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The materials we turn to for the construction of our literary pasts - the texts, performances, and discussions selected for storage and cataloguing in archives - shape what we know and teach about literature today. The ways in which archival materials have been structured into forms of preservation, in turn, ...
CanLit Across Media: Unarchiving the Literary Event
The materials we turn to for the construction of our literary pasts - the texts, performances, and discussions selected for storage and cataloguing in archives - shape what we know and teach about literature today. The ways in which archival materials have been structured into forms of preservation, in turn, impact their transference and transformation into new forms of presentation and re-presentation. Exploring the production of culture through and outside of the archives that preserve and produce CanLit as an entity, CanLit Across Media asserts that CanLit arises from acts of archival, critical, and creative analysis. Each chapter investigates, challenges, and provokes this premise by examining methods of unarchiving Canadian and Indigenous literary texts and events from the 1950s to the present. Engaging with a remediated archive, or unarchiving, allows the authors and editors to uncover how the materials that document past acts of literary production are transformed into new forms and experiences in the present. The chapters consider literature and literary events that occurred before live audiences or were broadcast, and that are now recorded in print publications and documents, drawings, photographs, flat disc records, magnetic tape, film, videotape, and digitized files. Showcasing the range of methods and theories researchers use to engage with these materials, CanLit Across Media reanimates archives of cultural meaning and literary performance. Contributors include Jordan Abel (University of Alberta), Andrea Beverley (Mount Allison University), Clint Burnham (Simon Fraser University), Jason Camlot (Concordia University), Joel Deshaye (Memorial University of Newfoundland), Deanna Fong (Simon Fraser University), Catherine Hobbs (Library and Archives Canada), Dean Irvine (Agile Humanities), Karl Jirgens (University of Windsor), Marcelle Kosman (University of Alberta), Jessi MacEachern (Concordia University), Katherine McLeod (Concordia University), Linda Morra (Bishop's University), Karis Shearer (University of British Columbia, Okanagan), Felicity Tayler (University of Ottawa), and Darren Wershler (Concordia University).
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126.000000 USD
Hardback
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According to its licence plates, tourist brochures, and commercials, Nova Scotia is Canada's Ocean Playground - an idyllic vacation spot brimming with traditional cultural experiences. Yet this picturesque and welcoming ad-friendly facade overlooks the province's history of industrial development, the impact of resource extraction on its landscape, and the effects ...
Nights below Foord Street: Literature and Popular Culture in Postindustrial Nova Scotia
According to its licence plates, tourist brochures, and commercials, Nova Scotia is Canada's Ocean Playground - an idyllic vacation spot brimming with traditional cultural experiences. Yet this picturesque and welcoming ad-friendly facade overlooks the province's history of industrial development, the impact of resource extraction on its landscape, and the effects of its painful and still unfinished period of deindustrialization. Recounting Nova Scotia's struggle to come to terms with its extractive and industrial past, Nights below Foord Street focuses on the spaces ignored by the province's annual Doers and Dreamers tourist guide. Drawing on literary texts by Lynn Coady, Leo McKay, Sarah Mian, and Jonathan Campbell, popular television shows such as Trailer Park Boys, and films including Blackbird, Cottonland, and Poor Boy's Game, Peter Thompson examines the ways in which contemporary authors, filmmakers, and artists explore the lingering consequences of the boom-and-bust cycles of mining and manufacturing. As he demonstrates, these narratives depict a legacy of environmental exploitation, pollution, intermittent disasters, and labour violence left behind by the industrial era, all of which contrast starkly with the romantic and nostalgic portrait of Nova Scotia's industrial heritage promoted in museums, monuments, and tourist sites. As Donald Trump and other populist politicians appeal to working-class nostalgia and international attention converges on environmental racism in northern Nova Scotia, Nights below Foord Street intervenes into debates over the cultural and social effects of the postindustrial economy.
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Robert Kroetsch: Essayist, Novelist, Poet brings together an international cast of critics, scholars, and writers to examine, re-examine, and honour the celebrated author's immense significance in the twenty-first century, and what it means to be Canadian and part of the country's literary landscape. Original essays by Dennis Cooley, Phil Hall, ...
Robert Kroetsch: Essayist, Novelist, Poet
Robert Kroetsch: Essayist, Novelist, Poet brings together an international cast of critics, scholars, and writers to examine, re-examine, and honour the celebrated author's immense significance in the twenty-first century, and what it means to be Canadian and part of the country's literary landscape. Original essays by Dennis Cooley, Phil Hall, Nicole Markotic, Aritha van Herk, and Rudy Wiebe, among others. The author of nine novels, thirteen books of poetry, and seven non-fiction volumes, Robert Kroetsch (1927-2011) was a major figure in the development and history of literature in Canada. He won the Governor General's Award for Fiction for The Studhorse Man (1969) and was shortlisted for the Governor General's Award for Poetry for The Hornbooks of Rita K. (2001). He received honorary degrees from the University of Winnipeg (1983) and the University of Alberta (1997), and was made an Officer of the Order of Canada (2004). Robert Kroetsch stands as a seminal figure in the Canadian literary landscape. In his early fiction he introduced postmodern techniques into the mainstream of Canadian fiction. He then moved on to writing poetry while still writing fiction, and created a new vision for poets across the country, defining the nature of the poetic experience by searching out the roots of his place in the Canadian landscape. Robert Kroetsch: Essayist, Novelist, Poet is a timely reminder of the immense significance that Kroetsch holds in the twenty-first-century understanding of what it means to be Canadian and part of the country's literary landscape. This book is published in English. - Robert Kroetsch (1927-2011) est une figure majeure de l'histoire et du developpement de la litterature au Canada. Son roman intitule The Studhorse Man (1969) lui a permis de remporter le Prix litteraire du Gouverneur general dans la categorie roman et nouvelles ; par ailleurs, son recueil de poesie, intitule The Hornbooks of Rita K. (2001), a figure sur la liste des finalistes du Prix litteraire du Gouverneur general dans la categorie poesie. De plus, il s'est vu decerner un doctorat honoris causa par deux universites canadiennes, l'Universite de Winnipeg (1983) et l'Universite de l'Alberta (1997), et il a ete fait officier de l'Ordre du Canada (2004). Robert Kroetsch est une figure marquante du paysage litteraire canadien. Dans ses premiers ouvrages de fiction, il a introduit des techniques de narration postmodernes dans le courant dominant et jusqu'alors plutot conventionnel de la fiction canadienne. Il a ensuite entrepris d'ecrire de la poesie tout en poursuivant son oeuvre romanesque. Ce faisant, il a su creer une nouvelle vision pour les poetes canadiens ; il a, entre autres, defini la nature de l'experience poetique en se questionnant sur le sens de l'identite canadienne et sur la place qu'il occupait dans le paysage litteraire canadien. L'ouvrage intitule Robert Kroetsch : romancier, poete et essayiste constitue un rappel opportun de l'importance considerable de cet auteur majeur, qui nous a permis de mieux comprendre ce que cela signifiait d'etre Canadien au XXIe siecle et d'appartenir au paysage litteraire canadien. Ce livre est publie en anglais.
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According to its licence plates, tourist brochures, and commercials, Nova Scotia is Canada's Ocean Playground - an idyllic vacation spot brimming with traditional cultural experiences. Yet this picturesque and welcoming ad-friendly facade overlooks the province's history of industrial development, the impact of resource extraction on its landscape, and the effects ...
Nights below Foord Street: Literature and Popular Culture in Postindustrial Nova Scotia
According to its licence plates, tourist brochures, and commercials, Nova Scotia is Canada's Ocean Playground - an idyllic vacation spot brimming with traditional cultural experiences. Yet this picturesque and welcoming ad-friendly facade overlooks the province's history of industrial development, the impact of resource extraction on its landscape, and the effects of its painful and still unfinished period of deindustrialization. Recounting Nova Scotia's struggle to come to terms with its extractive and industrial past, Nights below Foord Street focuses on the spaces ignored by the province's annual Doers and Dreamers tourist guide. Drawing on literary texts by Lynn Coady, Leo McKay, Sarah Mian, and Jonathan Campbell, popular television shows such as Trailer Park Boys, and films including Blackbird, Cottonland, and Poor Boy's Game, Peter Thompson examines the ways in which contemporary authors, filmmakers, and artists explore the lingering consequences of the boom-and-bust cycles of mining and manufacturing. As he demonstrates, these narratives depict a legacy of environmental exploitation, pollution, intermittent disasters, and labour violence left behind by the industrial era, all of which contrast starkly with the romantic and nostalgic portrait of Nova Scotia's industrial heritage promoted in museums, monuments, and tourist sites. As Donald Trump and other populist politicians appeal to working-class nostalgia and international attention converges on environmental racism in northern Nova Scotia, Nights below Foord Street intervenes into debates over the cultural and social effects of the postindustrial economy.
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Hardback
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Every year in the United States, 12% of all births are preterm births, 5% of all babies need help to breathe at birth, and 3% of neonates are born with at least one severe malformation. Many of these babies are hospitalized in a neonatal intensive care unit. Annie Janvier and ...
Breathe, Baby, Breathe!: Neonatal Intensive Care, Prematurity, and Complicated Pregnancies
Every year in the United States, 12% of all births are preterm births, 5% of all babies need help to breathe at birth, and 3% of neonates are born with at least one severe malformation. Many of these babies are hospitalized in a neonatal intensive care unit. Annie Janvier and her husband, Keith Barrington, are both pediatricians who specialize in the care of these sick babies and are internationally known for their research in this area. In 2005, when their daughter Violette was born extremely prematurely, 4 months before her due date, they faced the situation from the other side, as parents. Despite knowing the scientific facts, they knew nothing about the experience itself. Knowing how a respirator works did not help me be the mother of a baby on a respirator, writes Annie. She did not know how to navigate the guilt, the uncertainty, the fears, the predictions of providers, and the responses of friends and family. In a society obsessed with goals, performance, efficiency, and high percentages, she discovered that the daily lack of control that new parents of sick babies face changes their lives. And that, for physician parents, it also changes the way they practice medicine. Most of the articles and books written about premature babies and neonatal intensive care units examine the technological and medical aspects of neonatology. Breathe, Baby, Breathe, however, is written in the voice of a parent-doctor and tells the story of Violette and her parents, alongside the stories of other fragile babies and their families with different journeys and different outcomes. With the story of Violette at the core of the book, the interwoven stories and empirical articles provide essential insights into the medical world of premature birth. This original clever blend of narratives and evidence provides a new, experiential view of the way forward during a parental crisis. The book ends with practical recommendations for clinicians, parents, and families.
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Hardback
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This timely volume takes stock of the discipline of comparative literature and its theory and practice from a Canadian perspective. It engages with the most pressing critical issues at the intersection of comparative literature and other areas of inquiry in the context of scholarship, pedagogy and academic publishing: bilingualism and ...
Comparative Literature in Canada: Contemporary Scholarship, Pedagogy, and Publishing in Review
This timely volume takes stock of the discipline of comparative literature and its theory and practice from a Canadian perspective. It engages with the most pressing critical issues at the intersection of comparative literature and other areas of inquiry in the context of scholarship, pedagogy and academic publishing: bilingualism and multilingualism, Indigeneity, multiple canons (literary and other), the relationship between print culture and other media, the development of information studies, concerted efforts in digitization, and the future of the production and dissemination of knowledge. The authors offer an analysis of the current state of Canadian comparative literature, with a dual focus on the issues of multilingualism in Canada's sociopolitical and cultural context and Canada's geographical location within the Americas. It also discusses ways in which contemporary technology is influencing the way that Canadian literature is taught, produced, and disseminated, and how this affects its readings.
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99.750000 USD

