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Art is seen as a solitary, even a reclusive, endeavor. But visual artists, writers, and musicians often find themselves energized by a collective environment. Sharing ideas around a table has always provided a starting, and a continuing, place for fruitful exchanges between artists of all kinds. In her wide-ranging new ...
Creative Gatherings: Meeting Places of Modernism
Art is seen as a solitary, even a reclusive, endeavor. But visual artists, writers, and musicians often find themselves energized by a collective environment. Sharing ideas around a table has always provided a starting, and a continuing, place for fruitful exchanges between artists of all kinds. In her wide-ranging new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. Creative Gatherings surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists' colonies. Examples include Florence Griswold's house in Old Lyme, Connecticut, meeting place of the Old Lyme Art Colony; Prague's Le Louvre caf , haunt of Kafka and Einstein; Picasso's modernist hangout in Barcelona, Els Quatre Gats; Charleston, gathering place of Virginia Woolf and Vanessa and Duncan Bell; and the caf s of Saint-Germain-des-Pr s and Montparnasse: the hangouts of Apollinaire, Sartre, and Patti Smith. Interweaving two hundred examples of collaborative artworks throughout the text, with more than one hundred in color, Creative Gatherings is a beautiful, erudite commingling as inspiring as the gathering places Caws depicts.
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36.750000 USD
Hardback
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In early modern Europe, discernment emerged as a key notion at the intersection of various domains in both learned and artisanal cultures. Often used synonymously with judgment, ingenuity, and taste, discernment defined the ability to perceive and understand the secrets of nature and art, and became explicitly connected with a ...
Knowledge and Discernment in the Early Modern Arts
In early modern Europe, discernment emerged as a key notion at the intersection of various domains in both learned and artisanal cultures. Often used synonymously with judgment, ingenuity, and taste, discernment defined the ability to perceive and understand the secrets of nature and art, and became explicitly connected with a kind of knowledge available only to experts in the respective fields. With contributions by historians of art and historians of science, and with geographic coverage focusing on the Low Countries and their multiple connections to different parts of the world, this volume reframes recent scholarship on what the editors term 'cultures of knowledge and discernment' in the early modern period. The collection is innovative in its focus on investigating types of knowledge linked to what was then called the 'science' (scientia) of art, to artistic expertise and connoisseurship, and to 'secrets of art and nature.'
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52.450000 USD

Knowledge and Discernment in the Early Modern Arts

Paperback / softback
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The catalogue presents Christ Carrying the Cross, recently rediscovered by Carlo Falciani in a private collection, which was born out of the intense friendship between the painter and art historian Giorgio Vasari (1511-1574) with Bindo Altoviti (1491-1557), important banker and refined art collector and patron. The artwork was painted in ...
Vasari for Bindo Altoviti: Christ Carrying the Cross
The catalogue presents Christ Carrying the Cross, recently rediscovered by Carlo Falciani in a private collection, which was born out of the intense friendship between the painter and art historian Giorgio Vasari (1511-1574) with Bindo Altoviti (1491-1557), important banker and refined art collector and patron. The artwork was painted in 1553, just before Vasari's return to Florence to take service as court painter of the Duke Cosimo I de' Medici. The painting shows the extremely high quality reached by Vasari's production in Rome - where he was working for Pope Julius III and where the Florentine banker Bindo Altoviti had a palace and conducted business - and, at the same time, it shows the experimentations of his manner, characterised by the re-elaboration of modern and contemporary models, in this case works of Michelangelo, Francesco Salviati and Sebastiano del Piombo. Text in English and Italian.
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23.100000 USD

Vasari for Bindo Altoviti: Christ Carrying the Cross

by Carlo Falciani, Michela Corso, Barbara Agosti
Paperback / softback
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African American Studies: The Discipline and Its Dimensions is a comprehensive resource book that recounts the development of the discipline of African American Studies and provides a basic reference source for sixteen areas of knowledge of the discipline: anthropology, art, dance, economics, education, film, history, literature, music, philosophy, psychology, religion, ...
