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For more than thirty years, musician Carlos Varela has been a guide to the heart, soul, and sound of Havana. One of the best known singer-songwriters to emerge out of the Cuban nueva trova movement, Varela has toured in North America, the Caribbean, Latin America, and Europe. In North America, ...
My Havana: The Musical City of Carlos Varela
For more than thirty years, musician Carlos Varela has been a guide to the heart, soul, and sound of Havana. One of the best known singer-songwriters to emerge out of the Cuban nueva trova movement, Varela has toured in North America, the Caribbean, Latin America, and Europe. In North America, Varela is Cuba's Bob Dylan. In Cuba, he is the voice of the generation that came of age in the 1990s and for whom his songs are their generation's anthems. My Havana is a lyrical exploration of Varela's life and work, and of the vibrant musical, literary, and cinematic culture of his generation. Popular both among Cubans on the island and in the diaspora, Varela is legendary for the intense political honesty of lyrics. He is one of the most important musicians in the Cuban scene today. In My Havana, writers living in Canada, Cuba, the United States, and Great Britain use Varela's life and music to explore the history and cultural politics of contemporary Cuba. The book also contains an extended interview with Varela and English translations of the lyrics to all his recorded songs, most of which are appearing in print for the very first time.
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39.850000 USD

My Havana: The Musical City of Carlos Varela

Paperback / softback
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Where there are dictators, there are novels about dictators. But dictator novels do not simply respond to the reality of dictatorship. As this genre has developed and cohered, it has acquired a self-generating force distinct from its historical referents. The dictator novel has become a space in which writers consider ...
The Dictator Novel: Writers and Politics in the Global South
Where there are dictators, there are novels about dictators. But dictator novels do not simply respond to the reality of dictatorship. As this genre has developed and cohered, it has acquired a self-generating force distinct from its historical referents. The dictator novel has become a space in which writers consider the difficulties of national consolidation, explore the role of external and global forces in sustaining dictatorship, and even interrogate the political functions of writing itself. Liteary representations of the dictator, therefore, provide ground for a self-conscious and self-critical theorization of the relationship between writing and politics itself. The Dictator Novel positions novels about dictators as a vital genre in the literatures of the Global South. Primarily identified with Latin America, the dictator novel also has underacknowledged importance in the postcolonial literatures of francophone and anglophone Africa. Although scholars have noted similarities, this book is the first extensive comparative analysis of these traditions; it includes discussions of authors including Gabriel Garcia Marquez, Ngugi wa Thiong'o, Alejo Carpentier, Augusto Roa Bastos, Domingo Faustino Sarmiento, Jose Marmol, Esteban Echeverria, Ousmane Sembene , Chinua Achebe, Aminata Sow Fall, Henri Lopes, Sony Labou Tansi, and Ahmadou Kourouma. This juxtaposition illuminates the internal dynamics of the dictator novel as a literary genre. In so doing, Armillas-Tiseyra puts forward a comparative model relevant to scholars working across the Global South.
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36.700000 USD
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This book introduces to a larger audience the work of a group of Mexican writers whose work reflects the stimulus of the boom of the 1960s, especially in the experimental nueva novella. Duncan views the work of six writers in the context of more well known writers of the period ...
Voices, Visions, and a New Reality: Mexican Fiction Since 1970
This book introduces to a larger audience the work of a group of Mexican writers whose work reflects the stimulus of the boom of the 1960s, especially in the experimental nueva novella. Duncan views the work of six writers in the context of more well known writers of the period (Ruflo, Fuentes, and Del Paso), and concludes with a chapter on other recent innovators in Mexican literature. Despite their diversity, these texts share many common features, and unlike social realism, the works are not openly political, but at the same time they question assumptions about reality itself-and the relation of fiction to truth.
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29.350000 USD

Voices, Visions, and a New Reality: Mexican Fiction Since 1970

by J Ann Duncan
Paperback / softback
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There is a greeting used in urban America, 'What's good?', which seems to go beyond a mere 'How are you?' or 'What's happening?' to demand an optimistic response. Perhaps, writes the young Jamaican poet Kei Miller in his introduction to New Caribbean Poetry , there is a need for optimism ...