Comparative Literature in Canada: Contemporary Scholarship, Pedagogy, and Publishing in Review

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Drawing on private correspondence and conversations with the Gallant she repositions as a late modernist, Marta Dvor k investigates the connections between the Paris-based master of the short story and visual and sound culture. Through the filter of philosophical aesthetics, she identifies the painterly, cinematic, and musical dynamics which light ...
Mavis Gallant: The Eye and the Ear
Drawing on private correspondence and conversations with the Gallant she repositions as a late modernist, Marta Dvor k investigates the connections between the Paris-based master of the short story and visual and sound culture. Through the filter of philosophical aesthetics, she identifies the painterly, cinematic, and musical dynamics which light up Gallant's craft. At the same time, she opens a dialogue between Gallant and other international modernists, and with those they were reading, watching, and listening to, from the moving pictures which shaped Gallant's generation to the rhythm and dissonance of, say, Stravinsky and jazz, which - like the Cubist rupture with spatial perspective - spearheaded modernity's aesthetics of breakage. How does Gallant's work work? Dvor k's hands-on rhetorical analyses of Gallant's stories and lesser-known, recently reissued novels illuminate the superb stylist's language and vision via an emphasis on both image and rhythm. Providing keys to Gallant's famous sleights-of-hand and tonal shifts, the discussions reveal a fictional world as multidimensional as a Cubist picture or a symphony - depending on whether we lean towards the eye or the ear.
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91.11 USD

Mavis Gallant: The Eye and the Ear

by Marta Dvorak
Hardback
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Over the course of the last twenty years, Native American and Indigenous American literary studies has experienced a dramatic shift from a critical focus on identity and authenticity to the intellectual, cultural, political, historical, and tribal nation contexts from which these Indigenous literatures emerge. The Oxford Handbook of Indigenous American ...
The Oxford Handbook of Indigenous American Literature
Over the course of the last twenty years, Native American and Indigenous American literary studies has experienced a dramatic shift from a critical focus on identity and authenticity to the intellectual, cultural, political, historical, and tribal nation contexts from which these Indigenous literatures emerge. The Oxford Handbook of Indigenous American Literature reflects on these changes and provides a complete overview of the current state of the field. The Handbook's forty-three essays, organized into four sections, cover oral traditions, poetry, drama, non-fiction, fiction, and other forms of Indigenous American writing from the seventeenth through the twenty-first century. Part I attends to literary histories across a range of communities, providing, for example, analyses of Inuit, Chicana/o, Anishinaabe, and Metis literary practices. Part II draws on earlier disciplinary and historical contexts to focus on specific genres, as authors discuss Indigenous non-fiction, emergent trans-Indigenous autobiography, Mexicanoh and Spanish poetry, Native drama in the U.S. and Canada, and even a new Indigenous children's literature canon. The third section delves into contemporary modes of critical inquiry to expound on politics of place, comparative Indigenism, trans-Indigenism, Native rhetoric, and the power of Indigenous writing to communities of readers. A final section thoroughly explores the geographical breadth and expanded definition of Indigenous American through detailed accounts of literature from Indian Territory, the Red Atlantic, the far North, Yucatan, Amerika Samoa, and Francophone Quebec. Together, the volume is the most comprehensive and expansive critical handbook of Indigenous American literatures published to date. It is the first to fully take into account the last twenty years of recovery and scholarship, and the first to most significantly address the diverse range of texts, secondary archives, writing traditions, literary histories, geographic and political contexts, and critical discourses in the field.
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The image of the dusty, undisturbed archive has been swept away in response to growing interest across disciplines in the materials they house and the desire to find and make meaning through an engagement with those materials. Archival studies scholars and archivists are developing related theoretical frameworks and practices that ...
Moving Archives
The image of the dusty, undisturbed archive has been swept away in response to growing interest across disciplines in the materials they house and the desire to find and make meaning through an engagement with those materials. Archival studies scholars and archivists are developing related theoretical frameworks and practices that recognize that the archives are anything but static. Archival deposits are proliferating, and the architects, practitioners, and scholars engaged with them are scarcely able to keep abreast of them. Archives, archival theory, and archival practice are on the move. But what of the archives that were once safely housed and have since been lost, or are under threat? What of the urgency that underscores the appeals made on behalf of these archives? As scholars in this volume argue, archives-their materialization, their preservation, and the research produced about them-are moving in a different way: they are involved in an emotionally engaged and charged process, one that acts equally upon archival subjects and those engaged with them. So too do archives at once represent members of various communities and the fields of study drawn to them. Moving Archives grounds itself in the critical trajectory related to what Sara Ahmed calls affective economies to offer fresh insights about the process of archiving and approaching literary materials. These economies are not necessarily determined by ethical impulses, although many scholars have called out for such impulses to underwrite current archival practices; rather, they form the crucial affective contexts for the legitimization of archival caches in the present moment and for future use.
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89.250000 USD

