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The pictures in Ether, Sheikh's first book in colour, were made as a way to honour the experience of death and to try to comprehend its significance. Benares (Varanasi) is one of India's sacred cities, where many Hindus come to die in the belief that they will find salvation. As ...
Fazal Sheikh: Ether
The pictures in Ether, Sheikh's first book in colour, were made as a way to honour the experience of death and to try to comprehend its significance. Benares (Varanasi) is one of India's sacred cities, where many Hindus come to die in the belief that they will find salvation. As he walked its streets by night, Sheikh observed sleeping figures, shrouded in blankets, lost to an oblivion that seemed, in that holy city, to offer a simulacrum of death. In watching these ambiguous figures, which hover in the imagination between a dream state, sleep and death, Sheikh recalled his own experience with his dying father and their passage together through his father's final days. He remembered it as an invaluable period of emotional connection with the body and soul of the person he knew and loved, a connection that reached back to his paternal ancestors, who had travelled south from northern India a century before. To lose oneself in sleep is to abandon the senses and leave the way open to a dream state in which mind and body separate. Just as, in death, the soul leaves the physical body behind and takes to the air, becoming ether.
47.250000 USD

Fazal Sheikh: Ether

by Fazal Sheikh
Hardback
Book cover image
The portrait is central to Fazal Sheikh's work. For more than two decades, as he has worked in different communities around the world, the invitation to sit for a portrait has been one of the principle means by which he has established a link with his subjects and been allowed ...
Fazal Sheikh: Portraits
The portrait is central to Fazal Sheikh's work. For more than two decades, as he has worked in different communities around the world, the invitation to sit for a portrait has been one of the principle means by which he has established a link with his subjects and been allowed to enter and document their lives. Often these have been people in crisis: displaced from their homes and their countries, at risk from violence, poverty and prejudice. This book takes in the full range of Fazal Sheikh's work, from his earliest portraits taken in African refugee camps, through long-term projects in Afghanistan and Northern Pakistan, Somalia and Kenya, to more recent work in South America and in India. It considers the role of the portrait within this kind of social enquiry: the balance of its aesthetic and narrative qualities, its capacity for empathy and also for distance; the values of the collaborative portrait, and the moral ambivalence that surrounds this approach to documenting the lives of disadvantaged people within the context of contemporary art. Fazal Sheikh was born in 1965 in New York City. His previous books include A Sense of Common Ground (Scalo 1996), The Victor Weeps (Scalo 1998), A Camel for the Son and Ramadan Moon (International Human Rights Series 2001), Moksha (Steidl 2005), Ladli (Steidl 2007) and The Circle (Steidl 2008), Fazal Sheikh (TF Editores 2009). Professor Eduardo Cadava teaches English and Comparative Literature at Princeton University. His books include Words of Light: Theses on the Photography of History (Princeton UP, 1997), and Emerson and the Climates of History (Stanford UP, 1997).
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47.250000 USD

Fazal Sheikh: Portraits

by Fazal Sheikh
Hardback
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The Erasure Trilogy explores the anguish caused by the loss of memory-by forgetting, amnesia or suppression-and the resulting human desire to preserve memory, all seen through the prism of the Israeli-Palestinian confl ict. Memory Trace, the fi rst book in the trilogy, depicts the ruins caused by the Arab-Israeli War ...
Erasure: Fazal Sheikh: The Erasure Trilogy - Vol. I: Memory Trace, Vol. II: Desert Bloom, Vol. III: Independence / Nakba
The Erasure Trilogy explores the anguish caused by the loss of memory-by forgetting, amnesia or suppression-and the resulting human desire to preserve memory, all seen through the prism of the Israeli-Palestinian confl ict. Memory Trace, the fi rst book in the trilogy, depicts the ruins caused by the Arab-Israeli War of 1948: portraits of those traumatized by violence, devastated landscapes and fragments of buildings. This visual poem suggests the irreparable loss of a lingering past that augurs a painful and diffi cult future. Tracing the ironic consequences of David Ben-Gurion's dream of settling the Negev and making the desert bloom, the aerial photographs in Sheikh's Desert Bloom reveal the myriad actions that have displaced and erased the Bedouins who have lived in the desert for generations. Here we see the extreme transformation of the landscape through erosion, mining, military training camps, the demolition of villages and afforestation. Through Sheikh's lens the desert becomes both an archive of violence and a record of human attempts to erase it. Independence | Nakba consists of sixty-six diptychs - one for each year since 1948 - pairing people from both sides of the Israeli-Palestinian confl ict, and of gradually increasing age. The double portraits query the relations between Israelis and Palestinians before the founding of the Israeli State (each image depicts either someone who lived in Palestine before the founding of the Israeli State, or someone whose ancestors did). Desert Bloom Notes, the essential companion reader to Desert Bloom, explores the historical and contemporary clues along the shifting surface of the desert, and what lies hidden, sealed within Sheikh's aerial landscapes of the Negev.
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131.250000 USD

Erasure: Fazal Sheikh: The Erasure Trilogy - Vol. I: Memory Trace, Vol. II: Desert Bloom, Vol. III: Independence / Nakba

by Fazal Sheikh
Hardback
Book cover image
For five hundred years the holy city of Vrindavan in northern India has been a haven for India's dispossessed widows. Cast out by their families and condemned by strict marital laws which deny them legal, economic and, in extreme cases, even human rights, they have made their way to the ...
Fazal Sheikh: Moksha
For five hundred years the holy city of Vrindavan in northern India has been a haven for India's dispossessed widows. Cast out by their families and condemned by strict marital laws which deny them legal, economic and, in extreme cases, even human rights, they have made their way to the city to worship at its temples and live in its ashrams, surviving on charitable hand-outs or begging on the streets. In Vrindavan they worship the young god Krishna, who invades their dreams, helping them to cast off memories from their past life and prepare for a new and better life to come. Their ultimate dream is to reach Moksha - heaven - where they will find freedom from the cycle of death and rebirth and live surrounded by their gods forever. Fazal Sheikh's photographs capture the meditative mood of the city and his portraits of the widows convey their sense of acceptance of life nearing its end and a longing for what is to come. As in his previous books he spent time with his subjects, listening to their stories, many of which reveal the suffering caused by traditions that still govern Indian society. Through his depiction of the city and its inhabitants, Fazal Sheikh once again contributes to our knowledge and understanding of a community whose existence, to those who live outside it, remains closed.
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47.250000 USD
Hardback
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