New Caribbean Poetry: An Anthology
There is a greeting used in urban America, 'What's good?', which seems to go beyond a mere 'How are you?' or 'What's happening?' to demand an optimistic response. Perhaps, writes the young Jamaican poet Kei Miller in his introduction to New Caribbean Poetry , there is a need for optimism when speaking of poetry and of the Caribbean, two entities that are frequently sidelined in all kinds of ways. This remarkable new anthology seeks to rectify both these oversights by showcasing new and newly established Caribbean poets from Jamaica, the Bahamas, Barbados, St. Lucia, Trinidad and Tobago and elsewhere. So, 'what's good' in Caribbean poetry today? Miller offers eight impressive answers: Christian Campbell, Loretta Collins, Delores Gauntlett, Shara McCallum, Marilene Phipps, Jennifer Rahim, Tanya Shirley and Ian Strachan. Moving beyond the legacies of Scott, Walcott, Goodison and Braithwaite, these writers are forging a new and multifarious 'identity' for Caribbean poetry. There is a freshness to their voices which is nonetheless firmly rooted in poetic craft.
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24.09 USD
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This book constitutes an attempt to theorize the process of the emergence, in eighteenth-century New Spain, of a position of intellectual subjectivity differentiated from that established by the regime of Spanish imperial authority. The principal concern has been to trace how certain groups of criollo intellectuals try to construct such ...
Constructing the Criollo Archive: Subjects of Knowledge in the Bibliotheca Mexicana and the Rusticano Mexicana
This book constitutes an attempt to theorize the process of the emergence, in eighteenth-century New Spain, of a position of intellectual subjectivity differentiated from that established by the regime of Spanish imperial authority. The principal concern has been to trace how certain groups of criollo intellectuals try to construct such discourses, paradoxically, out of the framework of available European systems of knowledge and representation. In this fashion, it was sought to discern the outline of an ideological program for criollo political and cultural hegemony in the eighteenth century
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31.450000 USD

Constructing the Criollo Archive: Subjects of Knowledge in the Bibliotheca Mexicana and the Rusticano Mexicana

by Antony Higgins
Hardback
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The essays in this volume consider various literary and linguistic aspects of the Francophone Caribbean at the beginning of the twenty-first century, focusing particularly on the French Overseas Departments of Martinique and Guadeloupe, and the independent islands of Haiti and Dominica. The literary chapters are devoted to new voices in ...
The Francophone Caribbean Today: Literature, Language, Culture
The essays in this volume consider various literary and linguistic aspects of the Francophone Caribbean at the beginning of the twenty-first century, focusing particularly on the French Overseas Departments of Martinique and Guadeloupe, and the independent islands of Haiti and Dominica. The literary chapters are devoted to new voices in the region and the Caribbean diaspora, or to recent works by established authors. Contributors offer fresh interpretations of Caribbean literary movements, and explore relevant non-literary issues such as socio-political developments which have influenced the writers of today. The linguistic chapters examine the dynamics of the respective roles of Creole and the European standard language, and consider the present viability of Creole as a literary medium. This collection will be of interest to specialists in Caribbean culture, to university students of Francophone literature, cultural studies and Creole, and to the general reader with some knowledge of the Caribbean.
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30.72 USD
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What does it take for a woman to succeed as a writer? In these revealing interviews, first published in 1988 as Historias intimas, ten of Latin America's most important women writers explore this question with scholar Magdalena Garcia Pinto, discussing the personal, social, and political factors that have shaped their ...
Women Writers of Latin America: Intimate Histories
What does it take for a woman to succeed as a writer? In these revealing interviews, first published in 1988 as Historias intimas, ten of Latin America's most important women writers explore this question with scholar Magdalena Garcia Pinto, discussing the personal, social, and political factors that have shaped their writing careers. The authors interviewed are Isabel Allende, Albalucia Angel, Rosario Ferre, Margo Glantz, Sylvia Molloy, Elvira Orphee, Elena Poniatowska, Marta Traba, Luisa Valenzuela, and Ida Vitale. In intimate dialogues with each author, Garcia Pinto draws out the formative experiences of her youth, tracing the pilgrimage that led each to a distinguished writing career. The writers also reflect on their published writings, discussing the creative process in general and the motivating force behind individual works. They candidly discuss the problems they have faced in writing and the strategies that enabled them to reach their goals. While obviously of interest to readers of Latin American literature, this book has important insights for students of women's literature and cultural studies, as well as for aspiring writers.
