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In the age of Trump and Brexit, every crisis is instantly overridden by the next. The turbulent political weather of the twenty- first century generates anxiety and makes it difficult to know how to react. Olivia Laing makes a brilliant, inspiring case for why art matters more than ever, as ...
Funny Weather: Art in an Emergency
In the age of Trump and Brexit, every crisis is instantly overridden by the next. The turbulent political weather of the twenty- first century generates anxiety and makes it difficult to know how to react. Olivia Laing makes a brilliant, inspiring case for why art matters more than ever, as a force of both resistance and repair. Art, she argues, changes how we see the world. It gives us X-ray vision. It reveals inequalities and offers fertile new ways of living. Funny Weather brings together a career's worth of Laing's writing about art and culture, and their role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O'Keeffe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Wolfgang Tillmans, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, Funny Weather celebrates art as an antidote to a terrifying political moment.
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28.300000 USD

Funny Weather: Art in an Emergency

by Olivia Laing
Hardback
Book cover image
Hot Cold Heavy Light collects 100 writings-some long, some short-that taken together forma group portrait of many of the world's most significant and interesting artists. From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and ...
Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018
Hot Cold Heavy Light collects 100 writings-some long, some short-that taken together forma group portrait of many of the world's most significant and interesting artists. From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and confusing art world, an expert guide to a dazzling scene. No other writer enhances the reader's experience of art in precise, jargon-free prose as Schjeldahl does. His reviews are more essay than criticism, and he offers engaging and informative accounts of artists and their work. For more than three decades, he has written about art with Emersonian openness and clarity. A fresh perspective, an unexpected connection, a lucid gloss on a big idea awaits the reader on every page of this big, absorbing, buzzing book.
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18.900000 USD

Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018

by Peter Schjeldahl
Paperback / softback
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In The Chinese Atlantic, Sean Metzger charts processes of global circulation across and beyond the Atlantic, exploring how seascapes generate new understandings of Chinese migration, financial networks and artistic production. Moving across film, painting, performance, and installation art, Metzger traces flows of money, culture, and aesthetics to reveal the ways ...
The Chinese Atlantic: Seascapes and the Theatricality of Globalization
In The Chinese Atlantic, Sean Metzger charts processes of global circulation across and beyond the Atlantic, exploring how seascapes generate new understandings of Chinese migration, financial networks and artistic production. Moving across film, painting, performance, and installation art, Metzger traces flows of money, culture, and aesthetics to reveal the ways in which routes of commerce stretching back to the Dutch Golden Age have molded and continue to influence the social reproduction of Chineseness. With a particular focus on the Caribbean, Metzger investigates the expressive culture of Chinese migrants and the communities that received these waves of people. He interrogates central issues in the study of similar case studies from South Africa and England to demonstrate how Chinese Atlantic seascapes frame globalization as we experience it today. Frequently focusing on art that interacts directly with the sites in which it is located, Metzger explores how Chinese migrant laborers and entrepreneurs did the same to shape-both physically and culturally-the new spaces in which they found themselves. In this manner, Metzger encourages us to see how artistic imagination and practice interact with migration to produce a new way of framing the global.
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26.250000 USD

The Chinese Atlantic: Seascapes and the Theatricality of Globalization

by Sean Metzger
Paperback / softback
Book cover image
In The Chinese Atlantic, Sean Metzger charts processes of global circulation across and beyond the Atlantic, exploring how seascapes generate new understandings of Chinese migration, financial networks and artistic production. Moving across film, painting, performance, and installation art, Metzger traces flows of money, culture, and aesthetics to reveal the ways ...
The Chinese Atlantic: Seascapes and the Theatricality of Globalization
In The Chinese Atlantic, Sean Metzger charts processes of global circulation across and beyond the Atlantic, exploring how seascapes generate new understandings of Chinese migration, financial networks and artistic production. Moving across film, painting, performance, and installation art, Metzger traces flows of money, culture, and aesthetics to reveal the ways in which routes of commerce stretching back to the Dutch Golden Age have molded and continue to influence the social reproduction of Chineseness. With a particular focus on the Caribbean, Metzger investigates the expressive culture of Chinese migrants and the communities that received these waves of people. He interrogates central issues in the study of similar case studies from South Africa and England to demonstrate how Chinese Atlantic seascapes frame globalization as we experience it today. Frequently focusing on art that interacts directly with the sites in which it is located, Metzger explores how Chinese migrant laborers and entrepreneurs did the same to shape-both physically and culturally-the new spaces in which they found themselves. In this manner, Metzger encourages us to see how artistic imagination and practice interact with migration to produce a new way of framing the global.
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78.750000 USD