Moving Archives

Hardback
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Publie en 1929 et presque instantanement censure par les services de police de la ville de Toronto, cet ouvrage, intitule They Have Bodies, a ete completement neglige par des generations d'ecrivains et de chercheurs, par ailleurs habituellement sensibles aux creations de l'avant-garde canadienne. En fait, ce n'est pas seulement l'extreme ...
They Have Bodies
Publie en 1929 et presque instantanement censure par les services de police de la ville de Toronto, cet ouvrage, intitule They Have Bodies, a ete completement neglige par des generations d'ecrivains et de chercheurs, par ailleurs habituellement sensibles aux creations de l'avant-garde canadienne. En fait, ce n'est pas seulement l'extreme innovation formelle de ce roman qui surprend et saisit de prime abord, mais aussi l'attention particuliere que l'auteur prete au comportement deprave et licencieux de l'elite torontoise. Dans cet ouvrage, Barney Allen revele l'hypocrisie morale de cette elite aristocratique et religieuse ainsi que les moyens auxquels elle recourt pour masquer sa monstrueuse duplicite. Cette violente critique sociale, alliee a un humour noir des plus decapants, etait sans doute trop corrosive pour les lecteurs canadiens de cette epoque. Cependant, ce roman correspond exactement au type d'ouvrages, profondement enfouis dans les archives, que des lecteurs, des ecrivains et des chercheurs canadiens contemporains esperent ardemment exhumer et redecouvrir. En fait, ce texte avant-gardiste constitue un veritable joyau de perspicacite, d'innovation et de hardiesse. Cette nouvelle edition vous permettra de decouvrir un des romans les plus singuliers et les plus audacieux du XXesiecle. Ce livre est publie en anglais. - Published in 1929, and almost instantly censored by the Toronto City Police, They Have Bodies has been completely overlooked by generations of scholars and writers interested in the Canadian avant-garde. It is not just the novel's extreme formal innovation that is immediately startling about They Have Bodies. There is also its close attention to the depraved, licentious behaviour of Toronto's elite, its revelation of moral hypocrisy, and its exposure of the means by which aristocratic and church power provides succour to egregious duplicity. Its social criticism and dark humour were too much for Canadian readers at the time. It is, however, exactly the kind of book contemporary Canadian readers, writers, and scholars hope lies buried in the archives waiting to be recovered. A gem of insight, innovation, and novelty: finally, here is a new edition of one of the rarest, wildest books of the twentieth century. This book is published in English
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They Have Bodies

