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In the postdictatorial era, Latin American cultural production and criticism have been defined by a series of assumptions about politics and art-expecially the claim that political freedom can be achieved by promoting a more direct experience between the textual subject (often a victim) and the reader by eliminating the division ...
The Vanishing Frame: Latin American Culture and Theory in the Postdictatorial Era
In the postdictatorial era, Latin American cultural production and criticism have been defined by a series of assumptions about politics and art-expecially the claim that political freedom can be achieved by promoting a more direct experience between the textual subject (often a victim) and the reader by eliminating the division between art and life. The Vanishing Frame argues against this conception of freedom, demonstrating how it is based on a politics of human rights complicit with economic injustices. Presenting a provocative counternarrative, Eugenio Claudio Di Stefano examines literary, visual, and interdisciplinary artists who insist on the autonomy of the work of art in order to think beyond the politics of human rights and neoliberalism in Latin American theory and culture. Di Stefano demonstrates that while artists such as Diamela Eltit, Ariel Dorfman, and Albertina Carri develop a concept of justice premised on recognizing victims' experiences of torture or disappearance, they also ignore the injustice of economic inequality and exploitation. By examining how artists such as Roberto Bolano, Alejandro Zambra, and Fernando Botero not only reject an aesthetics of experience (and the politics it entails) but also insist on the work of art as a point of departure for an anticapitalist politics, this new reading of Latin American cultural production offers an alternative understanding of recent developments in Latin American aesthetics and politics that puts art at its center and the postdictatorship at its end.
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94.500000 USD

The Vanishing Frame: Latin American Culture and Theory in the Postdictatorial Era

by Eugenio Claudio Di Stefano
Hardback
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Dissensual Subjects examines the relationship between memory and human rights in postdictatorial Argentina, Brazil, and Uruguay. Combining cultural studies and critical theory, Andrew C. Rajca explores how the aftereffects of dictatorship are used to formulate dominant notions of human rights in the present. In so doing he critiques the exclusionary ...
Dissensual Subjects: Memory, Human Rights, and Postdictatorship in Argentina, Brazil, and Uruguay
Dissensual Subjects examines the relationship between memory and human rights in postdictatorial Argentina, Brazil, and Uruguay. Combining cultural studies and critical theory, Andrew C. Rajca explores how the aftereffects of dictatorship are used to formulate dominant notions of human rights in the present. In so doing he critiques the exclusionary nature of these processes and highlights who and what count (and do not count) as subjects of human rights as a result. Through an engaging exploration of the concept of never again (nunca mas/nunca mais) and close analysis of photography exhibits, audiovisual installations, and other art forms in spaces of cultural memory, the book explores how aesthetic interventions can suggest alternative ways of framing human rights subjectivity beyond the rhetoric of liberal humanitarianism. The book visits sites of memory, two of which functioned as detention and torture centers during dictatorships, to highlight the tensions between the testimonial tenor of permanent exhibits and the aesthetic interventions of temporary visual culture installations there. Rajca thus introduces perspectives that both undo common understandings of authoritarian violence and its effects as well as reconfigure who or what are made visible as subjects of memory and human rights in postdictatorship countries. Dissensual Subjects offers much to those concerned with several interlocking fields: memory, human rights, political subjectivity, aesthetics, cultural studies, visual culture, Southern Cone studies, postdictatorship studies, and sites of memory.
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104.950000 USD

