Filter
(found 60 products)
Book cover image
Cuban author Alejo Carpentier (1904-1980) was a key figure in the foundation of contemporary Latin American fiction. By taking a critical position vis-a-vis the restitutionary current in Latin American studies (e.g., to focus on the myths of the noble savage, lost paradises, black legends, and good revolutionaries), James Pancrazio provides ...
The Logic of Fetishism: Alejo Carpentier and the Cuban Tradition
Cuban author Alejo Carpentier (1904-1980) was a key figure in the foundation of contemporary Latin American fiction. By taking a critical position vis-a-vis the restitutionary current in Latin American studies (e.g., to focus on the myths of the noble savage, lost paradises, black legends, and good revolutionaries), James Pancrazio provides a highly innovative re-reading of Carpentier's work. Borrowing theories of psychoanalysis, gender, performance, and Cuban literature and historiography, The Logic of Fetishism argues that the structure of disavowal functions as a creative alternative to the all-encompassing meta-narratives of exile and insularity. The purpose of this study is to demonstrate that transgression is written into the Cuban code: border crossings form the matrix of Cuban literature and culture. Pancrazio thus focuses on the oft-neglected transvestite, a figure who marks the entrance to the symbolic order and makes culture possible by representing representation.
https://magrudy-assets.storage.googleapis.com/9781611482089.jpg
47.46 USD
Hardback
Book cover image
Magnarelli's latest contribution to the critical dialogue on Spanish-American literature offers fresh, new readings of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied. She employs a variety of contemporary critical approaches - feminism, post-colonial theory, gender theory, postmodern ...
Home is Where the (He)art is: The Family Romance in Late Twentieth-century Mexican and Argentine Theater
Magnarelli's latest contribution to the critical dialogue on Spanish-American literature offers fresh, new readings of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied. She employs a variety of contemporary critical approaches - feminism, post-colonial theory, gender theory, postmodern theory, and cultural theory, among others - to examine in detail ten plays written or performed between 1956 and 1999. In her analysis of works by Griselda Gambaro, Eduardo Rovner, Sabina Berman, Diana Raznovich, Roberto Cossa, Hugo Arguelles, Marcela del Rio, and Luisa Josefina Hernandez, the North American critic proffers a welcome balance between close readings of the plays in question and a provocative discussion of sociopolitical issues as well as the mechanisms of theatre itself.
https://magrudy-assets.storage.googleapis.com/9780838757079.jpg
51.88 USD
Hardback
Book cover image
The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or ...
The Tropics Bite Back: Culinary Coups in Caribbean Literature
The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or rather the colonial mouth) from the late nineteenth century to the twenty-first. Unlike previous scholars, Valerie Loichot does not read food simply as a cultural trope. Instead, she is interested in literary cannibalism, which she interprets in parallel with theories of relation and creolization. For Loichot, the culinary is an abstract mode of resistance and cultural production. The Francophone and Anglophone authors whose works she interrogates-including Patrick Chamoiseau, Suzanne Cesaire, Aime Cesaire, Maryse Conde, Edwidge Danticat, Edouard Glissant, Lafcadio Hearn, and Dany Laferriere- bite back at the controlling images of the cannibal, the starved and starving, the cunning cook, and the sexualized octoroon with the ultimate goal of constructing humanity through structural, literal, or allegorical acts of ingesting, cooking, and eating. The Tropics Bite Back employs cross-disciplinary methods to rethink notions of race and literary influence by providing a fresh perspective on forms of consumption both metaphorical and material.
https://magrudy-assets.storage.googleapis.com/9780816679843.jpg
19.90 USD
Paperback / softback
Book cover image
Central at the Margin examines the work of five Brazilian women writers: Julia Lopes de Almeida, and women's power within and outside the family; Rachel de Queiroz and the relation between backcountry matriarchs and city wives and workers; Lygia Fagundes Telles and the crumbling world of the coffee aristocrat; Clarice ...
