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This book offers a theory about the origin and evolution of the Latin American narrative, and about the emergence of the modern novel. It argues that the novel developed from the discourse of the law in the Spanish Empire during the sixteenth century, while many of the early historical documents ...
Myth and Archive: A Theory of Latin American Narrative
This book offers a theory about the origin and evolution of the Latin American narrative, and about the emergence of the modern novel. It argues that the novel developed from the discourse of the law in the Spanish Empire during the sixteenth century, while many of the early historical documents concerning the New World assumed the same forms, furnished by the notarial arts. Thus, both the novel and these first Latin American narratives imitated the language of authority. The book explores how the same process is repeated in two key moments in the history of the Latin American narrative. In the nineteenth century, the model was the discourse of scientific travellers such as von Humboldt and Darwin, while in the twentieth century, the discourse of anthropology - the study of language and myth - has come to shape the narrative. Professor Gonzalez Echevarria's theoretical approach is drawn from a reading of Carpentier's Los pasos perdidos, and the book centres on major figures in the tradition such as Columbus, Garcilaso el Inca, Sarmiento, Gallegos, Borges and Garcia Marquez.
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157.490000 USD

Myth and Archive: A Theory of Latin American Narrative

by Roberto Gonzalez Echevarria
Hardback
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A luminous history of Cuba's most dynamic and defining rituals and the ever-improvisational character of Cuban culture In the Cuban town of Sagua la Grande, a young Roberto Gonzalez Echevarria peers out the window of his family home on the morning of the Nochebuena fiesta as preparations begin for the ...
Cuban Fiestas
A luminous history of Cuba's most dynamic and defining rituals and the ever-improvisational character of Cuban culture In the Cuban town of Sagua la Grande, a young Roberto Gonzalez Echevarria peers out the window of his family home on the morning of the Nochebuena fiesta as preparations begin for the slaughter of a feast day pig. The author recalls watching them at a distance, though thinking, fearing, that once I grew older I would have to participate in the whole event. Now an acclaimed scholar of Latin American literature, Gonzalez Echevarria returns to the rituals that defined his young life in Cuban Fiestas. Drawing from art, literature, film, and even the national sport of baseball, he vividly reveals the fiesta as a dynamic force of both destruction and renewal in the life of a people. Roberto Gonzalez Echevarria masterfully exposes the distinctive elements of the fiesta cubana that give depth and coherence to more than two centuries of Cuban cultural life. Reaching back to nineteenth-century traditions of Cuban art and literature, and augmenting them, in the twentieth, with the arts of narrative, the esthetic performances of sport and entertainment in nightclubs, on the baseball diamond, and in movie theaters, Cuban Fiestas renders the lilting strains of the fiesta and drum beats of the passage of time as keys to understanding the dynamic quality of Cuban culture. Gonzalez Echevarria's explorations are also illuminated by autobiographical vignettes that unveil the ever-shifting impact of the fiesta on the author's own story of exile and return.
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46.49 USD

Cuban Fiestas

by Roberto Gonzalez Echevarria
Hardback
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Serves as a kind of cultural-historical road map to Sao Paulo (including alternative routes and detours), one that will be a necessary resource for any subsequent cultural studies of Sao Paulo and Latin American urbanization. --Justin Read, author ofModern Poetics and Hemispheric American Cultural Studies The essays brought together in ...
Sao Paulo: Perspectives on the City and Cultural Production
Serves as a kind of cultural-historical road map to Sao Paulo (including alternative routes and detours), one that will be a necessary resource for any subsequent cultural studies of Sao Paulo and Latin American urbanization. --Justin Read, author ofModern Poetics and Hemispheric American Cultural Studies The essays brought together in this volume all focus on the city of Sao Paulo, in the triple dynamic of cultural production: the critical representation of society, the analytical interpretation of the internal dynamic, and the principled imagination of alternative ways of living. --Pedro Meira Monteiro, author ofA Moralist in the Tropics David Foster brings an intense curiosity and lifelong familiarity to this unique examination of the cultural tapestry of Sao Paulo, the largest city in South America and the second largest in Latin America. Examining everything from the poetics of Mario de Andrade to the Eisner Award-winning graphic novels of Fabio Moon and Gabriel Ba, Foster paints a portrait as colorful and multifaceted as the city it reveals. He offers representative examples of poetry, fiction, graphic art, photography, film, and social commentary to introduce readers to some of the most important cultural dimensions of the city as well as some of its most outstanding writers and artists. Foster selects his featured artists and works with care and precision in order to reveal insights into the development of the city throughout the twentieth century. This is a tour-de-force overview of the cultural output of one of the world's great urban centers, one that future researchers on Brazilian culture will ignore at their peril. David William Foster, Regents' Professor of Spanish, Humanities, and Women's Studies at Arizona State University, is author of Buenos Aires: Perspectives on the City and Cultural Production, Urban Photography in Argentina: Nine Artists of the Post-Dictatorship Era, and Queer Issues in Contemporary Latin American Cinema.
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66.71 USD
Hardback
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An analysis of selected texts that are viewed as cultural responses to military tyranny, and especially to the military dictatorship in Argentina between 1976 and 1983, this important work studies the process of institutional redemocratization. Basing his discussion on the principle that a literary work constitutes a rewriting of the ...
Violence in Argentine Literature: Cultural Responses to Tyranny
An analysis of selected texts that are viewed as cultural responses to military tyranny, and especially to the military dictatorship in Argentina between 1976 and 1983, this important work studies the process of institutional redemocratization. Basing his discussion on the principle that a literary work constitutes a rewriting of the sociohistorical text, Foster examines a range of essays and novels for the ways in which they structure an interpretation of sociopolitical events. Of particular concern is the ideological framing of the literary work and the semiotic complications that arise in the rewriting of a complex and often elusive historical past. Foster pays special attention to the contributions of feminist writing and discusses two dramatic texts by women. There are also references to other dimensions of subalternity, especially within the framework of the military's tight ideological array of enemies of the fatherland whose cultural production suffered repression. Foster discusses the works of such authors as Enrique Medina, Marta Lynch, Griselda Gambaro, Ricardo Piglia, and Alejandra Pizarnik, among others. By focusing on major literary texts produced during a time of censorship and other forms of repression, Foster provides a deeper understanding of Argentine culture. Scholars and students of Latin American literature in general, and humanists and social scientists specializing in Argentina in particular, will welcome this insightful new contribution.
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47.84 USD
Hardback
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