a generative event for Caribbean activists such as C. L. R. James, George Padmore, and Marcus and Amy Jacques Garvey as well as for writers such as Claude McKay, Eric Walrond, and Alejo Carpentier. Dalleo provides new ways of understanding these luminaries, while also showing how other important figures such as Aime Cesaire, Arturo Schomburg, Claudia Jones, Frantz Fanon, Amy Ashwood Garvey, H. G. De Lisser, Luis Pales Matos, George Lamming, and Jean Rhys can be contextualized in terms of the occupation. By examining Caribbean responses to Haiti's occupation, Dalleo underscores U.S. imperialism as a crucial if unspoken influence on anticolonial discourses and decolonization in the region. Without acknowledging the significance of the occupation of Haiti, our understanding of Atlantic history cannot be complete.
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78.750000 USD

American Imperialism's Undead: The Occupation of Haiti and the Rise of Caribbean Anticolonialism

by Raphael Dalleo
Hardback
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Studies of traumatic stress have explored the challenges to memory as a result of extreme experience, particularly in relation to the ways in which trauma resonates within the survivor's body and the difficulties survivors face when trying to incorporate their experience into meaningful narratives. Jennifer Griffiths examines the attempts of ...
Traumatic Possessions: The Body and Memory in African American Women's Writing and Performance
Studies of traumatic stress have explored the challenges to memory as a result of extreme experience, particularly in relation to the ways in which trauma resonates within the survivor's body and the difficulties survivors face when trying to incorporate their experience into meaningful narratives. Jennifer Griffiths examines the attempts of several African American writers and playwrights to explore ruptures in memory after a traumatic experience and to develop creative strategies for understanding the inscription of trauma on the body in a racialized cultural context. In the literary and performance texts examined here, Griffiths shows how the self is reconstituted through testimony - through the attempt to put into language and public statement the struggle of survivors to negotiate the limits placed on their bodies and to speak controversial truths. Dessa in her jail cell, Venus in the courtroom, Sally on the auction block, Ursa in her own family history, and Rodney King in the video frame - each character in these texts by Sherley Anne Williams, Suzan-Lori Parks, Robbie McCauley, Gayl Jones, and Anna Deavere Smith gives voice not only to the limits of language in representing traumatic experience but also to the necessity of testimony as the public enactment of memory and bodily witness. In focusing specifically and exclusively on the relation of trauma to race and on the influence of racism on the creation and reception of narrative testimony, this book distinguishes itself from previous studies of the literatures of trauma.
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45.680000 USD

Traumatic Possessions: The Body and Memory in African American Women's Writing and Performance

Hardback
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Adopting a comparative and multidisciplinary approach to Puerto Rican literature, Marisel Moreno juxtaposes narratives by insular and U.S. Puerto Rican women authors in order to examine their convergences and divergences. By showing how these writers use the trope of family to question the tenets of racial and social harmony, an ...
Family Matters: Puerto Rican Women Authors on the Island and the Mainland (New World Studies (Hardcover))
Adopting a comparative and multidisciplinary approach to Puerto Rican literature, Marisel Moreno juxtaposes narratives by insular and U.S. Puerto Rican women authors in order to examine their convergences and divergences. By showing how these writers use the trope of family to question the tenets of racial and social harmony, an idealized past, and patriarchal authority that sustain the foundational myth of la gran familia, she argues that this metaphor constitutes an overlooked literary contact zone between narratives from both sides. Moreno proposes the recognition of a transinsular corpus to reflect the increasingly transnational character of the Puerto Rican population and addresses the need to broaden the literary canon in order to include the diaspora. Drawing on the fields of historiography, cultural studies, and gender studies, the author defies the tendency to examine these literary bodies independently of one another and therefore aims to present a more nuanced and holistic vision of this literature.
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63.000000 USD