Central at the Margin: Five Brazilian Women Writers
Central at the Margin examines the work of five Brazilian women writers: Julia Lopes de Almeida, and women's power within and outside the family; Rachel de Queiroz and the relation between backcountry matriarchs and city wives and workers; Lygia Fagundes Telles and the crumbling world of the coffee aristocrat; Clarice Lispector and what constitutes a Brazilian, a woman, a writer; Carolina Maria de Jesus and the definition of marginality at the margin.They lived and worked between the late nineteenth century and the 1970s. Their names are widely recognized in Brazil: they are central to the literary scene there; collectively they have received every literary honor and prize available. The book examines the meaning of such centrality for women whose work is nevertheless not included in the history of the development of Brazilian literature - their centrality is problematic in their place of origin - and by implication, it questions concepts of centrality and marginality within Brazilian literature and in the relation between Brazilian and world literatures. Renata R. M. Wasserman is a Professor of English and Comparative Literatures at Wayne State University.
https://magrudy-assets.storage.googleapis.com/9780838756744.jpg
48.95 USD
Hardback
Book cover image
This book analyzes the narrative and rhetorical structures of Latin American colonial texts by establishing a dialogue with contemporary studies on minority discourse, minor literatures, and colonial and postcolonial theory. The first chapter reviews the current disciplinary debate between colonial Latin American studies and early modern, transatlantic, and postcolonial studies, ...
From Lack to Excess: Minor Reading of Latin American Colonial Discourse
This book analyzes the narrative and rhetorical structures of Latin American colonial texts by establishing a dialogue with contemporary studies on minority discourse, minor literatures, and colonial and postcolonial theory. The first chapter reviews the current disciplinary debate between colonial Latin American studies and early modern, transatlantic, and postcolonial studies, paying attention to the epistemic and institutional junctures that explain the current reconfiguration of these fields of scholarship. As an alternative to an exhausted debate, this study uses Gilles Deleuze and Felix Guattari's notion of a 'minor literature' along with current studies on minority discourse to propose new close readings of canonical texts by Hernan Cortes, Alvar Nunez Cabeza de Vaca, the Inca Garcilaso de la Vega, Carlos de Siguenza y Gongora and Sor Juana Ines de la Cruz. Yolanda Martinez-San Miguel is Associate Professor of Romance Languages at the University of Pennsylvania.
https://magrudy-assets.storage.googleapis.com/9780838756997.jpg
48.44 USD
Hardback
Book cover image
The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or ...
The Tropics Bite Back: Culinary Coups in Caribbean Literature
The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or rather the colonial mouth) from the late nineteenth century to the twenty-first. Unlike previous scholars, Valerie Loichot does not read food simply as a cultural trope. Instead, she is interested in literary cannibalism, which she interprets in parallel with theories of relation and creolization. For Loichot, the culinary is an abstract mode of resistance and cultural production. The Francophone and Anglophone authors whose works she interrogates-including Patrick Chamoiseau, Suzanne Cesaire, Aime Cesaire, Maryse Conde, Edwidge Danticat, Edouard Glissant, Lafcadio Hearn, and Dany Laferriere- bite back at the controlling images of the cannibal, the starved and starving, the cunning cook, and the sexualized octoroon with the ultimate goal of constructing humanity through structural, literal, or allegorical acts of ingesting, cooking, and eating. The Tropics Bite Back employs cross-disciplinary methods to rethink notions of race and literary influence by providing a fresh perspective on forms of consumption both metaphorical and material.
https://magrudy-assets.storage.googleapis.com/9780816679836.jpg
60.29 USD
Hardback
Book cover image
Epic, Empire, and Community in the Atlantic World studies the epic poem Espejo de paciencia by Silvestre de Balboa, written in 1608 in order to commemorate the abduction of bishop Fray Juan de las Cabezas Altamirano, which took place near the town of Bayamo in the eastern part of Cuba ...