Dissensual Subjects: Memory, Human Rights, and Postdictatorship in Argentina, Brazil, and Uruguay

by Andrew C. Rajca
Hardback
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Mexican Literature in Theory is the first book in any language to engage post-independence Mexican literature from the perspective of current debates in literary and cultural theory. It brings together scholars whose work is defined both by their innovations in the study of Mexican literature and by the theoretical sophistication ...
Mexican Literature in Theory
Mexican Literature in Theory is the first book in any language to engage post-independence Mexican literature from the perspective of current debates in literary and cultural theory. It brings together scholars whose work is defined both by their innovations in the study of Mexican literature and by the theoretical sophistication of their scholarship. Mexican Literature in Theory provides the reader with two contributions. First, it is one of the most complete accounts of Mexican literature available, covering both canonical texts as well as the most important works in contemporary production. Second, each one of the essays is in itself an important contribution to the elucidation of specific texts. Scholars and students in fields such as Latin American studies, comparative literature and literary theory will find in this book compelling readings of literature from a theoretical perspective, methodological suggestions as to how to use current theory in the study of literature, and important debates and revisions of major theoretical works through the lens of Mexican literary works.
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126.000000 USD

Mexican Literature in Theory

Hardback
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This book explores the Gothic mode as it appears in the literature, visual arts, and culture of different areas of Latin America. Focusing on works from authors in Mexico, Central America, the Caribbean, the Andes, Brazil, and the Southern Cone, the essays in this volume illuminate the existence of native ...
Latin American Gothic in Literature and Culture: Transposition, Hybridization, Tropicalization
This book explores the Gothic mode as it appears in the literature, visual arts, and culture of different areas of Latin America. Focusing on works from authors in Mexico, Central America, the Caribbean, the Andes, Brazil, and the Southern Cone, the essays in this volume illuminate the existence of native representations of the Gothic, while also exploring the presence of universal archetypes of terror and horror. Through the analysis of global and local Gothic topics and themes, they evaluate the reality of a multifaceted territory marked by a shifting colonial and postcolonial relationship with Europe and the United States. The book asks questions such as: Is there such a thing as Latin American Gothic in the same sense that there is an American Gothic and British Gothic ? What are the main elements that particularly characterize Latin American Gothic? How does Latin American Gothic function in the context of globalization? What do these elements represent in relation to specific national literatures? What is the relationship between the Gothic and the Postcolonial? What can Gothic criticism bring to the study of Latin American cultural manifestations and, conversely, what can these offer the Gothic? The analysis performed here reflects a body of criticism that understands the Gothic as a global phenomenon with specific manifestations in particular territories while also acknowledging the effects of Globalgothic on a transnational and transcultural level. Thus, the volume seeks to open new spaces and areas of scholarly research and academic discussion both regionally and globally with the presentation of a solid analysis of Latin American texts and other cultural phenomena which are manifestly related to the Gothic world.
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179.16 USD

Latin American Gothic in Literature and Culture: Transposition, Hybridization, Tropicalization

by Ines Ordiz
Hardback
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Starting in 1780, a fugitive slave, known as Three-Fingered Jack or Jack Mansong, terrorized colonial Jamaica for almost two years. An outlaw, thief, and killer, he was also a freedom fighter who sabotaged the colonial machine by preying on traveling planters until his death at the hands of colonial troops. ...
Thieving Three-Fingered Jack: Transatlantic Tales of a Jamaican Outlaw, 1780-2015
Starting in 1780, a fugitive slave, known as Three-Fingered Jack or Jack Mansong, terrorized colonial Jamaica for almost two years. An outlaw, thief, and killer, he was also a freedom fighter who sabotaged the colonial machine by preying on traveling planters until his death at the hands of colonial troops. The legend of Three-Fingered Jack still has currency in Jamaica, but the story has expanded and contracted over the years to serve the various purposes of the teller. Frances R. Botkin has compiled and analyzed the various plays and songs written about Three-Fingered Jack throughout the centuries in order to show how this story traveled from the Caribbean to England and the United States, returning to Jamaica in a sanitized literary and artistic form, and then evolving from there to be reclaimed by the Jamaicans as the tale of a heroic resistance figure to be revered. As the various productions about Jack show, depending on who is telling the story, the character can evoke sympathy for a wronged rebel, or horror at the destruction he caused.
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104.950000 USD