by Barney Allen
Paperback / softback
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Every year in the United States, 12% of all births are preterm births, 5% of all babies need help to breathe at birth, and 3% of neonates are born with at least one severe malformation. Many of these babies are hospitalized in a neonatal intensive care unit. Annie Janvier and ...
Breathe, Baby, Breathe!: Neonatal Intensive Care, Prematurity, and Complicated Pregnancies
Every year in the United States, 12% of all births are preterm births, 5% of all babies need help to breathe at birth, and 3% of neonates are born with at least one severe malformation. Many of these babies are hospitalized in a neonatal intensive care unit. Annie Janvier and her husband, Keith Barrington, are both pediatricians who specialize in the care of these sick babies and are internationally known for their research in this area. In 2005, when their daughter Violette was born extremely prematurely, 4 months before her due date, they faced the situation from the other side, as parents. Despite knowing the scientific facts, they knew nothing about the experience itself. Knowing how a respirator works did not help me be the mother of a baby on a respirator, writes Annie. She did not know how to navigate the guilt, the uncertainty, the fears, the predictions of providers, and the responses of friends and family. In a society obsessed with goals, performance, efficiency, and high percentages, she discovered that the daily lack of control that new parents of sick babies face changes their lives. And that, for physician parents, it also changes the way they practice medicine. Most of the articles and books written about premature babies and neonatal intensive care units examine the technological and medical aspects of neonatology. Breathe, Baby, Breathe, however, is written in the voice of a parent-doctor and tells the story of Violette and her parents, alongside the stories of other fragile babies and their families with different journeys and different outcomes. With the story of Violette at the core of the book, the interwoven stories and empirical articles provide essential insights into the medical world of premature birth. This original clever blend of narratives and evidence provides a new, experiential view of the way forward during a parental crisis. The book ends with practical recommendations for clinicians, parents, and families.
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34.600000 USD
Paperback / softback
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Making Believe responds to a remarkable flowering of art by Mennonites in Canada. After the publication of his first novel in 1962, Rudy Wiebe was the only identifiable Mennonite literary writer in the country. Beginning in the 1970s, the numbers grew rapidly and now include writers Patrick Friesen, Sandra Birdsell, ...
Making Believe: Questions About Mennonites and Art
Making Believe responds to a remarkable flowering of art by Mennonites in Canada. After the publication of his first novel in 1962, Rudy Wiebe was the only identifiable Mennonite literary writer in the country. Beginning in the 1970s, the numbers grew rapidly and now include writers Patrick Friesen, Sandra Birdsell, Di Brandt, Sarah Klassen, Armin Wiebe, David Bergen, Miriam Toews, Carrie Snyder, Casey Plett, and many more. A similar renaissance is evident in the visual arts (including artists Gathie Falk, Wanda Koop, and Aganetha Dyck) and in music (including composers Randolph Peters, Carol Ann Weaver, and Stephanie Martin). Confronted with an embarrassment of riches that resist survey, Magdalene Redekop opts for the use of case studies to raise questions about Mennonites and art. Part criticism, part memoir, Making Believe argues that there is no such thing as Mennonite art. At the same time, her close engagement with individual works of art paradoxically leads Redekop to identify a Mennonite sensibility at play in the space where artists from many cultures interact. Constant questioning and commitment to community are part of the Mennonite dissenting tradition. Although these values come up against the legacy of radical Anabaptist hostility to art, Redekop argues that the Early Modern roots of a contemporary crisis of representation are shared by all artists. Making Believe posits a Spielraum or play space in which all artists are dissembling tricksters, but differences in how we play are inflected by where we come from. The close readings in this book insist on respect for difference at the same time as they invite readers to find common ground while making believe across cultures.
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Margaret Atwood is arguably the most renowned and internationally acclaimed Canadian writer, poet, novelist, short story writer, literary critic, and environmental activist. In this incisive interpretation of Atwood's prose, Candy D'Cunha argues that the novelist's ecosophical vision provides valuable lessons that could help in creating a greater and more responsible ...
Ecosophical Vision and Self-Realization in Margaret Atwood's Prose
Margaret Atwood is arguably the most renowned and internationally acclaimed Canadian writer, poet, novelist, short story writer, literary critic, and environmental activist. In this incisive interpretation of Atwood's prose, Candy D'Cunha argues that the novelist's ecosophical vision provides valuable lessons that could help in creating a greater and more responsible awareness in the modern psyche about the environment. By exploring the works of Atwood, one can understand the need for a deeper rethinking and a clearer re-orientation in this area. Select novels, namely Surfacing (1972), The Handmaid's Tale (1985), Oryx and Crake (2003), The Year of the Flood (2009), and MaddAddam (2013), bring out the principles of ecological philosophy by describing various aspects of the current ecological crisis. Duplicity in the norms and recognition, the degradation of the environment, consequent tragic dilemmas, and the general ghastliness of life are all found in Atwood's oeuvre. A number of studies have been made on the thematic works of Atwood, such as feminism, quest for identity, power and politics, dystopian and utopian elements, but this book is the first ecosophical exploration of Atwood's themes and concerns. This volume enables readers to propagate the requisite ecological wisdom for self-realization for the harmonious and just development of society. Interpreting Atwood's works from an Indian perspective also helps to promote Indian ecological justice.
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271.51 USD
Hardback
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The first-ever study of women in Canadian publishing, Toronto Trailblazers delves into the cultural influence of seven key women who, despite pervasive gender bias, helped advance a modern literary culture for Canada. Publisher Irene Clarke, scholarly editors Eleanor Harman and Francess Halpenny, trade editors Sybil Hutchinson, Claire Pratt, and Anna ...
Toronto Trailblazers: Women in Canadian Publishing
