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In Counterfeit Politics, David Kelman reassesses the political significance of conspiracy theory. Traditionally, political theory has sought to banish the paranoid style from the proper domain of politics. But if conspiracy theory lies outside the sphere of legitimate politics, why do these narratives continue to haunt political life? Counterfeit Politics ...
Counterfeit Politics: Secret Plots and Conspiracy Narratives in the Americas
In Counterfeit Politics, David Kelman reassesses the political significance of conspiracy theory. Traditionally, political theory has sought to banish the paranoid style from the proper domain of politics. But if conspiracy theory lies outside the sphere of legitimate politics, why do these narratives continue to haunt political life? Counterfeit Politics accounts for the seemingly ineradicable nature of conspiracy theory by arguing that all political statements ultimately take the form of conspiracy theory. Through careful readings of works by Ernest Hemingway, Ricardo Piglia, Thomas Pynchon, Don DeLillo, Jorge Luis Borges, Ishmael Reed, Jorge Volpi, Rigoberta Menchu, and Angel Rama, Kelman demonstrates that conspiracy narratives bear witness to an illegitimate or counterfeit secret that cannot be fully recognized, understood, and controlled. Even though the secret is not authorized to speak, this silence is nevertheless precisely what gives the secret its force. Kelman goes on to suggest that all political statements-even those that do not seem paranoid -are constitutively illegitimate or counterfeit, since they always narrate this unresolved play of legitimacy between an official or authorized plot and an unofficial or unauthorized plot (a complot ). In short, Counterfeit Politics argues that politics only takes place as conspiracy theory.
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101.850000 USD

Counterfeit Politics: Secret Plots and Conspiracy Narratives in the Americas

by David Kelman
Hardback
Book cover image
In Counterfeit Politics, David Kelman reassesses the political significance of conspiracy theory. Traditionally, political theory has sought to banish the paranoid style from the proper domain of politics. But if conspiracy theory lies outside the sphere of legitimate politics, why do these narratives continue to haunt political life? Counterfeit Politics ...
Counterfeit Politics: Secret Plots and Conspiracy Narratives in the Americas
In Counterfeit Politics, David Kelman reassesses the political significance of conspiracy theory. Traditionally, political theory has sought to banish the paranoid style from the proper domain of politics. But if conspiracy theory lies outside the sphere of legitimate politics, why do these narratives continue to haunt political life? Counterfeit Politics accounts for the seemingly ineradicable nature of conspiracy theory by arguing that all political statements ultimately take the form of conspiracy theory. Through careful readings of works by Ernest Hemingway, Ricardo Piglia, Thomas Pynchon, Don DeLillo, Jorge Luis Borges, Ishmael Reed, Jorge Volpi, Rigoberta Menchu, and Angel Rama, Kelman demonstrates that conspiracy narratives bear witness to an illegitimate or counterfeit secret that cannot be fully recognized, understood, and controlled. Even though the secret is not authorized to speak, this silence is nevertheless precisely what gives the secret its force. Kelman goes on to suggest that all political statements-even those that do not seem paranoid -are constitutively illegitimate or counterfeit, since they always narrate this unresolved play of legitimacy between an official or authorized plot and an unofficial or unauthorized plot (a complot ). In short, Counterfeit Politics argues that politics only takes place as conspiracy theory.
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49.340000 USD

Counterfeit Politics: Secret Plots and Conspiracy Narratives in the Americas

by David Kelman
Paperback / softback
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Ruben Dario Y La Critica - Tomo I
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52.500000 USD

Ruben Dario Y La Critica - Tomo I

by Flavio Rivera-Montealegre
Paperback / softback
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Ruben Dario Y La Critica. Tomo IV: Homenaje a Ruben Dario En El Primer Centenario de Su Muerte
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48.290000 USD

Ruben Dario Y La Critica. Tomo IV: Homenaje a Ruben Dario En El Primer Centenario de Su Muerte

by Flavio Rivera-Montealegre
Paperback / softback
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Ruben Dario Y La Critica. Tomo II: Homenaje En El Centenario de Su Muerte 1916-2016
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63.000000 USD

Ruben Dario Y La Critica. Tomo II: Homenaje En El Centenario de Su Muerte 1916-2016

by Flavio Rivera-Montealegre
Paperback / softback
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Ruben Dario Y La Critica. Tomo III: Homenaje En El Centenario de Su Muerte 1916-2016
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63.000000 USD

Ruben Dario Y La Critica. Tomo III: Homenaje En El Centenario de Su Muerte 1916-2016

by Flavio Rivera-Montealegre
Paperback / softback
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Water Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valerie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf ...
Water Graves: The Art of the Unritual in the Greater Caribbean
Water Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valerie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf of Mexico, waters that constitute both early and contemporary sites of loss for the enslaved, the migrant, the refugee, and the destitute. Unritual, or the privation of ritual, Loichot argues, is a state more absolute than desecration. Desecration implies a previous sacred observance--a temple, a grave, a ceremony. Unritual, by contrast, denies the sacred from the beginning. In coastal Louisiana, Mississippi, Georgia, Miami, Haiti, Martinique, Cancun, and Trinidad and Tobago, the artists and writers featured in Water Graves-an eclectic cast that includes Beyonce, Radcliffe Bailey, Edwidge Danticat, Edouard Glissant, M. NourbeSe Philip, Jason deCaires Taylor, Edouard Duval-Carrie, Natasha Trethewey, and Kara Walker, among others-are an archipelago connected by a history of the slave trade and environmental vulnerability. In addition to figuring death by drowning in the unritual-whether in the context of the aftermath of slavery or of ecological and human-made catastrophes-their aesthetic creations serve as memorials, dirges, tombstones, and even material supports for the regrowth of life underwater.
67.720000 USD