Thieving Three-Fingered Jack: Transatlantic Tales of a Jamaican Outlaw, 1780-2015

by Frances R. Botkin
Hardback
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The Marrano Specter pursues the reciprocal influence between Jacques Derrida and Hispanism. On the one hand, Derrida's work has engendered a robust conversation among philosophers and critics in Spain and Latin America, where his work circulates in excellent translation, and where many of the terms and problems he addresses take ...
The Marrano Specter: Derrida and Hispanism
The Marrano Specter pursues the reciprocal influence between Jacques Derrida and Hispanism. On the one hand, Derrida's work has engendered a robust conversation among philosophers and critics in Spain and Latin America, where his work circulates in excellent translation, and where many of the terms and problems he addresses take on a distinctive meaning: nationalism and cosmopolitanism; spectrality and hauntology; the relation of subjectivity and truth; the university; disciplinarity; institutionality. Perhaps more remarkably, the influence is in a profound sense reciprocal: across his writings, Derrida grapples with the theme of marranismo, the phenomenon of Sephardic crypto-Judaism. Derrida's marranismo is a means of taking apart traditional accounts of identity; a way for Derrida to reflect on the status of the secret; a philosophical nexus where language, nationalism, and truth-telling meet and clash in productive ways; and a way of elaborating a critique of modern biopolitics. It is much more than a simple marker of his work's Hispanic identity, but it is also, and irreducibly, that. The essays collected in The Marrano Specter cut across the grain of traditional Hispanism, but also of the humanistic disciplines broadly conceived. Their vantage point-the theoretical, philosophically inflected critique of disciplinary practices-poses uncomfortable, often unfamiliar questions for both hispanophone studies and the broader theoretical humanities.
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110.250000 USD

The Marrano Specter: Derrida and Hispanism

Hardback
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The Chilean artist Violeta Parra (1917 - 1967) is a cultural icon in Latin America. Parra is best known as the progenitor of the Latin American New Song but she also carried out cultural research, wrote poetry, created exhibition spaces and worked in the plastic arts, where she was the ...
Violeta Parra: Life and Work
The Chilean artist Violeta Parra (1917 - 1967) is a cultural icon in Latin America. Parra is best known as the progenitor of the Latin American New Song but she also carried out cultural research, wrote poetry, created exhibition spaces and worked in the plastic arts, where she was the first Latin American artist to hold a solo exhibition in the Louvre gallery in Paris. There are numerous scholarly works about Parra in Spanish and French and a feature film about her life was released in 2012, yet, remarkably the only English language work on Parra is biographical. The proposed interdisciplinary collection will bring together research on the different areas of Parra's cultural production in order to present the full extent of her cultural praxis. It will present seminal work on Parra in English for the first time and bring this together with the most up-to-date research on Parra's oeuvre being carried out by leading academics in Chile, the United Kingdom, the USA and Germany. It will include chapters on her praxis in its widest sense; her work as a researcher; her music and poetry; her visual art and her performance space: La Carpa de la Reina (The Queen's Tent). Among the book's special features are a translation of a work about Parra written by the famous Chilean musician and writer Patricio Manns and an interview between Leonidas Morales and Violeta Parra's brother, the acclaimed Chilean poet Nicanor Parra. Lorna Dillon earned her PhD at King's College London in 2013. She is currently a network facilitator and assistant lecturer at the University of Kent.
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102.38 USD

Violeta Parra: Life and Work

Hardback
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Demonstrating the aesthetic, cultural, political and intellectual diversity of children's literature across the globe, The Routledge Companion to International Children's Literature is the first volume of its kind to focus on the undervisited regions of the world. With particular focus on Asia, Africa and Latin America, the collection raises awareness ...
The Routledge Companion to International Children's Literature
Demonstrating the aesthetic, cultural, political and intellectual diversity of children's literature across the globe, The Routledge Companion to International Children's Literature is the first volume of its kind to focus on the undervisited regions of the world. With particular focus on Asia, Africa and Latin America, the collection raises awareness of children's literature and related media as they exist in large regions of the world to which `mainstream' European and North American scholarship pays very little attention. Sections cover: * Concepts and theories * Historical contexts and national identity * Cultural forms and children's texts * Traditional story and adaptation * Picture books across the majority world * Trends in children's and young adult literatures. Exposition of the literary, cultural and historical contexts in which children's literature is produced, together with an exploration of intersections between these literatures and more extensively researched areas, will enhance access and understanding for a large range of international readers. The essays offer an ideal introduction for those newly approaching literature for children in specific areas, looking for new insights and interdisciplinary perspectives, or interested in directions for future scholarship.
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281.54 USD