The first-ever study of women in Canadian publishing, Toronto Trailblazers delves into the cultural influence of seven key women who, despite pervasive gender bias, helped advance a modern literary culture for Canada. Publisher Irene Clarke, scholarly editors Eleanor Harman and Francess Halpenny, trade editors Sybil Hutchinson, Claire Pratt, and Anna Porter, and literary agent Bella Pomer made the most of their vocational prospects, first by securing their respective positions and then by refining their professional methods. Individually, each woman asserted her agency by adapting orthodox ways of working within Canadian publishing. Collectively, and perhaps more importantly, their overarching approach emerged more broadly as a feminist practice. Guided by the resolve to make industry-wide improvements, these women disrupted the dominant masculine paradigm and reinvigorated the culture of publishing and authorship in Canada. Through their vision and method these trailblazing women became agents of change who helped transform publishing practice.
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89.250000 USD
Hardback
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Mosaic Fictions is the first book-length critical analysis of Canadian Spanish Civil War literature. Treating published and archival writings, the book focuses on the extensive contributions of Jewish Canadian authors as they articulate the stakes of the Spanish Civil War (1936-39) in the language of a nascent North American multiculturalism. ...
Mosaic Fictions: Writing Identity in the Spanish Civil War
Mosaic Fictions is the first book-length critical analysis of Canadian Spanish Civil War literature. Treating published and archival writings, the book focuses on the extensive contributions of Jewish Canadian authors as they articulate the stakes of the Spanish Civil War (1936-39) in the language of a nascent North American multiculturalism. Placing Jewish Canadian writers within overlapping North American networks of Jewish, Black, immigrant, female, and queer writers challenges the national distinctions that dominate current critical approaches to Anglophone Spanish Civil War literature. Reframing the narrative of Spain's noble but tragic struggle against fascism in the Spanish Civil War, the book demonstrates how marginalized North American supporters of the Spanish Republic crafted narratives of inclusive citizenship amidst a national crisis not entirely their own. Mosaic Fictions examines texts composed between the war's outbreak and the present to illuminate the integral connections between Canada's developing national identity and global leftist action.
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Hardback
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All the Feels / Tous les sens presents research into emotion and cognition in Canadian, Indigenous, and Quebecois writings in English or French. Affect is both internal and external, private and public; with its fluid boundaries, it represents a productive dimension for literary analysis. The emerging field of affect studies ...
All the Feels / Tous Les Sens: Affect and Writing in Canada / Affect et ecriture au Canada
All the Feels / Tous les sens presents research into emotion and cognition in Canadian, Indigenous, and Quebecois writings in English or French. Affect is both internal and external, private and public; with its fluid boundaries, it represents a productive dimension for literary analysis. The emerging field of affect studies makes vital claims about ethical impulses, social justice, and critical resistance, and thus much is at stake when we adopt affective reading practices. The contributors ask what we can learn from reading contemporary literatures through this lens. Unique and timely, readable and teachable, this collection will be welcomed by scholars of literature, feminism, philosophy, and transnational studies as well as anyone who yearns to imagine the world differently. Contributors: Carmen Mata Barreiro, Nicole Brossard, Marie Carriere, Matthew Cormier, Kit Dobson, Nicoletta Dolce, Louise Dupre , Margery Fee, Ana Mari a Fraile-Marcos, Smaro Kamboureli, Aaron Kreuter, Daniel Laforest, Tanis MacDonald, Ursula Mathis-Moser, Heather Milne, Eric Schmaltz, Mai te Snauwaert, Jeanette den Toonder
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The road trip genre, well established in the literatures of Canada, is a natural outcome of the nation's obsession with geography. Divided Highways examines road narratives by Anglo-Canadian, Quebecois and Indigenous authors and the sense of place and nationhood in these communities. Geography describes the land, and history peoples it, ...
Divided Highways: Road Narrative and Nationhood in Canada
The road trip genre, well established in the literatures of Canada, is a natural outcome of the nation's obsession with geography. Divided Highways examines road narratives by Anglo-Canadian, Quebecois and Indigenous authors and the sense of place and nationhood in these communities. Geography describes the land, and history peoples it, just as memories connect us to place. This is why road trips are such a feature of writing in Canada, allowing the travellers to claim, at least symbolically, the terrain they have traversed. Macfarlane examines works by a variety of writers from each of these communities, including Gilles Archambault, Jeannette Armstrong, Jill Frayne, Tomson Highway, Claude Jasmin, Robert Kroetsch, Jacques Poulin, Aritha van Herk and Paul Villeneuve, to name but a few. Studying a diversity of road narratives from Anglo-Canadian, Quebecois and Indigenous populations not only demonstrates the existence of a very specific road genre, but is also revelatory of very diverse and often conflicting perceptions of nationhood. It is these expressions of sovereignty that are integral to ongoing discussions of reconciliation and decolonization. This book is published in English. - Cet ouvrage etudie l'existence et la tradition du roman de la route au Canada. La geographie decrit le territoire et l'histoire lui insuffle vie, tout comme les souvenirs sont des points d'attache a un lieu donne. Voila pourquoi les road trips ont une place privilegiee dans l'ecriture d'expression anglaise, francaise et autochtone du Canada : ils permettent aux voyageurs de revendiquer, du moins symboliquement, le terrain qu'ils ont couvert. C'est l'intersection de l'histoire et de la geographie qui confere toute sa signification a un voyage, qui alimente cet esprit des lieux, ou qui permet d'en constater l'absence. Les voyages sont revelateurs des interets propres aux trois groupes examines dans le cadre de cette etude. Le desir, et parfois la necessite, d'entreprendre un voyage, les compagnons de voyage ainsi que les destinations, de meme que l'histoire qui s'ecrit au fil des distances parcourues sont autant d'indicateurs de cette notion de l'espace et du concept de nation au sein du pays. Pour illustrer ce phenomene, ce livre examine des oeuvres litteraires d'une gamme d'ecrivains anglophones, quebecois et autochtones, dont Gilles Archambault, Jeannette Armstrong, Jill Frayne, Tomson Highway, Linda Hogan, Scott Gardiner, Claude Jasmin, Robert Kroetsch, Lee Maracle, Jacques Poulin, Aritha van Herk et Paul Villeneuve. L'approche comparative aux litteratures du Canada est le prolongement logique aux etudes postcoloniales dans la mesure ou elle revele les complexites de meme que les specificites de diverses communautes, contribuant ainsi a une meilleure comprehension de collectivites nationales. Elle propose, en outre, des histoires qui font le contrepoids aux etudes transnationales. Ce livre est publie en anglais.
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33.47 USD