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37.18 USD
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In One-Way Tickets, Borinsky offers up a splendid tour across 20th-century literatures, providing a literary travelogue to writers and artists in exile. She describes their challenges in adjusting to new homelands, issues of identity and language, and the brilliant works produced under the discomforts and stresses of belonging nowhere. Speaking ...
One-Way Tickets: Writers and the Culture of Exile
In One-Way Tickets, Borinsky offers up a splendid tour across 20th-century literatures, providing a literary travelogue to writers and artists in exile. She describes their challenges in adjusting to new homelands, issues of identity and language, and the brilliant works produced under the discomforts and stresses of belonging nowhere. Speaking with the authority of first-hand experience, Borinsky relates the story of her own family--Eastern European Jews, with one-way tickets to Buenos Aires, refugees from the countries that spat them out and massacred those who stayed on. Borinksy herself becomes an exile, fleeing Argentina after the take-over of a bloody military dictatorship. She understood, then, her grandfather's lessons: There's nothing like languages to save your life, open your mind, speed you away from persecution. As a writer of poetry, fiction, and essays, the author also knows intimately the struggles of writing from between worlds, between languages. In these pages, we encounter Russian Vladimir Nabokov, writing in English in the United States; Argentine writer Julio Cortazar in Paris; Polish writer, Witold Gombrowicz in Buenos Aires; Alejandra Pizarnik, Argentine writer for whom exile is a state of mind; Jorge Luis Borges, labyrinthine traveler in time and space; Isaac Bashevis Singer, a Jewish writer in New York driven from Poland by the Nazis; Latino writers Oscar Hijuelos, Cristina Garcia, and Junot Diaz; and Clarice Lispector, transplanted from Ukraine, to Brazil, to Europe, and the United States. Not surprisingly, these charismatic and artistic people, as well as many others in Borinsky's nearly encyclopedic associations, inhabit equally intriguing circles. She introduces us to a wide range of friends and lovers, mentors and detractors, compatriots and hosts. We come away with a terrific breadth of knowledge of 20th-century literature and culture in exile--its uneasy obsessions, its difficult peace, its hard-won success.
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17.20 USD
Hardback
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Trinidad, historically located at the crossroads of the Americas, has produced an incomparable national literature, fashioning genres that have informed the Caribbean region as a whole. One of the greatest contemporary Trinidadian writers is Earl Lovelace. His novelistic performative epics combine the rhythms of steelband and calypso with the narrative ...
Caribbean Literature After Independence: The Case of Earl Lovelace
Trinidad, historically located at the crossroads of the Americas, has produced an incomparable national literature, fashioning genres that have informed the Caribbean region as a whole. One of the greatest contemporary Trinidadian writers is Earl Lovelace. His novelistic performative epics combine the rhythms of steelband and calypso with the narrative complexity of Faulkner. Lovelace was an early enthusiast for Black Power and remains an indefatigable critic of the inequalities bequeathed by the post-Independence state. Embracing an aesthetic that seeks out the darkness of the nation - the traces of Africa, the passions of the black dispossessed, the liturgies of the Shouter churches - he strives to imagine a society which might at last break free from its colonial past, dramatizing the political and psychic struggles of the poor for selfhood. This is the first published volume to assess Lovelace's fiction and also his larger role in Caribbean letters. The contributors to this book include: J. Dillon Brown (Washington University, St. Louis), Chris Campbell (Queen Mary, University of London), Louis James (emeritus professor, University of Kent), Nicole King (Royal Holloway, University of London), Aaron Love (New York University), Patricia Murray (London Metropolitan University), James Procter (Newcastle University), Kate Quinn (Institute for the Study of the Americas, University of London), Tina K. Ramnarine (Royal Holloway, University of London), Bill Schwarz (Queen Mary, University of London), Lawrence Scott (University of Trinidad and Tobago), and John Thieme (University of East Anglia).
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20.50 USD
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Angel Cuadra was a prisoner of conscience, sentenced to one of Castro's gulags in 1967 for conspiracy. He became a forgotten man in his own country, expunged from contemporary Cuban letters. As a young literary figure and anti-Batista conspirator in the fifties, Cuadra participated both in the arts and in ...