Epic, Empire, and Community in the Atlantic World: Silvestre De Balboa's Espejo De Paciencia
Epic, Empire, and Community in the Atlantic World studies the epic poem Espejo de paciencia by Silvestre de Balboa, written in 1608 in order to commemorate the abduction of bishop Fray Juan de las Cabezas Altamirano, which took place near the town of Bayamo in the eastern part of Cuba on April 29, 1604. Marrer-Fente argues that the disappearance of the Espejo de paciencia manuscript during the seventeenth and eighteenth centuries did not prevent the poetic world described in the text from founding a trope of enduring possibilities in Cuban literature. Epic, Empire, and Community in the Atlantic World makes a salient contribution to Cuban colonial studies by offering a comparison between Balboa's poem and the works of other contemporary authors from the Canary Islands, Spain, Spanish America, emphasizing the relevance of transatlantic relations in the poetic production of the period.
https://magrudy-assets.storage.googleapis.com/9780838757024.jpg
38.21 USD
Hardback
Book cover image
This book offers a richly detailed panorama of contemporary Spanish Caribbean literature and culture, as well as a compelling theoretical exploration of how authors of the Spanish Caribbean (Cuba, Santo Domingo, and Puerto Rico) have incorporated the cultural legacy of Africa into their narrative fictions. The book offers an in-depth ...
Voices Out of Africa in Twentieth-century Spanish Caribbean Literature
This book offers a richly detailed panorama of contemporary Spanish Caribbean literature and culture, as well as a compelling theoretical exploration of how authors of the Spanish Caribbean (Cuba, Santo Domingo, and Puerto Rico) have incorporated the cultural legacy of Africa into their narrative fictions. The book offers an in-depth analysis of cultural and religious expressions associated with Africa in the Caribbean and of the complex codification associated with the representation of those expressions. Voices Out of Africa explores how literary representations of Africa in the Spanish Caribbean construct a self-referential discourse about Africa in a Caribbean landscape, and examines how Afro-Caribbean practices, rituals, local memories, and belief systems inform such discourse. It is a textual journey through the multiple layers of the region's cultural expressions. It is also a work of scholarship and theory accessible to scholars and to interested laypersons in Afro-Caribbean lore and culture. Julia Cuervo Hewitt is Associate Professor of Spanish and Portuguese at Pennsylvania State University.
https://magrudy-assets.storage.googleapis.com/9780838757291.jpg
67.22 USD
Hardback
Book cover image
Verses Against the Darkness: offers a new assessment of Pablo Neruda's poetry by looking at the intersection of his aesthetic method and political radicalism from 1925 to 1954. It challenges the canonical view that Neruda was a gifted verse maker who, in 1936, let himself be carried away by the ...
Verses Against the Darkness: Pablo Neruda's Poetry and Politics
Verses Against the Darkness: offers a new assessment of Pablo Neruda's poetry by looking at the intersection of his aesthetic method and political radicalism from 1925 to 1954. It challenges the canonical view that Neruda was a gifted verse maker who, in 1936, let himself be carried away by the excesses of communist politics. Instead, by focusing primarily on Tercera residencia (1935-1945), Greg Dawes argues for an uneven yet steady evolution and continuity in Neruda's work, politics, and morality. Dawes relies on historical accounts, biographies, literary history, and criticism - and on Neruda's political and aesthetic theory - to prove that his poetry became, contrary to received critical opinion, more sophisticated literarily and politically as he became more radicalized during the Spanish Civil War and World War II and as he developed his dialectical realism or guided spontaneity. Greg Dawes is Associate Professor of Latin American and World Literatures at North Carolina State University and is the editor of the on-line journal A contracorriente.
https://magrudy-assets.storage.googleapis.com/9780838756430.jpg
USD
Hardback
Book cover image
Littoral of the Letter is the first full-fledged study in English of the work of the late Argentine author Juan Jose Saer (1937-2005), who was highly regarded as Argentina's best living novelist, a continuator of Burgess' literary legacy. Characterized by an uncommon coherence and rigor, Juan Jose Saer's writing defies ...