Family Matters: Puerto Rican Women Authors on the Island and the Mainland (New World Studies (Hardcover))

by Moreno
Hardback
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Studies of sexuality in Caribbean culture are on the rise, focusing mainly on homosexuality and homophobia or on regional manifestations of normative and nonnormative sexualities. The Cross-Dressed Caribbean extends this exploration by using the trope of transvestism not only to analyse texts and contexts from anglophone, francophone, Spanish, Dutch, and ...
The Cross-Dressed Caribbean: Writing, Politics, Sexualities
Studies of sexuality in Caribbean culture are on the rise, focusing mainly on homosexuality and homophobia or on regional manifestations of normative and nonnormative sexualities. The Cross-Dressed Caribbean extends this exploration by using the trope of transvestism not only to analyse texts and contexts from anglophone, francophone, Spanish, Dutch, and diasporic Caribbean literature and film but also to highlight reinventions of sexuality and resistance to different forms of exploitation and oppression. Contributors: Roberto del Valle Alcala, University of Alcala * Lee Easton, Sheridan College Institute of Technology and Advanced Learning * Odile Ferly, Clark University * Kelly Hewson, Mount Royal University * Isabel Hoving, Leiden University * Wendy Knepper, Brunel University * Carine Mardorossian, University at Buffalo, SUNY * Shani Mootoo * Michael Niblett, University of Warwick * Kerstin Oloff, Durham University * Lizabeth Paravisini, Vassar College * Mayra Santos-Febres, University of Puerto Rico, Rio Piedras * Paula Sato, Kent State University * Lawrence Scott * Karina Smith, Victoria University * Roberto Strongman, University of California, Santa Barbara * Chantal Zabus, University of Paris 13
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73.500000 USD

The Cross-Dressed Caribbean: Writing, Politics, Sexualities

Hardback
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On January 1, 1804, Jean-Jacques Dessalines declared the independence of Haiti, thus bringing to an end the only successful slave revolution in history and transforming the colony of Saint-Domingue into the second independent state in the Western Hemisphere. The historical significance of the Haitian Revolution has been addressed by numerous ...
Tree of Liberty: Cultural Legacies of the Haitian Revolution in the Atlantic World
On January 1, 1804, Jean-Jacques Dessalines declared the independence of Haiti, thus bringing to an end the only successful slave revolution in history and transforming the colony of Saint-Domingue into the second independent state in the Western Hemisphere. The historical significance of the Haitian Revolution has been addressed by numerous scholars, but the importance of the Revolution as a cultural and political phenomenon has only begun to be explored.Although the path-breaking work of Michel-Rolph Trouillot and Sibylle Fischer has illustrated the profound silences surrounding the Haitian Revolution in Western historiography and in Caribbean cultural production in the aftermath of the revolution, contributors to this volume argue that, while suppressed and disavowed in some quarters, the Haitian Revolution nonetheless had an enduring cultural and political impact, particularly on peoples and communities that have been marginalized in the historical record and absent from the discourses of Western historiography. Tree of Liberty interrogates the literary, historical, and political discourses that the Revolution produced and inspired across time and space and across national and linguistic boundaries. In so doing, it seeks to initiate a far-reaching discussion of the revolution as a cultural and political phenomenon that shaped ideas about the Enlightenment, freedom, postcolonialism, and race in the modern Atlantic world.
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72.980000 USD

Tree of Liberty: Cultural Legacies of the Haitian Revolution in the Atlantic World

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While postcolonial discourse in the Caribbean has drawn attention to colonialism's impact on space and spatial hierarchy, Stanka Radovic asks both how ordinary people as users of space have been excluded from active and autonomous participation in shaping their daily spatial reality and how they challenge this exclusion. In a ...
Locating the Destitute: Space and Identity in Caribbean Fiction
While postcolonial discourse in the Caribbean has drawn attention to colonialism's impact on space and spatial hierarchy, Stanka Radovic asks both how ordinary people as users of space have been excluded from active and autonomous participation in shaping their daily spatial reality and how they challenge this exclusion. In a comparative interdisciplinary reading of anglophone and francophone Caribbean literature and contemporary spatial theory, she focuses on the house as a literary figure and the ways that fiction and acts of storytelling resist the oppressive hierarchies of colonial and neocolonial domination. The author engages with the theories of Henri Lefebvre, Michel Foucault, and contemporary critical geographers, in addition to selected fiction by V. S. Naipaul, Patrick Chamoiseau, Beryl Gilroy, and Rafael Confiant, to examine the novelists' construction of narrative houses to reclaim not only actual or imaginary places but also the very conditions of self-representation. Radovic ultimately argues for the power of literary imagination to contest the limitations of geopolitical boundaries by emphasizing space and place as fundamental to our understanding of social and political identity. The physical places described in these texts crystallize the protagonists' ambiguous and complex relationship to the New World. Space is, then, as the author shows, both a political fact and a powerful metaphor whose imaginary potential continually challenges its material limitations.
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62.480000 USD