Water Graves: The Art of the Unritual in the Greater Caribbean

by Valerie Loichot
Hardback
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In Orphan Narratives , Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote ...
Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse
In Orphan Narratives , Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote both in relation and in resistance to the violence of plantation slavery. She uses the term orphan narrative to capture the ways in which this violence servered the child, the text, and history from a traceable origin. Black or white, male or female, Antillean or American, these writers share a common inheritance and transnational connection through which their texts maintain familial, temporal, and narrative patterns without having any central authority figure. The author specifically cites Saint-John Perse's Eloges (1911), Faulkner's Light in August (1932), Morrison's Song of Solomon (1977), and Glissant's La Case du commandeur (1981) as postslavery texts. Where the actual family is dismembered, these narrative accounts invent new familian links. Reciprocally, biological family ties endure despite the literal and discursive violence inflicted upon them. Breaking new ground in trans-American studies by juxtaposing texts from the francophone Lesser Antilles and the U.S. South, Orphan Narratives will be a valuable addition to Caribbean, American, and postcolonial studies, not to mention its appeal to scholars and students of Faulkner, Glissant, Morrison, and Saint-John Perse.
51.980000 USD

Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse

by Valerie Loichot
Hardback
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Magnarelli's latest contribution to the critical dialogue on Spanish-American literature offers fresh, new readings of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied. She employs a variety of contemporary critical approaches - feminism, post-colonial theory, gender theory, postmodern ...
Home is Where the (He)art is: The Family Romance in Late Twentieth-century Mexican and Argentine Theater
Magnarelli's latest contribution to the critical dialogue on Spanish-American literature offers fresh, new readings of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied. She employs a variety of contemporary critical approaches - feminism, post-colonial theory, gender theory, postmodern theory, and cultural theory, among others - to examine in detail ten plays written or performed between 1956 and 1999. In her analysis of works by Griselda Gambaro, Eduardo Rovner, Sabina Berman, Diana Raznovich, Roberto Cossa, Hugo Arguelles, Marcela del Rio, and Luisa Josefina Hernandez, the North American critic proffers a welcome balance between close readings of the plays in question and a provocative discussion of sociopolitical issues as well as the mechanisms of theatre itself.
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51.88 USD
Hardback
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The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or ...
The Tropics Bite Back: Culinary Coups in Caribbean Literature
The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or rather the colonial mouth) from the late nineteenth century to the twenty-first. Unlike previous scholars, Valerie Loichot does not read food simply as a cultural trope. Instead, she is interested in literary cannibalism, which she interprets in parallel with theories of relation and creolization. For Loichot, the culinary is an abstract mode of resistance and cultural production. The Francophone and Anglophone authors whose works she interrogates-including Patrick Chamoiseau, Suzanne Cesaire, Aime Cesaire, Maryse Conde, Edwidge Danticat, Edouard Glissant, Lafcadio Hearn, and Dany Laferriere- bite back at the controlling images of the cannibal, the starved and starving, the cunning cook, and the sexualized octoroon with the ultimate goal of constructing humanity through structural, literal, or allegorical acts of ingesting, cooking, and eating. The Tropics Bite Back employs cross-disciplinary methods to rethink notions of race and literary influence by providing a fresh perspective on forms of consumption both metaphorical and material.
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60.29 USD
Hardback
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In Home Is Where the (He)art Is Sharon Magnarelli employs a variety of contemporary critical approaches to examine ten dramatic works written or performed between 1956 and 1999. Focusing on plays by Griselda Gambaro, Eduardo Rovner, Sabina Berman, Diana Raznovich, Roberto Cossa, Hugo Arguelles, Marcela del Rio, and Luisa Josefina ...
Home Is Where The (He)art Is: The Family Romance in Late Twentieth-Century Mexican and Argentine Theater
In Home Is Where the (He)art Is Sharon Magnarelli employs a variety of contemporary critical approaches to examine ten dramatic works written or performed between 1956 and 1999. Focusing on plays by Griselda Gambaro, Eduardo Rovner, Sabina Berman, Diana Raznovich, Roberto Cossa, Hugo Arguelles, Marcela del Rio, and Luisa Josefina Hernandez, Magnarelli demonstrates how the playwrights engage with family relationships to comment on sociopolitical issues of national and international significance while simultaneously challenging dramatic conventions and theatrical representation. This insightful study provides fresh readings of plays that have already attracted significant critical attention. It also serves as a useful introduction to the modern theater of Mexico and Argentina for the interested non-specialist.
49.37 USD
Hardback
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