Divided Highways: Road Narrative and Nationhood in Canada

by Heather MacFarlane
Paperback / softback
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Canada's history is bicultural, Indigenous, and multilingual, and these characteristics have given risen to a number of strategies used by our writers to code racially mixed characters. This book examines contemporary Canadian literature and drama in order to tease out some of those strategies and the social and cultural factors ...
Soma Text: Living, Writing, and Staging Racial Hybridity
Canada's history is bicultural, Indigenous, and multilingual, and these characteristics have given risen to a number of strategies used by our writers to code racially mixed characters. This book examines contemporary Canadian literature and drama in order to tease out some of those strategies and the social and cultural factors that inform them. Racially hybrid characters in literature have served a matrix of needs. They are used as shorthand for interracial desire, signifiers of taboo love, images of impurity, symbols of degeneration, and examples of beauty and genetic perfection. Their fates have been used to suggest the futility of marrying across racial lines, or the revelation of their one drop signals a climactic downfall. Other narratives suggest mixed-race bodies are foundational to colonization and signify contact between colonial and Indigenous bodies. Author Michelle La Flamme approaches racial hybridity with a cross-generic and cross-racial approach, unusual in the field of hybridity studies, by analyzing characters with different racial mixes in autobiographies, fiction, and drama. Her analysis privileges literary texts and the voices of artists rather than sociological explanations of the mixed-race experience. The book suggests that the hyper-visualization of mixed-race bodies in mono-racial contexts creates a scopophilic interest in how those bodies look and perform race. La Flamme's term soma text draws attention to the constructed, performative aspects of this form of embodiment. The writers she examines witness that living in a racially hybrid and ambiguous body is a complex engagement that involves reading and decoding the body in sophisticated ways, involving both the multiracial body and the racialized gaze of the onlooker.
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89.250000 USD
Hardback
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Anne of Green Gables: The Original Manuscript
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26.200000 USD