Locating the Destitute: Space and Identity in Caribbean Fiction

by Stanka Radovi
Hardback
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Soon Come celebrates Jamaican poetry as an expression and extension of the island's rich spiritual traditions, offering fresh insights into some of the late twentieth century's most important and influential poetry. Drawing inspiration from the history of Myal, Kumina, Revivalism, and Rastafari, Hodges develops a critical language for the discussion ...
Soon Come: Jamaican Spirituality, Jamaican Poetics
Soon Come celebrates Jamaican poetry as an expression and extension of the island's rich spiritual traditions, offering fresh insights into some of the late twentieth century's most important and influential poetry. Drawing inspiration from the history of Myal, Kumina, Revivalism, and Rastafari, Hodges develops a critical language for the discussion of a wide range of Jamaican texts, both oral and written.Beginning with traditional proverbs and Anancy stories, Soon Come explores healing rituals, possession rites, and miracles in Revival hymns; the seminal poetry of Claude McKay, Una Marson, and Louise Bennett; the Rastafari-influenced reggae of Bob Marley, Jimmy Cliff, Bunny Wailer, and Ras Michael; the dub poetry of Linton Kwesi Johnson and Mutabaruka; and the groundbreaking work of Dennis Scott, Anthony McNeill, and Lorna Goodison. What emerges is a profoundly hopeful vision of Jamaican poetry as an ongoing ritual that engenders the future even as it reimagines the past. Written in a lively, accessible style, Soon Come will appeal as much to the general reader as to the academic, to the serious Bob Marley fan as much as to the student of New World religious traditions.
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68.250000 USD

Soon Come: Jamaican Spirituality, Jamaican Poetics

by Hugh Hodges
Hardback
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Consuming Visions explores the relationship between cinema and writing in early twentieth-century Brazil, focusing on how the new and foreign medium of film was consumed by a literary society in the throes of modernisation. Maite Conde places this relationship in the specific context of turn-of-the-century Rio de Janeiro, which underwent ...
Consuming Visions: Cinema, Writing and Modernity in Rio de Janeiro
Consuming Visions explores the relationship between cinema and writing in early twentieth-century Brazil, focusing on how the new and foreign medium of film was consumed by a literary society in the throes of modernisation. Maite Conde places this relationship in the specific context of turn-of-the-century Rio de Janeiro, which underwent a radical transformation to a modern global city, becoming a concrete symbol of the country's broader processes of change and modernisation. Analysing an array of literary texts, from journalistic essays and popular women's novels to anarchist treatises and vaudeville plays, the author shows how the writers' encounters with the cinema were consistent with the significant changes taking place in the city. The arrival and initial development of the cinema in Brazil were part of the new urban landscape in which early Brazilian movies not only articulated the processes of the city's modernisation but also enabled new urban spectators - women, immigrants, a new working class, and a recently liberated slave population - to see, believe in, and participate in its future. In the process, these early movies challenged the power of the written word and of Brazilian writers, threatening the hegemonic function of writing that had traditionally forged the contours of the nation's cultural life. An emerging market of consumers of the new cultural phenomena - popular theatre, the department store, the factory, illustrated magazines - reflected changes that not only modernised literary production but also altered the very life and everyday urban experiences of the population. Consuming Visions is an ambitious and engaging examination of the ways in which mass culture can become an agent of intellectual and aesthetic transformation.
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57.750000 USD

Consuming Visions: Cinema, Writing and Modernity in Rio de Janeiro

by Maite Conde
Hardback
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A leader in the social movement that achieved Trinidad and Tobago's independence from Britain in 1962, Eric Williams (1911-1981) served as its first prime minister. Although much has been written about Williams as a historian and a politician, Maurice St. Pierre is the first to offer a full-length treatment of ...
Eric Williams and the Anticolonial Tradition: The Making of a Diasporan Intellectual
A leader in the social movement that achieved Trinidad and Tobago's independence from Britain in 1962, Eric Williams (1911-1981) served as its first prime minister. Although much has been written about Williams as a historian and a politician, Maurice St. Pierre is the first to offer a full-length treatment of him as an intellectual. St. Pierre focuses on Williams's role not only in challenging the colonial exploitation of Trinbagonians but also in seeking to educate and mobilize them in an effort to generate a collective identity in the struggle for independence. Drawing on extensive archival research and using a conflated theoretical framework, the author offers a portrait of Williams that shows how his experiences in Trinidad, England, and America radicalized him and how his relationships with other Caribbean intellectuals-along with Aime Cesaire in Martinique, Juan Bosch in the Dominican Republic, George Lamming of Barbados, and Frantz Fanon from Martinique-enabled him to seize opportunities for social change and make a significant contribution to Caribbean epistemology.
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62.480000 USD