The Chinese Atlantic: Seascapes and the Theatricality of Globalization

by Sean Metzger
Hardback
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John Berger was one of the most influential thinkers and writers of postwar Europe. As a novelist, he won the Booker Prize in 1972, donating half his prize money to the Black Panthers; as a TV presenter he changed the way we looked at art in Ways of Seeing; as ...
A Writer of Our Time: The Life and Work of John Berger
John Berger was one of the most influential thinkers and writers of postwar Europe. As a novelist, he won the Booker Prize in 1972, donating half his prize money to the Black Panthers; as a TV presenter he changed the way we looked at art in Ways of Seeing; as a storyteller and political activist he defended the rights and dignity of workers, migrants and the oppressed around the world. In 1953 he wrote: Far from dragging politics into art, art has dragged me into politics. He remained a revolutionary up to his death in January, 2017. In A Writer of Our Time, Joshua Sperling places Berger's life and works within the historical narrative of postwar Britain and beyond. The book also explores, through the work, the larger questions that vexed a generation: the purpose of art, the nature of creative freedom, the meaning of commitment. Drawing on extensive interviews, close readings and a wealth of archival sources only recently made available, the book brings the many different faces of John Berger together and shows him as one of the most vital, and brilliant, thinkers and storytellers of our time.
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22.30 USD

A Writer of Our Time: The Life and Work of John Berger

by Joshua Sperling
Paperback / softback
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How a group of artists and theorists turned to exhibition design as the only medium capable of synthesizing high and low in postwar culture. In 1950s London, a cadre of young artists, theorists, and popular culture aficionados known as the Independent Group (IG) came together for a series of pressing ...
The Long Front of Culture: The Independent Group and Exhibition Design
How a group of artists and theorists turned to exhibition design as the only medium capable of synthesizing high and low in postwar culture. In 1950s London, a cadre of young artists, theorists, and popular culture aficionados known as the Independent Group (IG) came together for a series of pressing meetings. Their humble goal: to reimagine the structure of postwar culture by situating art in the midst of military-industrial technologies and pop pleasures. In this book, Kevin Lotery argues that the IG turned to the cross-disciplinary form of exhibition design as the only medium capable of getting the measure of these forces, the only technique that could integrate high and low, aesthetic and scientific, and redesign them in turn. At the heart of this story are the IG's most unruly members, including artists Richard Hamilton, Nigel Henderson, and Eduardo Paolozzi; architects Alison and Peter Smithson; and critics Lawrence Alloway and Reyner Banham. To these upstarts, art was no more privileged an activity than the streamlining of a helicopter blade or the screening of the latest cinema spectacle. In place of the old cultural hierarchies, they saw a continuum that Alloway termed the long front of culture. Only exhibition making could redirect this long front toward something genuinely, startlingly new. Lotery shows that the IG's exhibitions sought out temporary interfaces with technological invention and scientific research in a search for the form of the new itself. The IG exhibitions he examines drew on biological morphogenesis, anthropology and photography, human-machine prosthetics, American pop, abstraction, and theories of play. The IG is often described as the precursor to the pop art of the 1960s. Lotery shows that it was much more, as entangled with the histories of science, technology, and design as with the dialectics of modern art and mass culture
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47.250000 USD

The Long Front of Culture: The Independent Group and Exhibition Design

by Kevin Lotery
Hardback
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In Technocrats of the Imagination John Beck and Ryan Bishop explore the collaborations between the American avant-garde art world and the military-industrial complex during the 1960s, in which artists worked with scientists and engineers in universities, private labs, and museums. For artists, designers, and educators working with the likes of ...
Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde
In Technocrats of the Imagination John Beck and Ryan Bishop explore the collaborations between the American avant-garde art world and the military-industrial complex during the 1960s, in which artists worked with scientists and engineers in universities, private labs, and museums. For artists, designers, and educators working with the likes of Bell Labs, the RAND Corporation, and the Los Angeles County Museum of Art, experiments in art and technology presaged not only a new aesthetic but a new utopian social order based on collective experimentation. In examining these projects' promises and pitfalls and how they have inspired a new generation of collaborative labs populated by artists, engineers, and scientists, Beck and Bishop reveal the connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s.
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27.250000 USD

Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde

by Ryan Bishop, John Beck
Paperback / softback
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A compelling and innovative reflection on the way photography captures and condenses time Two photographs, connected by a ladder, separated by a century. First, William Henry Fox Talbot photographed a faithfully realistic image of a ladder against a haystack in the English countryside.One hundred years later, an anonymous photographer captured ...
The Instant and Its Shadow: A Story of Photography
A compelling and innovative reflection on the way photography captures and condenses time Two photographs, connected by a ladder, separated by a century. First, William Henry Fox Talbot photographed a faithfully realistic image of a ladder against a haystack in the English countryside.One hundred years later, an anonymous photographer captured another ladder, photographed alongside an incinerated man by the blinding light of the atomic bomb. These two images underpin a poetic and theoretical reflection on the origins of photographic technique, the imaginative power of montage, and the relation of photography to time itself in Jean-Christophe Bailly's The Instant and Its Shadow, translated into English for the very first time. A rare find of intellectual caliber and theoretical rigor, The Instant and Its Shadow pursues a unique and powerful reflection on the first hundred years of photography's history and on the essence of the photographic art in general. Inspired by the unexpected coming together of these two iconic images, the book begins by retracing Talbot's invention of the photographic calotype in the early nineteenthcentury, highlighting the paradox that saw Talbot wishing to imitate the representative arts of painting and drawing while simultaneously liberating the image from any imitative paradigm. This analysis leads Bailly to elucidate photography's relation to material and visual reality. A meditation on photography's seeming ability to stop time follows, concluding with the photographs of Hiroshima and the photographic nature of the atomic bomb. Building on an inspired juxtaposition of The Haystack with the Hiroshima photographs, the book becomes a testament to the potency of photomontage, arguing that the more singular an image, the greater its connective power. Bailly's book is at once a lyrical homage to some of the founding texts of photographic theory and a startling reminder of the uncanny power of photography itself. Part theoretical reflection, part lyrical reverie, The Instant and Its Shadow is packed with profound and stellar insights about the medium.
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26.250000 USD

The Instant and Its Shadow: A Story of Photography

by Jean-Christophe Bailly
Paperback / softback
Book cover image
A compelling and innovative reflection on the way photography captures and condenses time Two photographs, connected by a ladder, separated by a century. First, William Henry Fox Talbot photographed a faithfully realistic image of a ladder against a haystack in the English countryside.One hundred years later, an anonymous photographer captured ...
The Instant and Its Shadow: A Story of Photography
A compelling and innovative reflection on the way photography captures and condenses time Two photographs, connected by a ladder, separated by a century. First, William Henry Fox Talbot photographed a faithfully realistic image of a ladder against a haystack in the English countryside.One hundred years later, an anonymous photographer captured another ladder, photographed alongside an incinerated man by the blinding light of the atomic bomb. These two images underpin a poetic and theoretical reflection on the origins of photographic technique, the imaginative power of montage, and the relation of photography to time itself in Jean-Christophe Bailly's The Instant and Its Shadow, translated into English for the very first time. A rare find of intellectual caliber and theoretical rigor, The Instant and Its Shadow pursues a unique and powerful reflection on the first hundred years of photography's history and on the essence of the photographic art in general. Inspired by the unexpected coming together of these two iconic images, the book begins by retracing Talbot's invention of the photographic calotype in the early nineteenthcentury, highlighting the paradox that saw Talbot wishing to imitate the representative arts of painting and drawing while simultaneously liberating the image from any imitative paradigm. This analysis leads Bailly to elucidate photography's relation to material and visual reality. A meditation on photography's seeming ability to stop time follows, concluding with the photographs of Hiroshima and the photographic nature of the atomic bomb. Building on an inspired juxtaposition of The Haystack with the Hiroshima photographs, the book becomes a testament to the potency of photomontage, arguing that the more singular an image, the greater its connective power. Bailly's book is at once a lyrical homage to some of the founding texts of photographic theory and a startling reminder of the uncanny power of photography itself. Part theoretical reflection, part lyrical reverie, The Instant and Its Shadow is packed with profound and stellar insights about the medium.
https://magrudy-assets.storage.googleapis.com/9780823287451.jpg
94.500000 USD