The Routledge Companion to International Children's Literature

Hardback
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Recovering Lost Footprints: Contemporary Maya Narratives: Volume 1
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84.000000 USD

Recovering Lost Footprints: Contemporary Maya Narratives: Volume 1

by Arturo Arias
Hardback
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The Noisemakers examines Estridentismo, one of Mexico's first modern art and literary movements. Founded by poet Manuel Maples Arce, Estridentismo spurred dynamic collaborations and debates among artists, writers, and intellectuals during the decade following the Mexican Revolution. Lynda Klich explores the paradoxical aims of the movement's writers and artists, who ...
The Noisemakers: Estridentismo, Vanguardism, and Social Action in Postrevolutionary Mexico
The Noisemakers examines Estridentismo, one of Mexico's first modern art and literary movements. Founded by poet Manuel Maples Arce, Estridentismo spurred dynamic collaborations and debates among artists, writers, and intellectuals during the decade following the Mexican Revolution. Lynda Klich explores the paradoxical aims of the movement's writers and artists, who deployed manifestos, journals, and cubo-futurist forms to insert themselves into international vanguard networks as they simultaneously participated in the nationalist reconstruction of the 1920s. In crafting a cosmopolitan Mexican identity, Estridentista artists both circulated images of modern technologies and urban life and updated such traditional subjects as masks and Mexican types. Klich reads the movement's radical cultural production as a call for active sociopolitical engagement and characterizes Estridentismo as an ambitious program for national cultural and social modernity in the early twentieth century. Exploring the tensions that emerged from these divergent cosmopolitan and local proposals, The Noisemakers brings Mexico into the dialogue of global modernisms.
63.000000 USD

The Noisemakers: Estridentismo, Vanguardism, and Social Action in Postrevolutionary Mexico

by Lynda Klich
Hardback
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Surveying the Avant-Garde examines the art and literature of the Americas in the early twentieth century through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde. Questions such as How do you imagine Latin America? and What should American art be? ...
Surveying the Avant-Garde: Questions on Modernism, Art, and the Americas in Transatlantic Magazines
Surveying the Avant-Garde examines the art and literature of the Americas in the early twentieth century through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde. Questions such as How do you imagine Latin America? and What should American art be? issued by avant-garde magazines like Im n, a Latin American periodical based in Paris, and Cuba's Revista de Avance demonstrate how editors, writers, and readers all grappled with the concept of America, particularly in relationship to Europe, and how the questionnaire became a structuring device for reflecting on their national and aesthetic identities in print. Through an analysis of these questionnaires and their responses, Lori Cole reveals how ideas like American art, as well as modernism and avant-garde, were debated at the very moment of their development and consolidation. Unlike a manifesto, whose signatories align with a single polemical text, the questionnaire produces a patchwork of responses, providing a composite and sometimes fractured portrait of a community. Such responses yield a self-reflexive history of the era as told by its protagonists, which include figures such as Gertrude Stein, Alfred Stieglitz, Jean Toomer, F. T. Marinetti, Diego Rivera, and Jorge Luis Borges. The book traces a genealogy of the genre from the Renaissance paragone, or comparison of the arts, through the rise of enqu tes in the late nineteenth century, up to the contemporary questionnaire, which proliferates in art magazines today. By analyzing a selection of surveys issued across the Atlantic, Cole indicates how they helped shape artists' and writers' understanding of themselves and their place in the world. Derived from extensive archival research, this book reorients our understanding of modernism as both hemispheric and transatlantic by narrating how the artists and writers of the period engaged in aesthetic debates that informed and propelled print communities in Europe, the United States, and Latin America. Scholars of modernism and the avant-garde will welcome Cole's original and compellingly crafted work.
99.700000 USD