African American Studies: The Discipline and Its Dimensions
African American Studies: The Discipline and Its Dimensions is a comprehensive resource book that recounts the development of the discipline of African American Studies and provides a basic reference source for sixteen areas of knowledge of the discipline: anthropology, art, dance, economics, education, film, history, literature, music, philosophy, psychology, religion, sociology, political science, science and technology, sports and religion. African American Studies defines bodies of knowledge, methodologies, philosophies, disciplinary concepts, contents, scope, topics scholars have concerned themselves, as well as the growth, development, and present status of the discipline. African American Studies validates that African American Studies is a unique and significant discipline-one that intersects almost every academic discipline and cultural construct-and confirms that the discipline has a noteworthy history and a challenging future. The various bodies of knowledge, the philosophical framework, methodological procedures, and theoretical underpinnings of the discipline have never been clearly delineated from an African-centered perspective.
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73.450000 USD
Paperback / softback
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Austrian avant-garde artist Hermann Nitsch is known for his visceral performance art pieces--often based on the ritualistic practice of sacrifice--which he conceived after experiencing World War II as a child. His performances, however, are not his only contribution to the art world. Around 1960, he produced his first splatter painting, ...
Nitsch: Spaces of Colour: Spaces of Colour
Austrian avant-garde artist Hermann Nitsch is known for his visceral performance art pieces--often based on the ritualistic practice of sacrifice--which he conceived after experiencing World War II as a child. His performances, however, are not his only contribution to the art world. Around 1960, he produced his first splatter painting, a form of action painting that is primarily concerned with the substance of the paint. Nitsch: Spaces of Color follows the artist through the development of his painterly works from the early 1960s to the present day, tracing his investigation of paint from one painting to the next. Focusing on the characteristics of Nitsch's various work cycles, the authors examine the artist's first splatter paintings, his floor splatter paintings from the Red Cycle in 1995, the works from his Six-Day Play in 1989, and his yellow Resurrection Cycle in 2002. While one color dominates in Nitsch's monochrome works, others reveal an explosion of colors. The paint, the authors show, is splattered, sprayed, or even possibly applied in liquid form or impasto. The essays also speculate that Nitsch may both use a paintbrush or smear the paint with his hands. Using 150 color images of these works, this book illustrates throughout that Nitsch's focal point is the exploration of the state of the paint itself, which constantly varies between liquid and solid. Marking Nitsch's eightieth birthday, Nitsch: Spaces of Color is a fascinating exploration of this outstanding experimental artist.
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Hardback
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Charles Baudelaire's flaneur, as described in his 1863 essay The Painter of Modern Life, remains central to understandings of gender, space, and the gaze in late nineteenth-century Paris, despite misgivings by some scholars. Baudelaire's privileged and leisurely figure, at home on the boulevards, underlies theorizations of bourgeois masculinity and, by ...
Gender, Space, and the Gaze in Post-Haussmann Visual Culture: Beyond the Flaneur
Charles Baudelaire's flaneur, as described in his 1863 essay The Painter of Modern Life, remains central to understandings of gender, space, and the gaze in late nineteenth-century Paris, despite misgivings by some scholars. Baudelaire's privileged and leisurely figure, at home on the boulevards, underlies theorizations of bourgeois masculinity and, by implication, bourgeois femininity, whereby men gaze and roam urban spaces unreservedly while women, lacking the freedom to either gaze or roam, are wedded to domesticity. In challenging this tired paradigm and offering fresh ways to consider how gender, space, and the gaze were constructed, this book attends to several neglected elements of visual and written culture: the ubiquitous male beggar as the true denizen of the boulevard, the abundant depictions of well-to-do women looking (sometimes at men), the popularity of windows and balconies as viewing perches, and the overwhelming emphasis given by both male and female artists to domestic scenes. The book's premise that gender, space, and the gaze have been too narrowly conceived by a scholarly embrace of Baudelaire's flaneur is supported across the cultural spectrum by period sources that include art criticism, high and low visual culture, newspapers, novels, prescriptive and travel literature, architectural practices, interior design trends, and fashion journals.