Angel Cuadra: The Poet in Socialist Cuba
Angel Cuadra was a prisoner of conscience, sentenced to one of Castro's gulags in 1967 for conspiracy. He became a forgotten man in his own country, expunged from contemporary Cuban letters. As a young literary figure and anti-Batista conspirator in the fifties, Cuadra participated both in the arts and in politics. In the flush of Batista's downfall, Cuadra enjoyed a moment of recognition as an international spokesman for Castro's successful revolution and as a popular and widely translated poet. At the same time he became a government lawyer, a helpful cover when he renewed his underground activities. A short time after Castro's triumph, the artists and writers who participated in the original revolution reappraised the new government, soon establishing a new resistance. Writing under the pen name of Alejandro Almanza, Cuadra became one of the movement's leaders. Cuadra was released from prison in 1982 after serving his full sentence. Now a part of the Cuban intellectual community in exile in Miami, he works as an international jurist concerned with political prisoners. Cuadra continues to write; in 1988 he received an award from the government of Spain for his love poems and in 1990 received special recognition for his poetry from President Vaclav Havel of Czechoslovakia. This volume includes three of Cuadra's works in translation. The essay Writers in Socialist Cuba describes his final three years in Cuba, when he was free from prison but forbidden to leave the country. He tells of attempts to readjust to his beloved Havana, of reunions with friends and not-so-well-wishers, and of existence in the Castro years when all hope for a better life had evaporated. A recent postscriptgives his impressions of the Cuban artistic and intellectual climate since the mid-eighties. A Correspondence of Poems (from Jail) presents Cuadra's poetic letters to the exiled Cuban poet Juana Rosa Pita. Befitting its lyrical spirit, this poetry was smuggled out of prison in a musi
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26.200000 USD
Hardback
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Too often literary criticism is academic exercise rather than creative act. For the multifaceted Julio Ortega-respected poet, dramatist, and novelist in his own right-the act of criticism becomes profoundly creative, his incisive readings of the text far transcending the pedantry that may falsely pass for imagination, intelligence, and rigor. Nearly ...
Poetics of Change: The New Spanish-American Narrative
Too often literary criticism is academic exercise rather than creative act. For the multifaceted Julio Ortega-respected poet, dramatist, and novelist in his own right-the act of criticism becomes profoundly creative, his incisive readings of the text far transcending the pedantry that may falsely pass for imagination, intelligence, and rigor. Nearly every Spanish-American writer of consequence, from Paz to Fuentes, Cortazar to Lezama Lima, has extolled Ortega's criticism as not merely a reflection but an essential part of the renaissance that took place in Spanish-American letters during the late twentieth century. Poetics of Change brings together Ortega's most penetrating and insightful analyses of the fiction of Borges, Fuentes, Garcia Marquez, Carpentier, Rulfo, Cabrera Infante, and others responsible for great writing from Spanish America. Ortega concerns himself most with the semantic innovations of these masters of the modern narrative and their play with form, language, and the traditional boundaries of genre. Mapping their creative territory, he finds that the poetics of Spanish-American writing is that of a dynamically changing genre that has set exploration at its very heart.
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29.74 USD
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Jorge Luis Borges (1899-1986), an Argentine writer of serious avant-garde poetry and prose, often wrote of the humor in the works of contemporaneous authors such as Franz Kafka. In response to this humor, Borges created a comedic tradition all his own. Humor in Borges studies the humor embedded in the ...
Humor in Borges
Jorge Luis Borges (1899-1986), an Argentine writer of serious avant-garde poetry and prose, often wrote of the humor in the works of contemporaneous authors such as Franz Kafka. In response to this humor, Borges created a comedic tradition all his own. Humor in Borges studies the humor embedded in the fiction of a serious and metaphysical literary figure. Ren? de Costa shows how Borges was concerned with making the embedded humor in his work more apparent without abandoning the essential story line. De Costa examines the ways in which Borges transformed established modes of writing-the chronicle, the book review, the obituary, the detective story-into genre parodies. He looks at Borges's canonical collections, identifying the humor in such simple things as a footnote, a false epigraph, or a postscript. Humor in Borges couples elegant scholarship with a comedic edge and is both accessible and enjoyable to read. Scholars and students of twentieth-century Spanish and Latin American literature will delight in this fascinating look at laughter in the work of Jorge Luis Borges.