Surveying the Avant-Garde: Questions on Modernism, Art, and the Americas in Transatlantic Magazines

by Lori Cole
Hardback
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In Spain, the two hundred years that elapsed between the beginning of the early modern period and the final years of the Habsburg empire saw a profusion of works written by women. Whether secular or religious, noble or middle class, early modern Spanish women actively composed creative works such as ...
The Routledge Research Companion to Early Modern Spanish Women Writers
In Spain, the two hundred years that elapsed between the beginning of the early modern period and the final years of the Habsburg empire saw a profusion of works written by women. Whether secular or religious, noble or middle class, early modern Spanish women actively composed creative works such as poetry, prose narratives, and plays. The Ashgate Research Companion to Early Modern Spanish Women Writers covers the broad array of different kinds of writings-literary as well as extra-literary-that these women wrote, taking into consideration their subject positions and the cultural and historical contexts that influenced and were influenced by them. Beyond merely recognizing the individual women authors who had influence in literary, religious, and intellectual circles, this Research Companion investigates their participation in these circles through their writings, as well as the ways in which their texts informed Spain's cultural production during the early modern period. In order to contextualize women's writings across the historical and cultural spectrum of early modern Spain, the research companion is divided into six sections of general thematic interest: Women's Worlds; Conventual Spaces; Secular Literature; Women in the Public Sphere; Private Circles; Women Travelers. Each section is subdivided into chapters that focus on specific issues or topics.
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255.94 USD

The Routledge Research Companion to Early Modern Spanish Women Writers

Hardback
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This astonishing memoir of a childhood lived in extreme poverty in Latin America was hailed as an instant classic when first published in Colombia in 2012, nine years after the death of its author, who was encouraged in her writing by Gabriel Garcia Marquez. Comprised of letters written over the ...
The Book of Emma Reyes: A Memoir in Correspondence
This astonishing memoir of a childhood lived in extreme poverty in Latin America was hailed as an instant classic when first published in Colombia in 2012, nine years after the death of its author, who was encouraged in her writing by Gabriel Garcia Marquez. Comprised of letters written over the course of thirty years, it describes in vivid, painterly detail the remarkable courage and limitless imagination of a young girl growing up with nothing. Emma was an illegitimate child, raised in a windowless room in Bogota with no water or toilet and only ingenuity to keep her and her sister alive. Abandoned by their mother, she and her sister moved to a convent housing 150 orphan girls, where they washed pots, ironed and mended laundry, scrubbed floors, cleaned bathrooms, and sewed garments and decorative cloths for church. Illiterate and knowing nothing of the outside world, Emma escaped at age nineteen, eventually coming to have a career as an artist and to befriend the likes of Frida Kahlo and Diego Rivera. Far from self-pitying, the portrait that emerges from this clear-eyed account inspires awe at the stunning early life of a gifted writer whose talent remained hidden for far too long.
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25.58 USD