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52.450000 USD
Paperback / softback
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The mapping of the history and trajectory of Indian modern art is a project begun only in recent years and included in it is the recovery of lesser known names and moments from under the shadow of a few dominant ones. Within it, its conscience keeper-art criticism-has borne greater neglect ...
Art Critique - Selected Writings of K. B. Goel
The mapping of the history and trajectory of Indian modern art is a project begun only in recent years and included in it is the recovery of lesser known names and moments from under the shadow of a few dominant ones. Within it, its conscience keeper-art criticism-has borne greater neglect and obscurity. One such voice, heard with considerable attention in its time, was that of the Delhi-based art critic K. B. Goel (1930-2018). Active from the late 1950s to the '90s, his career broadly coincided with the modernist period. Active mainly as a reviewer, Goel also wrote lengthy reflective assessments, and his art writings stand out for an interpretative and often theory-based approach that is quite unique to Indian art criticism. Writing on some of the most definitive artists, movements, and styles of twentieth-century Indian art, he bears the distinction of successfully transitioning from his modernist training to theorize on the earliest postmodern developments in Indian art, such as installation art. This annotated volume seeks to bring together Goel's major writings, accompanied by a critical introduction that draws attention to his frameworks, concerns, and methodologies. It has a foreword by the eminent art critic Geeta Kapur.
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Art Critique - Selected Writings of K. B. Goel

by Geeta Kapur, Shruti Parthasarathy
Hardback
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By uniquely treating Gerhard Richter's entire oeuvre as a single subject, Darryn Ansted combines research into Richter's first art career as a socialist realist with study of his subsequent decisions as a significant contemporary artist. Analysis of Richter's East German murals, early work, lesser known paintings, and destroyed and unfinished ...
The Artwork of Gerhard Richter: Painting, Critical Theory and Cultural Transformation
By uniquely treating Gerhard Richter's entire oeuvre as a single subject, Darryn Ansted combines research into Richter's first art career as a socialist realist with study of his subsequent decisions as a significant contemporary artist. Analysis of Richter's East German murals, early work, lesser known paintings, and destroyed and unfinished pieces buttress this major re-evaluation of Richter's other well known but little understood paintings. By placing the reader in the artist's studio and examining not only the paintings but the fraught and surprising decisions behind their production, Richter's methodology is deftly revealed here as one of profound yet troubled reflection on the shifting identity, culture and ideology of his period. This rethinking of Richter's oeuvre is informed by salient analyses of influential theorists, ranging from Theodor Adorno to Slavoj Zizek, as throughout, meticulous visual analysis of Richter's changing aesthetic strategies shows how he persistently attempts to retrace the border between an objective reality structured by ideology and his subjective experience as a contemporary painter in the studio. Its innovative combination of historical accuracy, philosophical depth and astute visual analysis will make this an indispensible guide for both new audiences and established scholars of Richter's painting.
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52.450000 USD
Paperback / softback
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Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577-1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547-1606). Focusing on ...
Rubens and the Eloquence of Drawing
Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577-1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547-1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist's approach to disegno during and following his formative Roman period (1600-08), this volume highlights Rubens's high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters - the humanist activity then described as a cognate activity to the practice of drawing - a Senecan approach to eclecticism, a commitment to emulation, and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens's early practice of drawing. Focusing on Rubens's Medea Fleeing with Her Dead Children (Los Angeles, Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van Beuningen), these close-looking case studies demonstrate Rubens's commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens's intellect in the medium then most associated with the closest ideas of the artist, such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.
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Paperback / softback
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Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to D rer and Rembrandt, shaped the imaging of non-Western individuals in early modern art. Victor I. Stoichita's nuanced and detailed study examines images of racial otherness during a ...
Darker Shades: The Racial Other in Early Modern Art
Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to D rer and Rembrandt, shaped the imaging of non-Western individuals in early modern art. Victor I. Stoichita's nuanced and detailed study examines images of racial otherness during a time of new encounters of the West with different cultures and peoples, such as those with dark skins: Muslims and Jews. Featuring a host of informative illustrations and crossing the disciplines of art history, anthropology, and postcolonial studies, Darker Shades also reconsiders the Western canon's most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, color, harmony, and lighting. What room was there for the Other, Stoichita would have us ask, in such a crystalline, unchanging paradigm?
