SHORTLISTED FOR THE 2020 BOOKER PRIZE
A NEW YORK TIMES EDITORS' CHOICE
A GUARDIAN SUMMER READING CHOICE
'A new kind of campus novel . . . Taylor endows his narrative with the precision of science and the intimacy of memoir.' -- The New Yorker
'A tender, deeply-felt, perfectly-paced novel about solitude and society, sexuality and race.' -- Colm Tóibín, author of Brooklyn
Wallace has spent his summer in the lab breeding a strain of microscopic worms. He is four years into a biochemistry degree at a lakeside Midwestern university, a life that's a world away from his childhood in Alabama.
His father died a few weeks ago, but Wallace didn't go back for the funeral, and he hasn't told his friends Miller, Yngve, Cole and Emma. For reasons of self-preservation, he has become used to keeping a wary distance even from those closest to him. But, over the course of one blustery end-of-summer weekend, the destruction of his work and a series of intense confrontations force Wallace to grapple with both the trauma of the past, and the question of the future.
Elegant, brutal and startlingly intimate, Real Life is a campus novel about learning to live from an electric new voice in fiction.
'A stunning debut . . . There is delicacy in the details of working in a lab full of microbes and pipettes that dances across the pages like the feet of a Cunningham dancer: pure, precise poetry.' -- New York Times
'This extraordinary debut is a manual for life that I wish I d had sooner.' -- Naoise Dolan, author of Exciting Times
'Extraordinary, brilliant, claustrophobic, tightly wound, heartbreaking. I do not have enough words to describe how I loved this book.' -- Daisy Johnson, author of Everything Under
It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest. Shuggie is different. Fastidious and fussy, he shares his mother's sense of snobbish propriety. The miners' children pick on him and adults condemn him as no' right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place. Douglas Stuart's Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst's The Line of Beauty, it also recalls the work of Edouard Louis, Frank McCourt, and Hanya Yanagihara, it is a blistering debut by a brilliant novelist with a powerful and important story to tell.
A searing debut novel about mothers and daughters, obsession and betrayal - for fans of Deborah Levy, Jenny Offill and Diana Evans 'Poignant and economical, it speaks of motherhood and memory, trauma and truth-searching, love and the language for it' Vogue India 'Crystalline, surgical, compulsively readable. An examination of toxic relationships and the ties that bind us' Sharlene Teo, author of Ponti In her youth, Tara was wild. She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents), and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her. This is a love story and a story about betrayal. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar unpicks the slippery, choking cord of memory and myth that binds two women together, making and unmaking them endlessly.
From an acclaimed Guardian First Book Award finalist comes a debut novel 'brutal and beautiful in equal measure' (Emily St. John Mandel)
Bea's five-year-old daughter, Agnes, is slowly wasting away. The smog and pollution of the overdeveloped, overpopulated metropolis they call home is ravaging her lungs. Bea knows she cannot stay in the City, but there is only one alternative: The Wilderness State. Mankind has never been allowed to venture into this vast expanse of untamed land. Until now.
Bea and Agnes join eighteen other volunteers who agree to take part in a radical experiment. They must slowly learn how to live in the unpredictable, often dangerous Wilderness, leaving no trace on their surroundings in their quest to survive. But as Agnes embraces this new existence, Bea realises that saving her daughter's life might mean losing her in ways she hadn't foreseen.
At once a blazing lament of our contempt for nature and a deeply humane portrayal of motherhood, The New Wilderness is an extraordinary, urgent novel from a celebrated new literary voice.
With the threat of Mussolini's army looming, recently orphaned Hirut struggles to adapt to her new life as a maid. Her new employer, Kidane, an officer in Emperor Haile Selassie's army, rushes to mobilise his strongest men before the Italians invade.
Hirut and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms. But how could she have predicted her own personal war, still to come, as a prisoner of one of Italy's most vicious officers?
The Shadow King is a gorgeously crafted and unputdownable exploration of female power, and what it means to be a woman at war.