Anne of Green Gables: The Original Manuscript

by Lucy Maud Montgomery
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Integrer les archives d'un ecrivain - ses carnets, son journal personnel, sa correspondance, les avant-textes de ses oeuvres publiees, voire ses notes de lecture - dans l'analyse de son oeuvre canonique permet, on le sait, d'eclairer celle-ci autrement, d'en degager un sens jusque-la inaccessible. Au Canada, meme si quelques initiatives ...
Regards sur les archives d'ecrivains francophones au Canada
Integrer les archives d'un ecrivain - ses carnets, son journal personnel, sa correspondance, les avant-textes de ses oeuvres publiees, voire ses notes de lecture - dans l'analyse de son oeuvre canonique permet, on le sait, d'eclairer celle-ci autrement, d'en degager un sens jusque-la inaccessible. Au Canada, meme si quelques initiatives d'envergure se sont developpees au cours des vingt dernieres annees, le versant francophone des archives d'ecrivains est demeure peu explore par les chercheurs, surtout en ce qui concerne les corpus hors Quebec. Cet ouvrage propose un etat present des recherches menees dans plusieurs fonds d'archives et des etudes portant sur differents corpus ponctuels composes des avant-textes et autres documents appartenant aux dossiers genetiques d'oeuvres publiees. Si les etudes sur le corpus quebecois (Roy, Guevremont, Hebert, Ducharme, Aquin, Tremblay, etc.) dominent en nombre, celles portant sur l'Ontario (Poliquin), le Manitoba (Leveille) et l'Acadie (Leblanc) sont aussi representees. Les differentes collaborations permettent de mettre en lumiere la multiplicite des perspectives sous lesquelles il est possible d'envisager les questionnements lies aux fonds d'archives - notamment genetique, thematique, semiotique, historique, sociologique, diaristique -, tout en faisant ressortir la diversite et la richesse des differents fonds et les problemes et lacunes qui leur sont inherents. Une coedition avec le Centre de recherche en civilisation canadienne-francaise. Ce livre est publie en francais. - Engaging with a writer's archives - their notebooks, personal journals, correspondence, drafts, and annotations - when analyzing their canonical work, enables us to shed a different kind of light on the latter, to penetrate a hitherto inaccessible meaning. Although some significant initiatives have emerged in Canada over the past two decades, the Francophone aspect of writers' archives has remained relatively untouched by researchers, especially with regard to the corpus outside Quebec. This work provides insight into the present state of research into several archival collections and of studies into different unique collections comprising drafts and other documents that are part of genetic records of published works. While the studies on the Quebec corpus (Roy, Guevremont, Hebert, Ducharme, Aquin, Tremblay, etc.) are more numerous, those on Ontario (Poliquin), Manitoba (Leveille) and Acadia (Leblanc) are also represented. The various collaborations emphasize the range of possible approaches towards working with archives - including genetic, thematic, semiotic, historical, sociological, and diaristic - while highlighting the diversity and richness of different collections as well as their inherent problems and gaps. A copublication with the Centre de recherche en civilisation canadienne-francaise. This book is published in French.
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41.950000 USD
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Man Should Rejoice is one of two hitherto unpublished novels by acclaimed novelist Hugh MacLennan. Completed in 1937 and left unpublished due to economic conditions during the Great Depression, it lay in the McGill archives until now. This critical edition of Man Should Rejoice , which is also the first-ever ...
Man Should Rejoice, by Hugh MacLennan: A Critical Edition
Man Should Rejoice is one of two hitherto unpublished novels by acclaimed novelist Hugh MacLennan. Completed in 1937 and left unpublished due to economic conditions during the Great Depression, it lay in the McGill archives until now. This critical edition of Man Should Rejoice , which is also the first-ever publication of the work, is comprised of a critical introduction, a bibliography of published and unpublished sources, a fully-edited text based on a typescript of the novel, a list of textual emendations, and explanatory notes. The introduction draws upon extensive research undertaken in three Canadian archival collections located in Montreal and Calgary. It provides relevant historical, cultural, and biographical context for the novel. From hundreds of archival documents, Colin Hill reconstructs a textual history of the novel's production that acknowledges the crucial contribution of Dorothy Duncan, who heavily revised the text and assisted MacLennan behind the scenes. Hill also explores the critical reception of MacLennan's fiction from the 1930s to the present. This book is published in English. - Man Should Rejoice est un des deux romans inedits du grand romancier Hugh MacLennan. Termine en 1937, il fut victime de la Grande Crise et fut conserve dans les archives de McGill jusqu'a maintenant. Cette edition critique de Man Should Rejoice comprend une introduction critique, une bibliographie des sources publiees et non publiees, le texte revise tire d'un tapuscrit du roman, une liste des emendations textuelles, et des notes explicatives. L'introduction, qui repose sur des recherches archivistiques poussees de trois collections canadiennes situees a Montreal et a Calgary, fournit le contexte historique, culturel et biographique du roman. Colin Hill erige l'histoire textuelle de l'ecriture de ce roman a partir de centaines de documents d'archives qui jettent la lumiere sur la contribution cle de Dorothy Duncan, qui a revise en profondeur le texte et a aide MacLennan en coulisses. Il explore par ailleurs la reception critique de la fiction de MacLennan, des annees 1930 jusqu'a aujourd'hui. Ce livre est publie en anglais.
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31.450000 USD
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Allan Sullivan wrote over forty works of popular fiction between 1890 and 1940; today it is difficult to find even one copy of many of these works. A well-known and widely read author in the first half of this century, Sullivan wrote thrillers, historical romance, children's stories, and novels set ...
Essentially Canadian: The Life and Fiction of Alan Sullivan 1868-1947
Allan Sullivan wrote over forty works of popular fiction between 1890 and 1940; today it is difficult to find even one copy of many of these works. A well-known and widely read author in the first half of this century, Sullivan wrote thrillers, historical romance, children's stories, and novels set in the north (The Great Divide, The Fur Masters, Cariboo Road). Now there is no complete collection of his published works anywhere in the world. In this literary biography of Alan Sullivan, the author interweaves Sullivan's life story and his literary career. Drawing on published and unpublished material as well as on information supplied by Sullivan's four children, McLeod traces the influence on Sullivan's writings of his early years in Sault Ste. Marie and in mining and construction camps, of society life in Toronto, of visits to the Arctic and Europe, and residence on an English country estate. Sullivan is seen as a man whose essential characteristics are those of Canada, and whose literary work is parallelled by the paintings of the Group of Seven artists. His literary works are discussed and evaluated in the light of Sullivan's own and other Canadian critical theories. The bibliography provides a convenient listing of Sullivan's book-length publications. The volume will be of value to students of literature, but will also appeal to anyone interested in Canadian life and culture.
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13.600000 USD
Hardback
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The materials we turn to for the construction of our literary pasts - the texts, performances, and discussions selected for storage and cataloguing in archives - shape what we know and teach about literature today. The ways in which archival materials have been structured into forms of preservation, in turn, ...
CanLit Across Media: Unarchiving the Literary Event
The materials we turn to for the construction of our literary pasts - the texts, performances, and discussions selected for storage and cataloguing in archives - shape what we know and teach about literature today. The ways in which archival materials have been structured into forms of preservation, in turn, impact their transference and transformation into new forms of presentation and re-presentation. Exploring the production of culture through and outside of the archives that preserve and produce CanLit as an entity, CanLit Across Media asserts that CanLit arises from acts of archival, critical, and creative analysis. Each chapter investigates, challenges, and provokes this premise by examining methods of unarchiving Canadian and Indigenous literary texts and events from the 1950s to the present. Engaging with a remediated archive, or unarchiving, allows the authors and editors to uncover how the materials that document past acts of literary production are transformed into new forms and experiences in the present. The chapters consider literature and literary events that occurred before live audiences or were broadcast, and that are now recorded in print publications and documents, drawings, photographs, flat disc records, magnetic tape, film, videotape, and digitized files. Showcasing the range of methods and theories researchers use to engage with these materials, CanLit Across Media reanimates archives of cultural meaning and literary performance. Contributors include Jordan Abel (University of Alberta), Andrea Beverley (Mount Allison University), Clint Burnham (Simon Fraser University), Jason Camlot (Concordia University), Joel Deshaye (Memorial University of Newfoundland), Deanna Fong (Simon Fraser University), Catherine Hobbs (Library and Archives Canada), Dean Irvine (Agile Humanities), Karl Jirgens (University of Windsor), Marcelle Kosman (University of Alberta), Jessi MacEachern (Concordia University), Katherine McLeod (Concordia University), Linda Morra (Bishop's University), Karis Shearer (University of British Columbia, Okanagan), Felicity Tayler (University of Ottawa), and Darren Wershler (Concordia University).
41.950000 USD