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42.000000 USD
Hardback
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This book offers an insightful account of Arab popular culture through the lens of about four hundred annotated Jordanian proverbs. The collection touches on almost every aspect of daily life (including animals, kinship, religion, weather, generosity, money, food, and love). The proverbs cover a wide spectrum of morals related to ...
Jordan's Proverbs as a Window into Arab Popular Culture: The Fox in the Blackberries
This book offers an insightful account of Arab popular culture through the lens of about four hundred annotated Jordanian proverbs. The collection touches on almost every aspect of daily life (including animals, kinship, religion, weather, generosity, money, food, and love). The proverbs cover a wide spectrum of morals related to competence, appearance, ignorance, naivety, corruption, wisdom, experience, courage, and kindness, among many others. Specialized readers, including linguists, translators, anthropologists, psychologists, diplomats, and military persons, among others, will find significant material and insights relevant to their work in this book. It serves to provide the reader with a better, deeper understanding of Jordanian/Arab mentality and behaviour, which will encourage intercultural communication and help remove several socially-biased stereotypes, in addition to enriching the culture of proverbs in human language.
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104.950000 USD
Hardback
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Chelsea and Westminster Hospital and its charity CW+ have been pioneers in the Arts and Health field for over 25 years. By bringing music, performance and the visual arts into the hospital, they have created an extraordinary environment and transformed the experience of countless patients, visitors and members of staff ...
The Healing Arts: The Arts Project at Chelsea and Westminster Hospital
Chelsea and Westminster Hospital and its charity CW+ have been pioneers in the Arts and Health field for over 25 years. By bringing music, performance and the visual arts into the hospital, they have created an extraordinary environment and transformed the experience of countless patients, visitors and members of staff . In this collection of essays, we delve into the story of the arts at Chelsea and Westminster Hospital, from the installation of daring sculpture before the hospital opened its doors, to the exciting future of the programme. The Healing Arts discusses the impact of the arts on patients' recovery, in some cases shortening their stay or reducing their need for pain medication. From drawing to music to creative digital technology, this volume looks at how integrating the arts into the day-to-day life of the hospital has changed its patients' experience of care.
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31.500000 USD
Hardback
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New Zealand-born Frances Hodgkins (1869-1947) arrived in London in 1901 and, by the 1920s, had become a leading British modernist, exhibiting frequently with avant-garde artists such as Ben Nicholson, Barbara Hepworth and Henry Moore. Published to coincide with a touring exhibition of her work initiated by Auckland Art Gallery Toi ...
Frances Hodgkins: European Journeys
New Zealand-born Frances Hodgkins (1869-1947) arrived in London in 1901 and, by the 1920s, had become a leading British modernist, exhibiting frequently with avant-garde artists such as Ben Nicholson, Barbara Hepworth and Henry Moore. Published to coincide with a touring exhibition of her work initiated by Auckland Art Gallery Toi o Tamaki, this book explores Hodgkins as a traveller across cultures and landscapes - teaching and discovering the cubists in Paris, absorbing the landscape and light of Ibiza and Morocco, and exhibiting with the progressive Seven & Five Society in London. Complete with a rich visual chronology of the artist's encounters abroad, alongside over one hundred of Hodgkins' key paintings and drawings, the book is an illuminating journey that moves us from place to place through the writings of a number of distinguished national and international art historians, curators and critics: Frances Spalding (University of Cambridge, England), Alexa Johnston (Auckland-based writer and curator), Elena Taylor (University of New South Wales, Australia), Antoni Ribas Tur (Ara newspaper, Spain), and Julia Waite, Sarah Hillary, Mary Kisler and Catherine Hammond (Auckland Art Gallery Toi o Tamaki, New Zealand).