The Instant and Its Shadow: A Story of Photography

by Jean-Christophe Bailly
Hardback
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1. KEY SELLING POINTS: * LAAB MAGAZINE enlists a diverse cast of artists, authors, cartoonists and illustrators to unpack the ideologies behind popular entertainment, visual culture and aesthetics. Using a combination of essays, comics, interviews, articles and illustrations, the magazine explores the power of images and narratives in a massive ...
LAAB #4: THIS WAS YOUR LIFE!
1. KEY SELLING POINTS: * LAAB MAGAZINE enlists a diverse cast of artists, authors, cartoonists and illustrators to unpack the ideologies behind popular entertainment, visual culture and aesthetics. Using a combination of essays, comics, interviews, articles and illustrations, the magazine explores the power of images and narratives in a massive 16x21 broadsheet newspaper . * Astonishing cast of well-known and rising contributing writers and artists including Ben Passmore, Sarah Jaffe, Emily Carroll, Richie Pope, Scott Campbell and many more. * Features an interview with John Carpenter, perhaps the most beloved horror filmmaker of all time. * Currently nominated (for our previous issue) for an Eisner Award for Best Comics Journalism in 2019. 2. The competition: What is the competition and how does this book overcome it? * Frankly, in terms of format, theme and approach, there really is not any clear comparative competition that I'm aware of. Our readership may also be interested in publications like The Paris Review, Jacobin and Current Affairs, but our focus on art and production sets us very much outside the tradition of those magazines. Here are some sales hooks: * PRODUCTION VALUES: Though newsprint is often seen as a disposable medium, we push back against that with beautiful printing and have 50# bright white paper stock. Every issue comes in its own custom printed cardboard envelope box appropriate for shelving. * HUGE FORMAT: At 16x21 , our pages double an oversized posters fit for framing or pasting up. When you buy LAAB, you're not just buying the content, you're buying a phyiscal artifact. * CONTRIBUTORS: We have many contributors with large followings of their own in the five and six figures. We hope to leverage their individual audiences to create sales for LAAB. 3. News tie-in/current relevance: Indicate whether the book is a companion to or complements a recent news story, social trend, upcoming movie, sporting event, or a best- selling title. Why is this book relevant now? * Leverage to growing interest in diverse books -- LAAB has a huge cast of contributors from across the spectrum of race, gender, class, religion and sexuality, but it also tackles the idea of diversity head-on, asking what it means, how it can be achieved, and what its pitfalls are. 4. Notable author, series, illustrator, other contributor, or blurber: Describe how a book or author is notable. List any relevant book or author/contributor awards. If there are several notable contributors, name them. List relevant sales figures and titles, or copies sold in the series (must be over than 20,000 copies sold). Point out if the book/author has already received early notable endorsements from name authors or experts or booksellers. Note if the author has been interviewed or reviewed in major US publications or national broadcast or online outlets and list any media connections the author may have. * * Creator and editor Ronald Wimberly has a committed and growing fan base, has been interviewed on NPR, CNN and NBC, and has a film property currently under production with Legendary Pictures (PRINCE OF CATS, starring Lakeith Stanfield). * Sarah Jaffe is one of the most popular leftist journalists working today. * LAAB is currently nominated for an Eisner Award for Best Comics Journalism. * Featured interview with John Carpenter, the master of horror and the supernatural, one of the most beloved filmmakers of all time. 5. New editions: What percentage is new material?* Has a new chapter, an introduction, or a foreword been added? If the previous edition(s) has sold over 20,000 copies combined, include sales figures here. * The book is approximately 85% new material. Two essays have been licensed from elsewhere. 6. Notable elements: Outline how the packaging or specific content is a selling point (photos, a resource section, unusual shape or size, type of recipes). * The art newspaper format is novel and interesting, and gives our contributors an opportunity to explore an enormous page space that's rarely afforded in publishing. 7. Other fields in the tipsheet: * Market: the market for this is anyone interested in the intersection of art and politics. The success of podcasts and shows like Struggle Session, Current Affairs and Chapo Trap House indicates that this may be an underserved audience in the medium of print and publishing.
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27.88 USD

LAAB #4: THIS WAS YOUR LIFE!

Pamphlet
Book cover image
Boldly developing the central traditions of American modernist abstraction, Lawrence Carroll's paintings engage with a fundamental issue of aesthetic theory, the nature of the medium of painting, in highly original, frequently extraordinarily successful ways. Aesthetic Theory, Abstract Art, and Lawrence Carroll explains how he understands the medium of painting; shows ...
Aesthetic Theory, Abstract Art, and Lawrence Carroll
Boldly developing the central traditions of American modernist abstraction, Lawrence Carroll's paintings engage with a fundamental issue of aesthetic theory, the nature of the medium of painting, in highly original, frequently extraordinarily successful ways. Aesthetic Theory, Abstract Art, and Lawrence Carroll explains how he understands the medium of painting; shows what his art says about the identity of painting as an art; discusses the place of his paintings in the development of abstraction; and, finally, offers an interpretation of his art. The first monograph devoted to him, this philosophical commentary employs the resources of analytic aesthetics. Art historians trace the development of art, explaining how what came earlier yields to what comes later. Taking for granted that the artifacts they describe are artworks, art historians place them within the history of art. Philosophical art writers define art, explain why it has a history and identify its meaning. Pursuing that goal, Aesthetic Theory, Abstract Art, and Lawrence Carroll roams freely across art history, focused at some points on the story of old master painting and sometimes on the history of modernism, but looking also to contemporary art, in order to provide the fullest possible philosophical perspective on Carroll's work.
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41.950000 USD