The Book of Emma Reyes: A Memoir in Correspondence

by Emma Reyes
Hardback
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First published in 1936, the classic work Roots of Brazil by Sergio Buarque de Holanda presented an analysis of why and how a European culture flourished in a large tropical environment that was totally foreign to its traditions, and the manner and consequences of this development. In The Other Roots, ...
The Other Roots: Wandering Origins in Roots of Brazil and the Impasses of Modernity in Ibero-America
First published in 1936, the classic work Roots of Brazil by Sergio Buarque de Holanda presented an analysis of why and how a European culture flourished in a large tropical environment that was totally foreign to its traditions, and the manner and consequences of this development. In The Other Roots, Pedro Meira Monteiro contends that Roots of Brazil is an essential work for understanding Brazil and the current impasses of politics in Latin America. Meira Monteiro demonstrates that the ideas expressed in Roots of Brazil have taken on new forms and helped to construct some of the most lasting images of the country, such as the cordial man, a central concept that expresses the Ibero-American cultural and political experience and constantly wavers between liberalism's claims to impersonality and deeply ingrained forms of personalism. Meira Monteiro examines in particular how cordiality reveals the everlasting conflation of the public and the private spheres in Brazil. Despite its ambivalent relationship to liberal democracy, Roots of Brazil may be seen as part of a Latin Americanist assertion of a shared continental experience, which today might extend to the idea of solidarity across the so-called Global South. Taking its cue from Buarque de Holanda, The Other Roots investigates the reasons why national discourses invariably come up short, and shows identity to be a poetic and political tool, revealing that any collectivity ultimately remains intact thanks to the multiple discourses that sustain it in fragile, problematic, and fascinating equilibrium.
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105.000000 USD

The Other Roots: Wandering Origins in Roots of Brazil and the Impasses of Modernity in Ibero-America

by Pedro Meira Monteiro
Hardback
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Rewrites our understanding of the last 50 years of Chicana/o cultural production. Chicana/o Remix casts new light not only on artists-such as Sandra de la Loza, Judy Baca, and David Botello, among others-but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it. ...
Chicana/o Remix: Art and Errata Since the Sixties
Rewrites our understanding of the last 50 years of Chicana/o cultural production. Chicana/o Remix casts new light not only on artists-such as Sandra de la Loza, Judy Baca, and David Botello, among others-but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it. Combining feminist theory, critical ethnic studies, art historical analysis, and extensive archival and field research, Karen Mary Davalos argues that narrow notions of identity, politics, and aesthetics limit our ability to understand the full capacities of Chicana/o art. She employs fresh vernacular concepts such as the errata exhibit, or the staging of exhibits that critically question mainstream art museums, and the remix, or the act of bringing new narratives and forgotten histories from the background and into the foreground. These concepts, which emerge out of art practice itself, drive her analysis and reinforce the rejection of familiar narratives that evaluate Chicana/o art in simplistic, traditional terms, such as political versus commercial, or realist versus conceptual. Throughout Chicana/o Remix, Davalos explores undocumented or previously ignored information about artists, their cultural production, and the exhibitions and collections that feature their work. Each chapter exposes and challenges conventions in art history and Chicana/o studies, documenting how Chicana artists were the first to critically challenge exhibitions of Chicana/o art, tracing the origins of the first Chicano arts organizations, and highlighting the influence of Europe and Asia on Chicana/o artists who traveled abroad. As a leading scholar in the study of Chicana/o artists, art spaces, and exhibition practices, Davalos presents her most ambitious project to date in this re-examination of fifty years of Chicana/o art production.
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93.450000 USD

Chicana/o Remix: Art and Errata Since the Sixties

by Karen Mary Davalos
Hardback
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A re-examination of the Cuban diaspora through the lens of popular culture. In an era of warming relations between the US and Cuba, this book updates the conversation about Cuban America by showing how this community has changed over the past 25 years. No longer a conservative Republican voting bloc, ...
Diversion: Play and Popular Culture in Cuban America
A re-examination of the Cuban diaspora through the lens of popular culture. In an era of warming relations between the US and Cuba, this book updates the conversation about Cuban America by showing how this community has changed over the past 25 years. No longer a conservative Republican voting bloc, the majority of Cubans today want more engagement with the island instead of less. Laguna investigates the generational shifts and tensions in a Cuban America where the majority is now made up of immigrants who arrived since the 1990s and those born in the US. To probe these changes, Laguna examines the aesthetic and social logics of a wide range of popular culture forms originating in Miami and Cuba from the 1970s through the 2010s. They include the stand-up comedy of performers like Alvarez Guedes and Robertico, a festival called Cuba Nostalgia, Miami morning radio shows, a form of media distribution on the island known as el paquete, and the viral social media content of Los Pichy Boys. This study illustrates the centrality of play in a community that has been described historically as angry, reactionary, and melancholic. Diversion contends that our understanding of the Cuban diaspora is lacking not in seriousness, but in play. By unpacking this archive, Laguna explores our complex, often fraught attachments to popular culture and the way it can challenge and reproduce typical cultural ideologies-especially in relation to politics and race. In the wake of the largest migration wave to the US in Cuban history, Diversion and its focus on play is crucial reading for those who seek to understand not only the Cuban American diaspora, but cultural and economic life on the island.
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93.450000 USD