Littoral of the Letter: Saer's Art of Narration
Littoral of the Letter is the first full-fledged study in English of the work of the late Argentine author Juan Jose Saer (1937-2005), who was highly regarded as Argentina's best living novelist, a continuator of Burgess' literary legacy. Characterized by an uncommon coherence and rigor, Juan Jose Saer's writing defies simple categories. In both his fictional and essayistic writing, Saer defamiliarizes the reader by questioning some of his most cherished certainties, especially those having to do with the role ascribed to Latin American literature, the uses of prose and poetry in the present, and the relation between language and the mass media. By questioning the assimilation of prose theory and the novel theory dictated by pragmatic needs of the state and the market, Saer produces a change in the function of narrative language that allows him to start where more traditional forms of realism end: the unsayable. The purpose of the book is to make explicit Saer's procedures, the main coordinates of his poetics and to reflect on the situation of literature in an age dominated by images and the total cultural phenomenon. Gabriel Riera is Assistant Professor of Comparative Literature at Princeton University.
https://magrudy-assets.storage.googleapis.com/9780838756652.jpg
USD
Hardback
Book cover image
The End of the World as They Knew It maps the shifting constructions of the space of the South in Argentine discourses of identity, nation, and self-fashioning. In works by Domingo F. Sarmiento, Lucio V. Mansilla, Francisco P. Moreno, Jorge Luis Borges, Ricardo Piglia, and Cesar Aira, Eva-Lynn Alicia Jagoe ...
The End of the World as They Knew it: Writing Experiences of the Argentine South
The End of the World as They Knew It maps the shifting constructions of the space of the South in Argentine discourses of identity, nation, and self-fashioning. In works by Domingo F. Sarmiento, Lucio V. Mansilla, Francisco P. Moreno, Jorge Luis Borges, Ricardo Piglia, and Cesar Aira, Eva-Lynn Alicia Jagoe examines how representations of the South - as primitive, empty, violent, or a place of potential - inform Argentine liberal ideology. Part of this process entails the reception of travel narratives by Francis Bond Head, Charles Darwin, and W.H. Hudson, which served the purpose of ratifying the gaze of the criollo, and of appropriating the South through civilized discourses.Focusing on crucial moments in Argentine cultural history, such as the 1871 Conquest of the Desert and the military dictatorship of the 1970s, Jagoe compellingly argues that these intensely experiential narrations of the South are inextricably linked to questions of collective memory and the construction of an Argentine history and tradition. Well written and thoroughly researched, The End of the World as They Knew It will appeal to scholars of Argentine literature and culture, as well as those interested in travel writing and nation building.
https://magrudy-assets.storage.googleapis.com/9780838756973.jpg
52.99 USD
Hardback
Book cover image
This book is a path-breaking contribution to the study of the enigmatic Peruvian anthropologist and creative writer, Jose Maria Arguedas. Not only the first book-length study on this important Latin American writer in English, this study also gives us a new way to read Latin American indigenista and neo-indigenista writing, ...
Creating The Hybrid Intellectual: Subject, Space, and the Feminine in the Narrative of Jose Maria Argiedas
This book is a path-breaking contribution to the study of the enigmatic Peruvian anthropologist and creative writer, Jose Maria Arguedas. Not only the first book-length study on this important Latin American writer in English, this study also gives us a new way to read Latin American indigenista and neo-indigenista writing, by insisting on linking a reading of gender and gendered categories in Arguedian narrative with a reading of race and ethnicity. Lambright asserts that it is through reading the role and trajectory of the feminine in Arguedian narrative that we can best understand the author's national vision. Lambright's analysis also identifies and theorizes a less-studied subject capable of understanding, mediating, and expressing white, mestizo, and indigenous cultures.Using theories of gender, race, nationness, and radical geography, Lambright shows how Arguedian narrative creates new mappings of Peru that contest dominant understandings of the same, and how the hybrid intellectual moves among spaces and national subjects that resist and provide alternatives to an oppressive dominant culture. Anne Lambright is an Associate Professor of Modern Language and Literatures at Trinity College in Hartford.
https://magrudy-assets.storage.googleapis.com/9780838756836.jpg
130.18 USD
Hardback
Book cover image
Out of Bounds teases out the intricacies of a territorial conception of nationhood in the context of a global reorganization that ostensibly renders historical boundaries irrelevant. Hispanic Caribbean writers have traditionally pointed toward the supposed perfect equivalence of island and nation and have explained local culture as a direct consequence ...