Aesthetic Theory, Abstract Art, and Lawrence Carroll

by David Carrier
Paperback / softback
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Charles Harrison's landmark book offers an original, clear, and wide-ranging introduction to the arts of painting and sculpture, to the principal artistic print media, and to the visual arts of modernism and post-modernism. Covering the entire history of art, from Paleolithic cave painting to contemporary art, it provides foundational guidance ...
An Introduction to Art
Charles Harrison's landmark book offers an original, clear, and wide-ranging introduction to the arts of painting and sculpture, to the principal artistic print media, and to the visual arts of modernism and post-modernism. Covering the entire history of art, from Paleolithic cave painting to contemporary art, it provides foundational guidance on the basic character and techniques of the different art forms, on the various genres of painting in the Western tradition, and on the techniques of sculpture as they have been practiced over several millennia and across a wide range of cultures. Throughout the book, Harrison discusses the relative priorities of aesthetic appreciation and historical inquiry, and the importance of combining the two approaches. Written in a style that is at once graceful, engaging, and personal, as well as analytical and exact, this illuminating book offers an impassioned and timely defense of the importance and value of the firsthand encounter with works of art, whether in museums or in their original locations.
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37.19 USD

An Introduction to Art

by Charles Harrison
Paperback / softback
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How have rapid changes in biotechnologisation, for example around assisted reproductive technologies or (re)constructive surgery, effected those seeking help with fertility treatment or clitoral reconstruction? What is involved for queer people in making a family of their own, or for trans people to access the relevant surgery? This volume argues ...
Bodily Interventions and Intimate Labour: Understanding Bioprecarity
How have rapid changes in biotechnologisation, for example around assisted reproductive technologies or (re)constructive surgery, effected those seeking help with fertility treatment or clitoral reconstruction? What is involved for queer people in making a family of their own, or for trans people to access the relevant surgery? This volume argues that contemporary cultures foster bioprecarity by categorizing groups of people in certain ways and/or by denying them access to the treatment they seek or need. Drawing on original empirical data with trans and queer people, but also other minoritised and racialized groups, this volume explores how bodily interventions, their regulation, and the intimate labour the interventions involve, create vulnerabilities. -- .
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126.000000 USD

Bodily Interventions and Intimate Labour: Understanding Bioprecarity

Hardback
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Authorship critically examines emergent themes in contemporary architecture by revisiting the seemingly defunct notion of design authorship. As we revel in the death of the master architect, how do we come to terms with the shifting role of creativity in architecture's cultural production? In Authorship, a cross-disciplinary group of designers ...
Authorship - Discourse, A Series on Architecture
Authorship critically examines emergent themes in contemporary architecture by revisiting the seemingly defunct notion of design authorship. As we revel in the death of the master architect, how do we come to terms with the shifting role of creativity in architecture's cultural production? In Authorship, a cross-disciplinary group of designers and scholars explores this topic through a myriad of lenses. Subjects include the impact of digital tools and computational scripts on the conception of buildings in the age of robotics, the current climate of appropriation and sampling as a counter-form of authorship, and the rise of reauthored materials in a postdigital age. These questions are cast against alternative ideas of authorship that, in turn, reposition the history of architecture. Featured essays investigate the separation between the personal and the authored while other contributions expose meaning, symbolism, and iconography as the subjects of authority-not authorship. Ultimately, this book dismantles, realigns, and reassembles disparate architectural conditions to form new ways of thinking. Discourse is a biannual publication series that presents timely themes on and around architecture. A selective compilation of essays, interviews, roundtable discussions, featured exhibitions, photo-essays, and collateral materials-such as architectural models, sketches, and built works-highlight architectural culture, practice, and theory.
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46.49 USD

Authorship - Discourse, A Series on Architecture

by Ellie Abrons, Eda Yetim, Curt Gambetta, Antoine Picon
Paperback / softback
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In a major departure from previous scholarship, this volume argues that the illustrations in the famous and widely influential Utrecht Psalter manuscript were inspired by a late antique Hebrew version of Psalms, rather than a Latin, Christian version of the text. Produced during the early ninth century in a workshop ...
Hebrew Psalms and the Utrecht Psalter: Veiled Origins
In a major departure from previous scholarship, this volume argues that the illustrations in the famous and widely influential Utrecht Psalter manuscript were inspired by a late antique Hebrew version of Psalms, rather than a Latin, Christian version of the text. Produced during the early ninth century in a workshop near Reims, France, the Utrecht Psalter is illustrated with pen-and-ink drawings in a lively style reminiscent of Hellenistic art. The motifs are largely literal renditions of words and phrases found in the book of Psalms. However, more than three dozen motifs cannot be explained by either the Latin text that accompanies the imagery or the commentaries of the church fathers. Through a close reading of the Hebrew Psalms, Pamela Berger demonstrates that these motifs can be explained only by the Hebrew text or the Jewish commentary. Drawing comparisons between the Hellenistic style of the Psalter images and the style of late antique Galilean mosaics and using evidence from recent archaeological discoveries, Berger argues that the model for those Psalter illustrations dependent on the Hebrew text was produced in the Galilee. Pioneering and highly persuasive, this book resolves outstanding issues surrounding the origins of one of the most extensively studied illuminated manuscripts. It will be mandatory reading for many historians of medieval art and literature and for those interested in the Hebrew text of the book of Psalms.
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141.750000 USD