Diversion: Play and Popular Culture in Cuban America

by Albert Sergio Laguna
Hardback
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This book is a study of gender and place in twentieth-century Chicana/o literature and culture, covering the early period of regional writing to contemporary art. Remapping Chicana/o literary and cultural history from the critical regional perspective of the Mexican American Southwest, it uncovers the aesthetics of Chicana/o critical regionalism in ...
Gender and Place in Chicana/o Literature: Critical Regionalism and the Mexican American Southwest
This book is a study of gender and place in twentieth-century Chicana/o literature and culture, covering the early period of regional writing to contemporary art. Remapping Chicana/o literary and cultural history from the critical regional perspective of the Mexican American Southwest, it uncovers the aesthetics of Chicana/o critical regionalism in the writings of Cleofas Jaramillo, Fray Angelico Chavez, Elena Zamora O'Shea, and Jovita Gonzalez. In addition to bringing renewed attention to contemporary writers like Richard Rodriguez and introducing the work of Chicana artist Carlota d.Z. EspinoZa, the study also revisits the more recognized work of Americo Paredes, Mario Suarez, Mary Helen Ponce, and Rodolfo Corky Gonzales to reconsider the aesthetics of gender and place in Chicana/o literature and culture.
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73.490000 USD

Gender and Place in Chicana/o Literature: Critical Regionalism and the Mexican American Southwest

by Melina V. Vizcaino-Aleman
Hardback
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The Cambridge Companion to Latin American Poetry provides historical context on the evolution of the Latin American poetic tradition from the sixteenth century to the present day. It is organized into three parts. Part I provides a comprehensive, chronological survey of Latin American poetry and includes separate chapters on Colonial ...
The Cambridge Companion to Latin American Poetry
The Cambridge Companion to Latin American Poetry provides historical context on the evolution of the Latin American poetic tradition from the sixteenth century to the present day. It is organized into three parts. Part I provides a comprehensive, chronological survey of Latin American poetry and includes separate chapters on Colonial poetry, Romanticism/modernism, the avant-garde, conversational poetry, and contemporary poetry. Part II contains six succinct essays on the major figures Sor Juana Ines de la Cruz, Gabriela Mistral, Cesar Vallejo, Pablo Neruda, Carlos Drummond de Andrade, and Octavio Paz. Part III analyses specific and distinctive trends within the poetic canon, including women's, LGBT, Quechua, Afro-Hispanic, Latino/a and New Media poetry. This Companion also contains a guide to further reading as well as an essay on the best English translations of Latin American poetry. It will be a key resource for students and instructors of Latin American literature and poetry.
97.640000 USD

The Cambridge Companion to Latin American Poetry

Hardback
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Crossing the Line examines a group of early nineteenth-century novels by white creoles, writers whose identities and perspectives were shaped by their experiences in Britain's Caribbean colonies. Colonial subjects residing in the West Indian colonies beyond the line, these writers were perceived by their metropolitan contemporaries as far removed-geographically and ...
Crossing the Line: Early Creole Novels and Anglophone Caribbean Culture in the Age of Emancipation
Crossing the Line examines a group of early nineteenth-century novels by white creoles, writers whose identities and perspectives were shaped by their experiences in Britain's Caribbean colonies. Colonial subjects residing in the West Indian colonies beyond the line, these writers were perceived by their metropolitan contemporaries as far removed-geographically and morally-from Britain and true Britons. Routinely portrayed as single-minded in their pursuit of money and irredeemably corrupted by their investment in slavery, white creoles faced a considerable challenge in showing they were driven by more than a desire for power and profit. Crossing the Line explores the integral role early creole novels played in this cultural labor. The emancipation-era novels that anchor the study question categories of genre, historiography, politics, class, race, and identity. Revealing the contradictions embedded in the texts' constructions of the Caribbean realities they seek to dramatize, Candace Ward shows how these authors gave birth to characters and enlivened settings and situations in ways that shed light on the many sociopolitical fictions that shaped life in the anglophone Atlantic.
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68.250000 USD