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34.640000 USD

Humor in Borges

by Rene De Costa
Hardback
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This compilation of essays takes a fresh look at Borges's work. A wide variety of topics, ranging from the European avant-garde to the impact of European science upon Argentine literature, is discussed from a mutiplicity of angles - the only unifying factor being the year 1996, when nearly all the ...
Borges and Europe Revisited
This compilation of essays takes a fresh look at Borges's work. A wide variety of topics, ranging from the European avant-garde to the impact of European science upon Argentine literature, is discussed from a mutiplicity of angles - the only unifying factor being the year 1996, when nearly all the essays were written. Most of them were presented as papers at a one-day conference held at the Institute of Romance Studies, in conjunction with the Institute of Latin American Studies. The purpose was to re-examine the work of Borges in the wake of the great changes in reading that 'theory' had brought about and which Borges had somehow foreshadowed, though of course not systematised. Contributors Include: Daniel Balderston, University of Iowa; Malcolm Bowie, University of Oxford; Gabriel Josipovici, University of Sussex; Bernard McGuirk, University of Nottingham; Sylvia Molloy, New York University; Eduardo L. Ortiz, Imperial College; William Rowe, Birkbeck College, London; Jason Wilson, University College, London.
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17.06 USD
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Roberto Bolano is most widely known for his groundbreaking novels and irreverent poetry, but as he became increasingly famous he found himself in great demand as a writer of non-fiction. Between Parentheses collects most of the newspaper columns and articles Bolano wrote during the last five years of his life, ...
Between Parentheses
Roberto Bolano is most widely known for his groundbreaking novels and irreverent poetry, but as he became increasingly famous he found himself in great demand as a writer of non-fiction. Between Parentheses collects most of the newspaper columns and articles Bolano wrote during the last five years of his life, as well as the texts of some of his speeches and talks, and a few scattered prologues. Cantankerous and insufferably opinionated, Bolano's subjects range from literary criticism to tender pieces about his family and favourite places; works of passionate disparagement sit alongside fierce advocation of his heroes and favourite contemporaries; he argues for courage and bravery in the face of failure and vehemently demands 'creativity in all levels'. Furthermore, Between Parentheses offers an opportunity to discover the man behind the international phenomena: it is, as the book's editor Ignacio Echevarria remarks in his introduction, 'a personal cartography of the writer: the closest thing, among all his writings, to a kind of fragmented autobiography. '
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27.88 USD

Between Parentheses

by Roberto Bolano
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After invading highland Guatemala in 1524, Spaniards claimed to have smashed the Kaqchikel and K'iche' Maya kingdoms and to have forged a new colony-with their leader, Pedro de Alvarado, as Guatemala's conquistador. This volume shows that the real story of the Spanish invasion was very different. Designed to be an ...
Invading Guatemala: Spanish, Nahua, and Maya Accounts of the Conquest Wars
After invading highland Guatemala in 1524, Spaniards claimed to have smashed the Kaqchikel and K'iche' Maya kingdoms and to have forged a new colony-with their leader, Pedro de Alvarado, as Guatemala's conquistador. This volume shows that the real story of the Spanish invasion was very different. Designed to be an accessible introduction to the topic as well as a significant contribution to conquest scholarship, the volume presents for the first time English translations of firsthand accounts by Spaniards, Nahuas, and Mayas. Alvarado's letters to Cortes, published here in English for the first time in almost a century, are supplemented with accounts by one of his cousins, by his brother Jorge, and by Bernal Diaz and Bartolome de Las Casas. Nahua perspectives are presented in the form of pictorial evidence, along with written testimony by Tlaxcalan and Aztec veterans who fought as invading allies of the Spaniards; their claim to have done most of the fighting emerges as a powerful argument. The views of the invaded are represented by Kaqchikel and Tz'utujil accounts. Together, these sources reveal a fascinating multiplicity of perspectives and show how the conquest wars of the 1520s were a profoundly brutal moment in the history of the Americas.