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78.750000 USD
Hardback
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This book presents information about how to be organized and efficient in using a small but effective amount of listening to develop students' musical concepts. Words, and their connotative meanings often fall short and fail to produce what a director hopes to hear. Having great bands playing those desired elements ...
Developing Musicianship With Listening Excerpts
This book presents information about how to be organized and efficient in using a small but effective amount of listening to develop students' musical concepts. Words, and their connotative meanings often fall short and fail to produce what a director hopes to hear. Having great bands playing those desired elements from within great pieces of music can and will improve your students. I feel listening has been a great benefit to my students. I have spent a lot of time attempting to be more efficient in how I present listening excerpts. The main section of this book contains many tables that list the time stamps of excerpts from numerous recordings. Incorporate listening excerpts into your teaching. You and your students will benefit greatly.
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24.150000 USD

Developing Musicianship With Listening Excerpts

by Jim Childers
Paperback / softback
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Augmenting recent developments in theories of gender and sexuality, this anthology marks a compelling new phase in queer scholarship. Navigating notions of silence, misunderstanding, pleasure, and even affects of phobia in artworks and texts, the essays in this volume propose new and surprising ways of understanding the difficulty-even failure-of the ...
Queer Difficulty in Art and Poetry: Rethinking the Sexed Body in Verse and Visual Culture
Augmenting recent developments in theories of gender and sexuality, this anthology marks a compelling new phase in queer scholarship. Navigating notions of silence, misunderstanding, pleasure, and even affects of phobia in artworks and texts, the essays in this volume propose new and surprising ways of understanding the difficulty-even failure-of the epistemology of the closet. By treating queer not as an identity but as an activity, this book represents a divergence from previous approaches associated with Lesbian and Gay Studies. The authors in this anthology refute the interpretive ease of binaries such as out versus closeted and gay versus straight, and recognize a more opaque relationship of identity to pleasure. The essays range in focus from photography, painting, and film to poetry, Biblical texts, lesbian humor, and even botany. Evaluating the most recent critical theories and introducing them in close examinations of objects and texts, this book queers the study of verse and visual culture in new and exciting ways.
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52.450000 USD
Paperback / softback
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Next Size Up is a brand new book exploring the world of fashion, sport, design, art and music through the unique and powerful prism of contemporary Sneaker Culture as it enters another phase in its evolution. The world of sneakers has taken centre stage of not only youth culture, but ...
Next Size Up (Volume 1) and Size isn't Everything (Volume 2)
Next Size Up is a brand new book exploring the world of fashion, sport, design, art and music through the unique and powerful prism of contemporary Sneaker Culture as it enters another phase in its evolution. The world of sneakers has taken centre stage of not only youth culture, but also the mainstream creative industries including luxury fashion and music. Next Size Up talks to the protagonists who made this happen and also explores what happens next. Providing a platform to celebrate and discuss some of the most compelling issues surrounding the creative industries today, it will appeal to those interested in cutting edge design, illustration and contemporary art as well as the ever-expanding world of sneaker enthusiasts. This new book embodies the story, collaborating with designers, photographers, artists and writers including, amongst others, Paul Smith, Sarah Andelman, Antony Burrill, Alexander McQueen, Nike, Vans, Prada, At Last Clothing and many more. Size Isn't Everything published 20 years ago is reprinted to complete this two volume set - the very first book of it's kind, it set the template for all others to follow. Back then it was completely uncharted territory, an underground movement of which the mainstream, including the Sneaker brands themselves, knew nothing about. Size Isn't Everything not only examined its heroes, codes, boundaries and contradictions, but also embodied the culture's ethos of putting creativity, design and collaboration at its very heart. Working with some of the most innovative names of the time Size Isn't features such names as The Chapman Brothers, Anthony Burrill, Tomato, Snoop Dogg, Glen E Friedman, Tony Hawk or Spike Jonze. The book was and is still beautiful.
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105.000000 USD
Hardback
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The Regional Plan Association has produced four comprehensive regional plans for the New York, New Jersey, and Connecticut metropolitan region since its foundation in 1922. This book examines the evolving role of design in the first three plans and presents the design initiatives of the Fourth Regional Plan (2017) in ...