Hebrew Psalms and the Utrecht Psalter: Veiled Origins

by Pamela Berger
Hardback
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This important new study reevaluates British art writing and the rise of formalism in the visual arts from 1900 to 1939. Taking Roger Fry as his starting point, Sam Rose rethinks how ideas about form influenced modernist culture and the movement's significance to art history today. In the context of ...
Art and Form: From Roger Fry to Global Modernism
This important new study reevaluates British art writing and the rise of formalism in the visual arts from 1900 to 1939. Taking Roger Fry as his starting point, Sam Rose rethinks how ideas about form influenced modernist culture and the movement's significance to art history today. In the context of modernism, formalist critics are often thought to be interested in art rather than life, a stance exemplified in their support for abstract works that exclude the world outside. But through careful attention to early twentieth-century connoisseurship, aesthetics, art education, design, and art in colonial Nigeria and India, Rose builds an expanded account of form based on its engagement with the social world. Art and Form thus opens discussions on a range of urgent topics in art writing, from its history and the constructions of high and low culture to the idea of global modernism. Rose demonstrates the true breadth of formalism and shows how it lends a new richness to thought about art and visual culture in the early to mid-twentieth century. Accessibly written and analytically sophisticated, Art and Form opens exciting new paths of inquiry into the meaning and lasting importance of formalism and its ties to modernism. It will be invaluable for scholars and enthusiasts of art history and visual culture.
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51.98 USD

Art and Form: From Roger Fry to Global Modernism

by Sam Rose
Paperback / softback
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Photography and Its Shadow argues that the invention of photography marked a rupture in our relation to the world and what we see in it. The dominant theoretical and artistic paradigm for understanding the invention has been the tracing of shadows. But what photography really inaugurated was the shadow's disappearance-a ...
Photography and Its Shadow
Photography and Its Shadow argues that the invention of photography marked a rupture in our relation to the world and what we see in it. The dominant theoretical and artistic paradigm for understanding the invention has been the tracing of shadows. But what photography really inaugurated was the shadow's disappearance-a disappearance that irreversibly changed our relationship to nature and the real, to time and to death. A way of negotiating impermanence, photography was marked from the start by an inherent contradiction. It conflated two incompatible configurations of the visible: an embodied human eye, deeply sensitive to nature, and a machine vision that aimed to reify the instant and wallow in images alone. Photography's history is replete with efforts to conceal the mystery of its paradoxical constitution. Born in the century of Nietzsche's death of God, it long enacted the fraught subjectivity of its age. Anxious, haunted by a void, it used an array of strategies to take on ever-new identities. Challenging the hitherto most influential accounts of the practice and taking us from its origins to the present, Hagi Kenaan shows us how photography has been transformed over time, and how it transforms us.
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25.200000 USD

Photography and Its Shadow

by Hagi Kenaan
Paperback / softback
Book cover image
Photography and Its Shadow argues that the invention of photography marked a rupture in our relation to the world and what we see in it. The dominant theoretical and artistic paradigm for understanding the invention has been the tracing of shadows. But what photography really inaugurated was the shadow's disappearance-a ...
Photography and Its Shadow
Photography and Its Shadow argues that the invention of photography marked a rupture in our relation to the world and what we see in it. The dominant theoretical and artistic paradigm for understanding the invention has been the tracing of shadows. But what photography really inaugurated was the shadow's disappearance-a disappearance that irreversibly changed our relationship to nature and the real, to time and to death. A way of negotiating impermanence, photography was marked from the start by an inherent contradiction. It conflated two incompatible configurations of the visible: an embodied human eye, deeply sensitive to nature, and a machine vision that aimed to reify the instant and wallow in images alone. Photography's history is replete with efforts to conceal the mystery of its paradoxical constitution. Born in the century of Nietzsche's death of God, it long enacted the fraught subjectivity of its age. Anxious, haunted by a void, it used an array of strategies to take on ever-new identities. Challenging the hitherto most influential accounts of the practice and taking us from its origins to the present, Hagi Kenaan shows us how photography has been transformed over time, and how it transforms us.
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122.73 USD