Eric Williams and the Anticolonial Tradition: The Making of a Diasporan Intellectual

by St. Maurice Pierre
Hardback
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In Staging Creolization, Emily Sahakian examines seven plays by Ina Cesaire, Maryse Conde, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women ...
Staging Creolization: Women's Theatre and Performance frm the French Caribbean
In Staging Creolization, Emily Sahakian examines seven plays by Ina Cesaire, Maryse Conde, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolization-the process of cultural transformation through mixing and conflict that occurred in the context of the legacies of slavery and colonialism. Sahakian here theorizes creolization as a performance-based process, dramatized by French Caribbean women's plays and enacted through their international production and reception histories. The author contends that the syncretism of the plays is not a static, fixed creole aesthetics but rather a dynamic process of creolization in motion, informed by history and based in the African-derived principle that performance is a space of creativity and transformation that connects past, present, and future.
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78.750000 USD

Staging Creolization: Women's Theatre and Performance frm the French Caribbean

by Emily Sahakian
Hardback
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Just Below South is the first book to examine the U.S. South and the Caribbean as a regional interculture shaped by performance - as a space defined not so much by a shared set of geographical boundaries or by a single, common culture as by the weave of performances and ...
Just Below South: Intercultural Performance in the Caribbean and the U.S. South
Just Below South is the first book to examine the U.S. South and the Caribbean as a regional interculture shaped by performance - as a space defined not so much by a shared set of geographical boundaries or by a single, common culture as by the weave of performances and identities moving across and throughout it. By offering fresh ways for thinking about region, language, and performance, the volume helps to reimagine the possibilities for American Studies. It advances beyond current analyses of historical or literary commonalities between the South and the Caribbean to explore startling and significant connections between a range of performances, including Trinidadian carnival, Civil War reenactments, the Martinican dance form kalenda, dramatic adaptations of Uncle Tom's Cabin, rituals of spirit possession, the teaching of Haitian Kreyol, the translation of Louisiana Creole, and the imaginative travels of southern and Caribbean writers. While generating textual conversations among scholars of Francophone, Anglophone, and Hispanophone literature and culture and forging innovative ties between cultural studies, performance studies, linguistics, literary analysis, and studies of the African diaspora, these essays raise provocative new questions about race, ethnicity, gender, class, and nationality.
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68.250000 USD

Just Below South: Intercultural Performance in the Caribbean and the U.S. South

Hardback
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Exhibiting Slavery examines the ways in which Caribbean postmodern historical novels about slavery written in Spanish, English, and French function as virtual museums, simultaneously showcasing and curating a collection of 'primary documents' within their pages. As Vivian Nun Halloran attests, these novels highlight narrative 'objects' extraneous to their plot - ...
Exhibiting Slavery: The Caribbean Postmodern Novel as Museum
Exhibiting Slavery examines the ways in which Caribbean postmodern historical novels about slavery written in Spanish, English, and French function as virtual museums, simultaneously showcasing and curating a collection of 'primary documents' within their pages. As Vivian Nun Halloran attests, these novels highlight narrative 'objects' extraneous to their plot - such as excerpts from the work of earlier writers, allusions to specific works of art, the uniforms of maroon armies assembled in preparation of a military offensive, and accounts of slavery's negative impact on the traditional family unit in Africa or the United States. In doing so, they demand that their readers go beyond the pages of the books to sort out fact from fiction and consider what relationship these featured 'objects' have to slavery and to contemporary life. The self-referential function of these texts produces a 'museum effect' that simultaneously teaches and entertains their readers, prompting them to continue their own research beyond and outside the text.
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62.480000 USD