Four Corridors: Design Initiative for RPA's Fourth Regional Plan
The Regional Plan Association has produced four comprehensive regional plans for the New York, New Jersey, and Connecticut metropolitan region since its foundation in 1922. This book examines the evolving role of design in the first three plans and presents the design initiatives of the Fourth Regional Plan (2017) in depth. The new plan seeks to shift the focus of regional planning from a traditional center-to-periphery hierarchy to an expanded notion of corridor that includes transportation, ecology, access, and equity. Funded by the Rockefeller Foundation, this collaborative initiative of the Regional Plan Association, Princeton University, and four innovative design teams produced design proposals for four regional corridors: the Highlands (forest corridor), the Bight (coastal corridor), the Inner Ring (suburban corridor), and the Triboro (city corridor).
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Hardback
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For a long time, it was not clear if I would become a writer or an artist, says Anselm Kiefer, whose paintings and sculptures have made him one of the most significant and influential artists of our time. Since he was awarded the Peace Prize by the German Book Trade ...
Notebooks, Volume 1, 1998-99
For a long time, it was not clear if I would become a writer or an artist, says Anselm Kiefer, whose paintings and sculptures have made him one of the most significant and influential artists of our time. Since he was awarded the Peace Prize by the German Book Trade in 2008, his essays, speeches, and lectures have gradually received more attention, but until now his diary accounts have been almost completely unknown. The power in Kiefer's images, however, is rivaled by his writings on nature and history, literature and antiquity, and mysticism and mythology. The first volume of Notebooks spans the years 1998-1999 and traces the origins and creative process of Kiefer's visual works during this period. In this volume, Kiefer returns constantly to his touchstones: sixteenth-century alchemist Robert Fludd, German romantic poet Novalis, Martin Heidegger, Ingeborg Bachmann, Robert Musil, and many other writers and thinkers. The entries reveal the process by which his artworks are informed by his reading-and vice versa-and track the development of the works he created in the late 1990s. Translated into English for the first time by Tess Lewis, the diaries reveal Kiefer's strong affinity for language and let readers witness the process of thoughts, experiences, and adventures slowly transcending the limits of art, achieving meaning in and beyond their medium.
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Paperback / softback
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James Bartos offers a compelling account of the rich history and enduring aesthetic power of geometric abstract art. Writing with the passion of a committed collector and the sensibility of an art historian, Bartos doesn't just chart his subject, he defends its place within the contemporary art world and provokes ...
The Geometry of Beauty: The Not Very British Art of Six British Artists
James Bartos offers a compelling account of the rich history and enduring aesthetic power of geometric abstract art. Writing with the passion of a committed collector and the sensibility of an art historian, Bartos doesn't just chart his subject, he defends its place within the contemporary art world and provokes larger questions about what makes art meaningful. All this is only the backdrop to the real subject of his book, the six `not very British' artists who are presented through a series of insightful new interviews with the artists and their gallerists. Bartos's unusual combination of art history, critique and artist testimony thoroughly reinvigorates one's appreciation of geometric abstract art today. Barnaby Wright, Deputy Head of The Courtauld Gallery and Daniel Katz Curator of 20th Century Art In this deeply personal study, James Bartos situates British geometric abstraction within the context of a broader international movement which spanned the course of the twentieth century, and which continues into our own time. The author's thoughtful consideration of Alan Reynolds, Peter Joseph, Marc Vaux, John Carter, Callum Innes, and Luke Frost - six artists whose beautiful and deeply intelligent work Bartos reveres and collects - examines why geometric abstraction developed as a side-stream to figuration in British art, appreciated more enthusiastically abroad than at home. Interviews with the artists and those who knew them, illustrated with fine examples across a range of media, explore what drew each to pursue a means of expression that developed against the grain of British modernism. These thoughtful conversations press for a serious reconsideration of the artists' work, and of British geometric abstraction more generally. Amy Meyers, Director, Yale Center for British Art
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Hardback
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