Photography and Its Shadow

by Hagi Kenaan
Hardback
Book cover image
Creative Manifestos: Inspirational Statements to Celebrate Self-Expression
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17.800000 USD

Creative Manifestos: Inspirational Statements to Celebrate Self-Expression

by Oliver Luke Delorie
Paperback / softback
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Dressed: A Philosophy of Clothes
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31.500000 USD

Dressed: A Philosophy of Clothes

by Shahidha Bari
Hardback
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How to Be an Artist
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26.32 USD

How to Be an Artist

by Jerry Saltz
Hardback
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Contemporary Photography and Theory offers an essential overview of some of the key critical debates in fine art photography today. Building on a foundational understanding of photography, it offers an in-depth discussion of five topic areas: identity, landscape and place, the politics of representation, psychoanalysis and the event. Written in ...
Contemporary Photography and Theory: Concepts and Debates
Contemporary Photography and Theory offers an essential overview of some of the key critical debates in fine art photography today. Building on a foundational understanding of photography, it offers an in-depth discussion of five topic areas: identity, landscape and place, the politics of representation, psychoanalysis and the event. Written in an accessible style, it introduces the critical literature relevant to photography that has emerged over recent decades. Moving beyond seminal works by writers such as Walter Benjamin, Roland Barthes, and Susan Sontag, it enables readers to explore an extended canon of theorists including Jacques Lacan, Judith Butler and Giorgio Agamben. The book is illustrated throughout and analyses a range of works by established and emergent artists in order to show how these theoretical concepts are central to understanding contemporary photography. These 15 short essays encourage readers to apply critical thinking to both their own work and that of others. They are the perfect starting point for essays as well being of suitable length for assigned readings, making this the ideal resource for learning about contemporary photography and theory.
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31.450000 USD

Contemporary Photography and Theory: Concepts and Debates

by Sally Miller
Paperback / softback
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What are the archives of gay and lesbian leather histories, and how have contemporary artists mined these archives to create a queer politics of the present? This book sheds light on an area long ignored by traditional art history and LGBTQ studies, examining the legacies of the visual and material ...
Bound Together: Leather, Sex, Archives, and Contemporary Art
What are the archives of gay and lesbian leather histories, and how have contemporary artists mined these archives to create a queer politics of the present? This book sheds light on an area long ignored by traditional art history and LGBTQ studies, examining the legacies of the visual and material cultures of US leather communities. It discusses the work of contemporary artists such as Patrick Staff, Dean Sameshima, Monica Majoli, AK Burns and AL Steiner, and the artist collective Die Kranken, showing how archival histories and contemporary artistic projects might be applied in a broader analysis of LGBTQ culture and norms. Hanky codes, blurry photographs of Tom of Finland drawings, a pin sash weighted down with divergent histories - these become touchstones for writing leather histories. -- .
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37.19 USD

Bound Together: Leather, Sex, Archives, and Contemporary Art

by Andy Campbell
Paperback / softback
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This new edition of Bob Brown's groundbreaking collection of modernist writing experiments has been out of print since 1931, when Brown's Roving Eye Press originally published it. Only a few copies exist in archives today. The contributors include major modernist writers such as Gertrude Stein, William Carlos Williams, F. T. ...
Readies for Bob Brown's Machine: A Critical Facsimile Edition
This new edition of Bob Brown's groundbreaking collection of modernist writing experiments has been out of print since 1931, when Brown's Roving Eye Press originally published it. Only a few copies exist in archives today. The contributors include major modernist writers such as Gertrude Stein, William Carlos Williams, F. T. Marinetti, Eugene Jolas and Ezra Pound, key social realists like Kay Boyle and James T. Farrell and daring queer novelists and artists including Charles Henri Ford and Sidney Hunt.
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131.250000 USD

Readies for Bob Brown's Machine: A Critical Facsimile Edition

by Bob Brown
Hardback
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The Da Vinci Women: The Untold Feminist Power of Leonardo's Art
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31.490000 USD

The Da Vinci Women: The Untold Feminist Power of Leonardo's Art

by Kia Vahland
Hardback
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From clandestine images of Jewish children isolated in Nazi ghettos and Japanese American children incarcerated in camps to images of Native children removed to North American boarding schools, classroom photographs of schoolchildren are pervasive even in repressive historical and political contexts. School Photos in Liquid Time offers a closer look ...
School Photos in Liquid Time: Reframing Difference
From clandestine images of Jewish children isolated in Nazi ghettos and Japanese American children incarcerated in camps to images of Native children removed to North American boarding schools, classroom photographs of schoolchildren are pervasive even in repressive historical and political contexts. School Photos in Liquid Time offers a closer look at this genre of vernacular photography, tracing how photography advances ideologies of social assimilation as well as those of hierarchy and exclusion. In Marianne Hirsch and Leo Spitzer's deft analysis, school photographs reveal connections between the histories of persecuted subjects in different national and imperial centers. Exploring what this ubiquitous and mundane but understudied genre tells us about domination as well as resistance, the authors examine school photos as documents of social life and agents of transformation. They place them in dialogue with works by contemporary artists who reframe, remediate, and elucidate them. Ambitious yet accessible, School Photos in Liquid Time presents school photography as a new access point into institutions of power, revealing the capacity of past and present actors to disrupt and reinvent them.
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31.500000 USD