Exhibiting Slavery: The Caribbean Postmodern Novel as Museum

by Vivian Nun Halloran
Hardback
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Haitian-American writer Edwidge Danticat is one of the most recognized writers today. Her debut novel, Breath, Eyes, Memory, was an Oprah Book Club selection, and works such as Krik? Krak! and Brother, I'm Dying have earned her a MacArthur genius grant and National Book Award nominations. Yet despite international acclaim ...
Edwidge Danticat: The Haitian Diasporic Imaginary
Haitian-American writer Edwidge Danticat is one of the most recognized writers today. Her debut novel, Breath, Eyes, Memory, was an Oprah Book Club selection, and works such as Krik? Krak! and Brother, I'm Dying have earned her a MacArthur genius grant and National Book Award nominations. Yet despite international acclaim and the relevance of her writings to postcolonial, feminist, Caribbean, African diaspora, Haitian, literary, and global studies, Danticat's work has not been the subject of a full-length interpretive literary analysis until now. In Edwidge Danticat: The Haitian Diasporic Imaginary, Nadege T. Clitandre offers a comprehensive analysis of Danticat's exploration of the dialogic relationship between nation and diaspora. Clitandre argues that Danticat-moving between novels, short stories, and essays-articulates a diasporic consciousness that acts as a form of social, political, and cultural transformation at the local and global level. Using the echo trope to approach Danticat's narratives and subjects, Clitandre effectively navigates between the reality of diaspora and imaginative opportunities that diasporas produce. Ultimately, Clitandre calls for a reconstitution of nation through a diasporic imaginary that informs the way people who have experienced displacement view the world and imagine a more diverse, interconnected, and just future.
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68.250000 USD

Edwidge Danticat: The Haitian Diasporic Imaginary

by Nadege T. Clitandre
Hardback
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In Bodies and Bones, Tanya Shields argues that a repeated engagement with the Caribbean's iconic and historic touchstones offers a new sense of (inter)national belonging that brings an alternative and dynamic vision to the gendered legacy of brutality against black bodies, flesh, and bone. Using a distinctive methodology she calls ...
Bodies and Bones: Feminist Rehearsal and Imagining Caribbean Belonging
In Bodies and Bones, Tanya Shields argues that a repeated engagement with the Caribbean's iconic and historic touchstones offers a new sense of (inter)national belonging that brings an alternative and dynamic vision to the gendered legacy of brutality against black bodies, flesh, and bone. Using a distinctive methodology she calls feminist rehearsal to chart the Caribbean's multiple and contradictory accounts of historical events, the author highlights the gendered and emergent connections between art, history, and belonging. By drawing on a significant range of genres-novels, short stories, poetry, plays, public statuary, and painting-Shields proposes innovative interpretations of the work of Grace Nichols, Pauline Melville, Fred D'Aguiar, Alejo Carpentier, Edwidge Danticat, Aime Cesaire, Marie-Helene Cauvin, and Rose Marie Desruisseau. She shows how empathetic alliances can challenge both hierarchical institutions and regressive nationalisms and facilitate more democratic interaction.
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57.750000 USD

Bodies and Bones: Feminist Rehearsal and Imagining Caribbean Belonging

by Tanya L. Shields
Hardback
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A Cultural History of Underdevelopment explores the changing place of Latin America in U.S. culture from the mid-nineteenth century to the recent U.S.-Cuba detente. In doing so, it uncovers the complex ways in which Americans have imagined the global geography of poverty and progress, as the hemispheric imperialism of the ...
A Cultural History of Underdevelopment: Latin America in the U.S. Imagination
A Cultural History of Underdevelopment explores the changing place of Latin America in U.S. culture from the mid-nineteenth century to the recent U.S.-Cuba detente. In doing so, it uncovers the complex ways in which Americans have imagined the global geography of poverty and progress, as the hemispheric imperialism of the nineteenth century yielded to the Cold War discourse of underdevelopment. John Patrick Leary examines representations of uneven development in Latin America across a variety of genres and media, from canonical fiction and poetry to cinema, photography, journalism, popular song, travel narratives, and development theory. For the United States, Latin America has figured variously as good neighbor and insurgent threat, as its possible future and a remnant of its past. By illuminating the conventional ways in which Americans have imagined their place in the hemisphere, the author shows how the popular image of the United States as a modern, exceptional nation has been produced by a century of encounters that travelers, writers, radicals, filmmakers, and others have had with Latin America. Drawing on authors such as James Weldon Johnson, Willa Cather, and Ernest Hemingway, Leary argues that Latin America has figured in U.S. culture not just as an exotic other but as the familiar reflection of the United States' own regional, racial, class, and political inequalities.
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78.750000 USD

A Cultural History of Underdevelopment: Latin America in the U.S. Imagination

by John Patrick Leary
Hardback
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Revealing Rebellion in Abiayala: The Insurgent Poetics of Contemporary Indigenous Literature
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57.750000 USD

Revealing Rebellion in Abiayala: The Insurgent Poetics of Contemporary Indigenous Literature

by Hannah Burdette
Hardback
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