CanLit Across Media: Unarchiving the Literary Event

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For many Canadians, the small province of New Brunswick on Canada's scenic east coast is a nice place to visit but no place to live, plagued for generations by outmigration and economic stagnation. In The Fiddlehead Moment Tony Tremblay challenges this potent stereotype by showcasing the work of a group ...
The Fiddlehead Moment: Pioneering an Alternative Canadian Modernism in New Brunswick
For many Canadians, the small province of New Brunswick on Canada's scenic east coast is a nice place to visit but no place to live, plagued for generations by outmigration and economic stagnation. In The Fiddlehead Moment Tony Tremblay challenges this potent stereotype by showcasing the work of a group of literary modernists who set out to change the meaning of New Brunswick in the national lexicon. Alfred Bailey, Desmond Pacey, Fred Cogswell, and a formidable group of local poets and cultural workers - collectively, New Brunswick's Fiddlehead School - sought to restore New Brunswick's literary reputation by adapting avant-garde modernist practices to the contours of the province, opening it to the contemporary world while also encouraging writers to make it their subject. The result was a non-urban form of modernism that was as responsive to technical innovation as to the human geographies of New Brunswick. By placing New Brunswick writers and critics at the forefront of Canadian literature in the midcentury modernist project, Tremblay adds an important new chapter to our understanding of Canadian modernism. The Fiddlehead Moment is the first critical examination of this group's considerable influence. Whether through Bailey's ethnomethodology, Pacey's critical ordering, or Cogswell's editorial eclecticism in the Fiddlehead magazine and Fiddlehead Poetry Books, authors in New Brunswick, Tremblay argues, had a profound impact on writing in Canada.
36.700000 USD

The Fiddlehead Moment: Pioneering an Alternative Canadian Modernism in New Brunswick

by Tony Tremblay
Paperback / softback
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For many Canadians, the small province of New Brunswick on Canada's scenic east coast is a nice place to visit but no place to live, plagued for generations by outmigration and economic stagnation. In The Fiddlehead Moment Tony Tremblay challenges this potent stereotype by showcasing the work of a group ...
The Fiddlehead Moment: Pioneering an Alternative Canadian Modernism in New Brunswick
For many Canadians, the small province of New Brunswick on Canada's scenic east coast is a nice place to visit but no place to live, plagued for generations by outmigration and economic stagnation. In The Fiddlehead Moment Tony Tremblay challenges this potent stereotype by showcasing the work of a group of literary modernists who set out to change the meaning of New Brunswick in the national lexicon. Alfred Bailey, Desmond Pacey, Fred Cogswell, and a formidable group of local poets and cultural workers - collectively, New Brunswick's Fiddlehead School - sought to restore New Brunswick's literary reputation by adapting avant-garde modernist practices to the contours of the province, opening it to the contemporary world while also encouraging writers to make it their subject. The result was a non-urban form of modernism that was as responsive to technical innovation as to the human geographies of New Brunswick. By placing New Brunswick writers and critics at the forefront of Canadian literature in the midcentury modernist project, Tremblay adds an important new chapter to our understanding of Canadian modernism. The Fiddlehead Moment is the first critical examination of this group's considerable influence. Whether through Bailey's ethnomethodology, Pacey's critical ordering, or Cogswell's editorial eclecticism in the Fiddlehead magazine and Fiddlehead Poetry Books, authors in New Brunswick, Tremblay argues, had a profound impact on writing in Canada.
126.000000 USD
Hardback
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Spanning the period from the Massey Commission to the present and reflecting on the media of print, film, and song, this study attends to the burgeoning energy of women writers across genres. It explores how their work interprets our national story. The questioning, disruptive feminist practice of their fiction, filmmaking, ...
Women's Writing in Canada
Spanning the period from the Massey Commission to the present and reflecting on the media of print, film, and song, this study attends to the burgeoning energy of women writers across genres. It explores how their work interprets our national story. The questioning, disruptive feminist practice of their fiction, filmmaking, poetry, song-writing, drama, and non-fiction reveals the tensions of colonial society at the same time as it transforms cultural life in Canada. Women's Writing in Canada resurrects foremothers who were active before and after the mid-century - Ethel Wilson, Gabrielle Roy, Gwen Pharis Ringwood, Dorothy Livesay, and P.K. Page - as well as such forgotten writers as Grace Irwin, Patricia Blondal, and Edna Jaques. Its breadth extends to the contemporary voices and influences of novelists Tracey Lindberg and Heather O'Neill, poets Marilyn Dumont and Leanne Betasamosake Simpson, playwrights Hannah Moscovitch and Anna Chatterton, and filmmakers Sarah Polley and Mina Shum. Writing for children as well as memoirs, autobiographies, comic books, and cookbooks illustrate the wide and impressive range of women's talents.
89.250000 USD
Hardback
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