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Magnarelli's latest contribution to the critical dialogue on Spanish-American literature offers fresh, new readings of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied. She employs a variety of contemporary critical approaches - feminism, post-colonial theory, gender theory, postmodern ...
Home is Where the (He)art is: The Family Romance in Late Twentieth-century Mexican and Argentine Theater
Magnarelli's latest contribution to the critical dialogue on Spanish-American literature offers fresh, new readings of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied. She employs a variety of contemporary critical approaches - feminism, post-colonial theory, gender theory, postmodern theory, and cultural theory, among others - to examine in detail ten plays written or performed between 1956 and 1999. In her analysis of works by Griselda Gambaro, Eduardo Rovner, Sabina Berman, Diana Raznovich, Roberto Cossa, Hugo Arguelles, Marcela del Rio, and Luisa Josefina Hernandez, the North American critic proffers a welcome balance between close readings of the plays in question and a provocative discussion of sociopolitical issues as well as the mechanisms of theatre itself.
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51.88 USD
Hardback
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The city is not only built of towers of steel and glass; it is a product of culture. It plays an especially important role in Latin America, where urban areas hold a near-monopoly on resources and are home to an expanding population. The essays in this collection assert that women's ...
Unfolding the City: Women Write the City in Latin America
The city is not only built of towers of steel and glass; it is a product of culture. It plays an especially important role in Latin America, where urban areas hold a near-monopoly on resources and are home to an expanding population. The essays in this collection assert that women's views of the city are unique and revealing. For the first time, Unfolding the City addresses issues of gender and the urban in literature-particularly lesser-known works of literature-written by Latin American women from Mexico City, Santiago, and Buenos Aires. The contributors propose new mappings of urban space; interpret race and class dynamics; and describe Latin American urban centers in the context of globalization.Contributors: Debra A. Castillo, Cornell U; Sandra Messinger Cypess, U of Maryland; Guillermo Irizarry, U of Massachusetts, Amherst; Naomi Lindstrom, U of Texas, Austin; Jacqueline Loss, U of Connecticut; Dorothy E. Mosby, Mount Holyoke College; Angel Rivera, Worcester Polytechnic Institute; Lidia Santos, Yale U; Marcy Schwartz, Rutgers U; Daniel Noemi Voionmaa, U of Michigan; Gareth Williams, U of Michigan.Anne Lambright is associate professor of modern languages and literature at Trinity College in Hartford, Connecticut. Elisabeth Guerrero is associate professor of Spanish at Bucknell University.
58.16 USD
Hardback
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One-third of the population of Puerto Rico moved to New York City during the mid-twentieth century. Since this massive migration, Puerto Rican literature and culture have grappled with an essential change in self-perception. Mainland Passage examines the history of that transformation, the political struggle over its representation, and the ways ...
Mainland Passage: The Cultural Anomaly of Puerto Rico
One-third of the population of Puerto Rico moved to New York City during the mid-twentieth century. Since this massive migration, Puerto Rican literature and culture have grappled with an essential change in self-perception. Mainland Passage examines the history of that transformation, the political struggle over its representation, and the ways it has been imagined in Puerto Rico and in the work of Latina/o fiction writers. Ramon E. Soto-Crespo argues that the most significant consequence of this migration is the creation of a cultural and political borderland state. He intervenes in the Puerto Rico status debate to show that the two most discussed options-Puerto Rico's becoming either a fully federated state of the United States or an independent nation-represent false alternatives, and he forcefully reasons that Puerto Rico should be recognized as an anomalous political entity that does not conform to categories of political belonging. Investigating a fundamental shift in the way Puerto Rican writers, politicians, and scholars have imagined their cultural identity, Mainland Passage demonstrates that Puerto Rico's commonwealth status exemplifies a counterhegemonic logic and introduces a vital new approach to understanding Puerto Rican culture and history. An extraordinarily effective and persuasive synthesis of political theory, historical exposition, and cultural analysis that does real justice to a topic of daunting complexity. Ramon Soto-Crespo's readings strike me as some of the best work being done now in US Latino literary criticism. -Ricardo L. Ortiz, Georgetown University Mainland Passage is a provocative intervention into some of the most intractable problems in Puerto Rican studies. -The Americas
54.35 USD
Hardback
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The distinction in North Atlantic cultures between aesthetics and politics, argues Greg Dawes, is artificially constructed because it does not take into account the socially based origins of these spheres. Although it is true that intellectuals and artists often function as politicians or diplomats in Latin America and that they ...
Aesthetics and Revolution: Nicaraguan Poetry 1979-1990
The distinction in North Atlantic cultures between aesthetics and politics, argues Greg Dawes, is artificially constructed because it does not take into account the socially based origins of these spheres. Although it is true that intellectuals and artists often function as politicians or diplomats in Latin America and that they are relegated to an autonomous realm in North America, the fact remains that aesthetics in both regions is embedded in sociohistorical events.In Aesthetics and Revolution, Dawes demonstrates that there is an objective grounding for cultural studies found in the aesthetic means of production. By analyzing the relations and forces of production in this realm we inevitably cross over into the economic means of production as well as the struggle for political representation. Ultimately, aesthetics is at the intersection of class and gender interests and their struggle for hegemony. In Aesthetics and Revolution, Dawes has chosen a group of writers of different theoretical sympathies, class, gender, and social positions to reveal the conflictual interests of the social classes and genders as a whole. Through close readings of their work, Dawes examines the thematic nodes that are expressed in positions as diverse as Ernesto Cardenal's liberation theology, Pablo Antonio Cuadra's populism, the campesino's oral tradition, and Gioconda Belli's erotic verses in relation to the changes taking place in revolutionary Nicaragua.
31.450000 USD
Hardback
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