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25.01 USD
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The Art of Transition addresses the problems defined by writers and artists during the postdictatorship years in Argentina and Chile, years in which both countries aggressively adopted neoliberal market-driven economies. Delving into the conflicting efforts of intellectuals to name and speak to what is real, Francine Masiello interprets the culture ...
The Art of Transition: Latin American Culture and Neoliberal Crisis
The Art of Transition addresses the problems defined by writers and artists during the postdictatorship years in Argentina and Chile, years in which both countries aggressively adopted neoliberal market-driven economies. Delving into the conflicting efforts of intellectuals to name and speak to what is real, Francine Masiello interprets the culture of this period as an art of transition, referring to both the political transition to democracy and the formal strategies of wrestling with this change that are found in the aesthetic realm. Masiello views representation as both a political and artistic device, concerned with the tensions between truth and lies, experience and language, and intellectuals and the marginal subjects they study and claim to defend. These often contentious negotiations, she argues, are most provocatively displayed through the spectacle of difference, which constantly crosses the literary stage, the market, and the North/South divide. While forcefully defending the ability of literature and art to advance ethical positions and to foster a critical view of neoliberalism, Masiello especially shows how issues of gender and sexuality function as integrating threads throughout this cultural project. Through discussions of visual art as well as literary work by prominent novelists and poets, Masiello sketches a broad landscape of vivid intellectual debate in the Southern Cone of Latin America. The Art of Transition will interest Latin Americanists,literary and political theorists, art critics and historians, and those involved with the study of postmodernism and globalization.
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15.06 USD
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When confronting twentieth-century political oppression and violence, writers and artists in Portugal and South America have often emphasized the complex relationship between freedom and tyranny. In Seeing Politics Otherwise, Patricia Vieira uses an interdisciplinary approach to explore the interrelation of politics and representations of vision and blindness in Latin American ...
Seeing Politics Otherwise: Vision in Latin American and Iberian Fiction
When confronting twentieth-century political oppression and violence, writers and artists in Portugal and South America have often emphasized the complex relationship between freedom and tyranny. In Seeing Politics Otherwise, Patricia Vieira uses an interdisciplinary approach to explore the interrelation of politics and representations of vision and blindness in Latin American and Iberian literature, film, and art. Vieira's discussion focuses on three literary works: Graciliano Ramos's Memoirs of Prison, Ariel Dorfman's Death and the Maiden, and Jose Saramago's Blindness, with supplemental analyses of sculpture and film by Ana Maria Pacheco, Bruno Barreto, and Marco Bechis. These artists use metaphors of blindness to denounce the totalizing gaze of dictatorial regimes. Rather than equating blindness with deprivation, Vieira argues that shadows, blindfolds, and blindness are necessary elements for re-imagining the political world and re-acquiring a political voice. Seeing Politics Otherwise offers a compelling analysis of vision and its forcible deprivation in the context of art and political protest.
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33.24 USD
Hardback
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Focusing on the work of the Argentine authors Cesar Aira, Marcelo Cohen, and Ricardo Piglia, The Polyphonic Machine conducts a close analysis of the interrelations between capitalism and political violence in late twentieth-century Argentina. Taking a long historical view, the book considers the most recent Argentine dictatorship of 1976-1983 together ...
The Polyphonic Machine: Capitalism, Politicial Violence, and Resistance in Contemporary Agentine Literature
Focusing on the work of the Argentine authors Cesar Aira, Marcelo Cohen, and Ricardo Piglia, The Polyphonic Machine conducts a close analysis of the interrelations between capitalism and political violence in late twentieth-century Argentina. Taking a long historical view, the book considers the most recent Argentine dictatorship of 1976-1983 together with its antecedents and its after-effects, exploring the transformations in power relations and conceptions of resistance which accompanied the political developments experienced throughout this period. By tracing allusive fragments of Argentine political history and drawing on a range of literary and theoretical sources Geraghty proposes that Aira, Cohen and Piglia propound a common analysis of Argentine politics during the twentieth century and construct a synergetic philosophical critique of capitalism and political violence. The book thus constitutes a radical reappraisal of three of the most important authors in contemporary Argentine literature and contributes to the philosophical and historical understanding of the most recent Argentine military government and their systematic plan of state terrorism.
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31.450000 USD
Paperback / softback