School Photos in Liquid Time: Reframing Difference

by Leo Spitzer, Marianne Hirsch
Paperback / softback
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Reflections on the cultural and political complexities of translation in global contemporary artistic practices. The movement of global populations, and subsequently the task of translation, underlies contemporary culture. Economic and environmental migration, forced political exiles, and the plight of refugees are now superimposed upon the intricacies of ancient and modern ...
Translation
Reflections on the cultural and political complexities of translation in global contemporary artistic practices. The movement of global populations, and subsequently the task of translation, underlies contemporary culture. Economic and environmental migration, forced political exiles, and the plight of refugees are now superimposed upon the intricacies of ancient and modern diasporas, generations of colonization, and the transportation of slaves. This timely anthology considers translation's ongoing role in cultural navigation, empathy, and understanding disparate experiences. It explores the approaches of artists, poets, and theorists in negotiating increasingly protean identities--from the intrinsic intimacy of language, to translation's embedded structures of knowledge production and interaction, to its limitations of expression, and, ultimately, its importance in a world of multiple perspectives. Artists surveyed include Meric Algun Ringborg, Geta Bratescu, Tanya Bruguera, Jesse Darling, Chto Delat, Chohreh Feyzdjou, Susan Hiller, Glenn Ligon, Teresa Margolles, Shirin Neshat, Helio Oiticica, Pratchaya Phinthong, Kurt Schwitters, Yinka Shonibare, Mladen Stilinovic, Erika Tan, Kara Walker, Wu Tsang Writers include Hannah Arendt, James Baldwin, Walter Benjamin, Judith Butler, Luis Camnitzer, Jean Fisher, Stuart Hall, bell hooks, Sarat Maharaj, Martha Rosler, Bertrand Russell, Simon Sheikh, Gayatri Spivak, Hito Steyerl, Lawrence Venuti
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26.200000 USD

Translation

Paperback / softback
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In Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital, Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the historical present. Writing not under the shadow but in the spirit of Adorno's negative dialectic, her work pursues ...
Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital
In Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital, Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the historical present. Writing not under the shadow but in the spirit of Adorno's negative dialectic, her work pursues speculation through its contested terrains of philosophy, finance, and art, to arrive at the most detailed analysis that we now possess of the role of speculation in the shaping of subjectivity by value relations. Featuring detailed critical discussions of recent tendencies in the artistic representation of labour, and a brilliant reconstruction of the philosophical concept of the speculative from its origins in German Romanticism, Speculation as a Mode of Production is an essential, widescreen theorisation of capital's drive to self-expansion, and an urgent corrective to the narrow and one-sided periodisations to which it is most commonly subjected.
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29.400000 USD

Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital

by Marina Vishmidt
Paperback / softback
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An Introduction to Applied Semiotics presents 19 semiotics tools for text and image analysis. Covering a variety of different schools and approaches, together with the author's own original approach, this is a full and synthetic introduction to semiotics. This book presents general tools that can be used with any semiotic ...
An Introduction to Applied Semiotics: Tools for Text and Image Analysis
An Introduction to Applied Semiotics presents 19 semiotics tools for text and image analysis. Covering a variety of different schools and approaches, together with the author's own original approach, this is a full and synthetic introduction to semiotics. This book presents general tools that can be used with any semiotic product. Drawing on the work of Fontanille, Genette, Greimas, Hebert, Jakobson, Peirce, Rastier and Zilberberg, the tools deal with the analysis of themes and action, true and false, positive and negative, rhythm narration, and other elements. The application of each tool is illustrated with analyses of a wide range of texts and images, from well-known or distinctive literary texts, philosophical or religious texts or images, paintings, advertising and everyday signs and symbols. Each chapter has the same structure - summary, theory and application - and includes exercises and discussion questions, making it ideal for course use. Covering both visual and textual objects, this is a key text for all courses in semiotics and textual analysis, within linguistics, communication studies, literary theory, design, marketing and related areas.
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162.750000 USD

An Introduction to Applied Semiotics: Tools for Text and Image Analysis

by Louis Hebert
Hardback
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