Out of Bounds: Islands and the Demarcation of Identity in the Hispanic Caribbean
Out of Bounds teases out the intricacies of a territorial conception of nationhood in the context of a global reorganization that ostensibly renders historical boundaries irrelevant. Hispanic Caribbean writers have traditionally pointed toward the supposed perfect equivalence of island and nation and have explained local culture as a direct consequence of that equation. The major social, political, and demographic shifts of the twentieth century increasingly call this equation into question, yet authors continue to assert its existence and its centrality in the evolution of Caribbean identity.The author contends that traditional forms of identification have not been eviscerated by globalization; instead, they have persisted and, in some cases, have been intensified by recent geopolitical shifts. Out of Bounds underscores the ongoing role of the nation as the site of identity formation. In this manner, the book presents Hispanic Caribbean cultural production as a case study that acutely dramatizes the paradoxical status of traditional demarcations of self-definition in an increasingly globalized context. Dara E. Goldman is Associate Professor of Spanish at the University of Illinois at Urbana-Champaign.
https://magrudy-assets.storage.googleapis.com/9780838756775.jpg
51.88 USD
Hardback
Book cover image
Educating the Educators consists of two narratives. The first discusses the paradigmatic shifts that have taken place within British Hispanism in response to the historical development of capitalism, through its competitive, monopolistic, and global stages. At the ideological level, these shifts correspond to the transformation of the traditional intellectual into ...
Educating the Educators: Hispanism and Its Institutions
Educating the Educators consists of two narratives. The first discusses the paradigmatic shifts that have taken place within British Hispanism in response to the historical development of capitalism, through its competitive, monopolistic, and global stages. At the ideological level, these shifts correspond to the transformation of the traditional intellectual into a state functionary and, ultimately, into a technician or 'expert', totally subsumed under capital and charged with the management of 'cultural studies'. Running alongside, and locked into, this first narrative is a second, which, in the form of three autobiographical essays, traces the author's long trek from his childhood origins in a working class family, through the institutions of education- and the experience of embourgeoisement- to his attempts, within the Australasian, Carribean, and North American academies, to retrieve the legacy of socialism. These two narratives are brought into symbolic relation through a theory of ideological production that explores the radicalizing effects of contradiction and conflict within the otherwise unconscious reproduction of social relations.
https://magrudy-assets.storage.googleapis.com/9780874138405.jpg
22.73 USD
Paperback / softback
Book cover image
Through economic liberalization and the untethering of labor and production markets, masculinity as hegemon has entered a crisis stage. Renegotiated labor and familial orders have triggered a widespread cultural renegotiation of how masculinity operates and is represented. This holds especially true in Latin America. Addressing this, Vinodh Venkatesh uses contemporary ...
The Body as Capital: Masculinities in Contemporary Latin American Fiction
Through economic liberalization and the untethering of labor and production markets, masculinity as hegemon has entered a crisis stage. Renegotiated labor and familial orders have triggered a widespread cultural renegotiation of how masculinity operates and is represented. This holds especially true in Latin America. Addressing this, Vinodh Venkatesh uses contemporary Latin American literature to examine how masculinity is constructed and conceived. The Body as Capital centers socioeconomic and political concerns, anxieties, and paradigms on the male anatomy and on the matrices of masculinities presented in fiction. Developing concepts such as the "market of masculinities" and the "transnational theater of masculinities," the author explains how contemporary fiction centers the male body and masculine expressions as key components in the relationship between culture, space, and global tensile forces. Venkatesh includes novels by canonical and newer writers from Mexico, Central America, the Caribbean, Peru, and Chile. He focuses on texts produced after 1990, coinciding with what has popularly been termed the neoliberal experiment. In addition to probing well-known novels such as La fiesta del Chivo and La mujer habitada and their accompanying body of criticism, The Body as Capital defines and examines several masculine tropes that will be of interest to scholars of contemporary Latin American literature and gender studies. Ultimately, Venkatesh argues for a more holistic approximation of discursive gender that will feed into other angles of criticism, forging a new path in the critical debates over gender and sexuality in Latin American writing.
https://magrudy-assets.storage.googleapis.com/9780816500697.jpg
26.200000 USD
Paperback / softback
Book cover image
This is an historically comparative postcolonial study asserting the dialogic relation between Irish and Caribbean narrative form, relating Irish Big House and Caribbean Plantation novels, the 'errantry' of Jocye's and Walcott's epic geographies, and the transition from traditional bildrungsroman modes of exile to contemporary memoirs of 'diseased' emigration. The book ...
