From the beloved author of the nationwide best seller Dept. of Speculation—one of the New York Times Book Review's Ten Best Books of the Year—a “darkly funny and urgent” (NPR) tour de force about a family, and a nation, in crisis
Lizzie Benson slid into her job as a librarian without a traditional degree. But this gives her a vantage point from which to practice her other calling: she is a fake shrink. For years she has tended to her God-haunted mother and her recovering addict brother. They have both stabilized for the moment, but Lizzie has little chance to spend her new free time with husband and son before her old mentor, Sylvia Liller, makes a proposal. Sylvia has become famous for her prescient podcast, Hell and High Water, and wants to hire Lizzie to answer the mail she receives: from left-wingers worried about climate change and right-wingers worried about the decline of western civilization.
As Lizzie dives into this polarized world, she begins to wonder what it means to keep tending your own garden once you've seen the flames beyond its walls. When her brother becomes a father and Sylvia a recluse, Lizzie is forced to address the limits of her own experience—but still she tries to save everyone, using everything she's learned about empathy and despair, conscience and collusion, from her years of wandering the library stacks . . . And all the while the voices of the city keep floating in—funny, disturbing, and increasingly mad.
Preorder the long-awaited sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel's Man Booker Prize-winning Wolf Hall trilogy. 'If you cannot speak truth at a beheading, when can you speak it?' England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, before Jane dies giving birth to the male heir he most craves. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry's regime to breaking point, Cromwell's robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man's vision: of a modern nation making itself through conflict, passion and courage.
'With her trademark passion, wit, and fierce feminism, Natalie Haynes gives much-needed voice to the silenced women of the Trojan War' - Madeline Miller, author of Circe One of the Guardian's 'Best Books of 2019' In A Thousand Ships, broadcaster and classicist Natalie Haynes retells the story of the Trojan War from an all-female perspective, for fans of Madeline Miller and Pat Barker. This was never the story of one woman, or two. It was the story of all of them. . . In the middle of the night, Creusa wakes to find her beloved Troy engulfed in flames. Ten seemingly endless years of brutal conflict between the Greeks and the Trojans are over, and the Greeks are victorious. The devastating consequences of the Trojan War stretch from Mount Olympus to Mount Ida, from the citadel of Troy to the distant Greek islands, and across oceans and sky in between. These are the stories of the women embroiled in that legendary war and its terrible aftermath, as well as the feud and the fatal decisions that started it all. . . Powerfully told from an all-female perspective, in A Thousand Ships Natalie Haynes gives voices to the women, girls and goddesses who, for so long, have been silent.