Washed by the Gulf Stream: The Historic and Geographic Relation of Irish and Caribbean Literature
This is an historically comparative postcolonial study asserting the dialogic relation between Irish and Caribbean narrative form, relating Irish Big House and Caribbean Plantation novels, the 'errantry' of Jocye's and Walcott's epic geographies, and the transition from traditional bildrungsroman modes of exile to contemporary memoirs of 'diseased' emigration. The book focuses on the demise of empire and the role of geography in creating an 'island imaginary' for writers from James Joyce and Jean Rhys to Jamaica Kincaid and Frank McCourt.The complex interplay of cultures that makes up both Ireland and the Caribbean, the islands they inhabit both literally and metaphorically, ensures that neither peoples nor cultures exist in anything less than a 'meta-archipelago'. The links in these chains of islands and peoples, dispersed geographically, economically, and politically connect strongly, not simply throughout the North Atlantic but throughout the larger diasporic world. Maria McGarrity is an associate professor of English at Long Island University in Brooklyn, New York.
https://magrudy-assets.storage.googleapis.com/9780874130287.jpg
33.61 USD
Hardback
Book cover image
This collection offer a series of new essays authored by leading scholars of Latin American and U.S. Latino theater as well as the performance script Mexterminator vs. The Global Predator , written by Guillermo Gomez-Pena. The fourteen essays focus on contemporary Latin American and U.S. Latino plays and performances and ...
Trans/acting: Latin American and Latino Performing Arts
This collection offer a series of new essays authored by leading scholars of Latin American and U.S. Latino theater as well as the performance script Mexterminator vs. The Global Predator , written by Guillermo Gomez-Pena. The fourteen essays focus on contemporary Latin American and U.S. Latino plays and performances and challenge the meanings of genre, gender, race, cultural identity, and performance itself in the context of globalization and shifting borders. The concept of trans/acting, a term that connotes negotiation and/or exchange, provides the framework for essays that include such topics as tansculturation, transnationalism, transgender, transgenre, translation, and adaptation. These individual studies of contemporary theater and performance arts are complimented by trans/actor Gomez-Pena's Mexterminator vs. The Global Predator , a striking transgressive script that underscores the performance nature of territorial and symbolic border crossings. Jacqueline Bixler is Alumni Distinguished Professor of Spanish at Virginia Tech. Laurietz Seda is Associate Professor of Spanish at the University of Connecticut-Storrs.
https://magrudy-assets.storage.googleapis.com/9780838757260.jpg
USD
Hardback
Book cover image
This study examines Afro-Cuban and Afro-Brazilian women writers, as well as analyzing the roles of women of African descent in Cuban and Brazilian literature. Initially, literary imagination locked women into circumscribed roles, a result of hierarchies embedded in slavery and coloniality, and sustained by hierarchical theories on race and gender. ...
Literary Passion, Ideological Commitment: Toward a Legacy of Afro-Cuban and Afro-Brazilian Women Writers
This study examines Afro-Cuban and Afro-Brazilian women writers, as well as analyzing the roles of women of African descent in Cuban and Brazilian literature. Initially, literary imagination locked women into circumscribed roles, a result of hierarchies embedded in slavery and coloniality, and sustained by hierarchical theories on race and gender. The discussion illustrates how these negative aspects have influenced the mainstream literary imagination that contrasts with the 'self-portrayals' created by women writers themselves.Even as there continues to be disadvantageous constructions, there is no doubt that a modification has occurred over time in images, representation, and articulation. It is a change directly associated with the instances when women themselves are the writers. The historiographic image of the Afro-Cuban and Afro-Brazilian woman as a written object is ideologically replaced by a vision of her as a writing subject. It is here that the vision of a creative, multifaceted, and diversified literature becomes important. Dawn Duke is an Assistant Professor of Spanish and Portuguese at the University of Tennessee.
https://magrudy-assets.storage.googleapis.com/9780838757062.jpg
50.12 USD
Hardback
Page 1 of 2