Crossing the Line: Early Creole Novels and Anglophone Caribbean Culture in the Age of Emancipation

by Candace Ward
Hardback
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Situated opposite the mouth of the Orinoco River, western Trinidad has long been considered an entrepot to mainland South America. Trinidad's geographic position-seen as strategic by various imperial governments-led to many heterogeneous peoples from across the region and globe settling or being relocated there. The calm waters around the Gulf ...
Between the Bocas: A Literary Geography of Western Trinidad: A Literary Geography of Western Trinidad
Situated opposite the mouth of the Orinoco River, western Trinidad has long been considered an entrepot to mainland South America. Trinidad's geographic position-seen as strategic by various imperial governments-led to many heterogeneous peoples from across the region and globe settling or being relocated there. The calm waters around the Gulf of Paria on the western fringes of Trinidad induced settlers to construct a harbour, Port of Spain, around which the modern capital has been formed. From its colonial roots into the postcolonial era, western Trinidad therefore has played an especial part in the shaping of the island's literature. Viewed from one perspective, western Trinidad might be deemed as narrating the heart of the modern state's national literature. Alternatively, the political threats posed around San Fernando in Trinidad's southwest in the 1930s and from within the capital in the 1970s present a different picture of western Trinidad-one in which the fractures of Trinidad and Tobago's projected nationalism are prevalent.While sugar remains a dominant narrative in Caribbean literary studies, this book offers a unique literary perspective on matters too often perceived as the sole preserve of sociological, anthropological or geographical studies. The legacy of the oil industry and the development of the suburban commuter belt of East-West Corridor, therefore, form considerable discursive nodes, alongside other key Trinidadian sites, such as Woodford Square, colonial houses and the urban yards of Port of Spain. This study places works by well-known authors such as V. S. Naipaul and Samuel Selvon, alongside writing by Michel Maxwell Philip, Marcella Fanny Wilkins, E. L. Joseph, Earl Lovelace, Ismith Khan, Monique Roffey, Arthur Calder-Marshall, Zenga Longmore and the largely neglected novelist, Yseult Bridges, who is almost entirely forgotten today. Using fiction, calypso, history, memoir, legal accounts, poetry, essays and journalism, this study opens with an analysis of Trinidad's nineteenth century literature and offers twentieth century and more contemporary readings of the island in successive chapters. Chapters are roughly arranged in chronological order around particular sites and topoi, while literature from a variety of authors of British, Caribbean, Irish and Jewish descent is represented.
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136.50 USD

Between the Bocas: A Literary Geography of Western Trinidad: A Literary Geography of Western Trinidad

by Jak Peake
Hardback
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Moral electricity-a term coined by American transcendentalists in the 1850s to describe the force of nature that was literacy and education in shaping a greater society. This concept wasn't strictly an American idea, of course, and Ronald Briggs introduces us to one of the greatest examples of this power: the ...
The Moral Electricity of Print: Transatlantic Education and the Lima Women's Circuit, 1876-1910
Moral electricity-a term coined by American transcendentalists in the 1850s to describe the force of nature that was literacy and education in shaping a greater society. This concept wasn't strictly an American idea, of course, and Ronald Briggs introduces us to one of the greatest examples of this power: the literary scene in Lima, Peru, in the nineteenth century.As Briggs notes in the introduction to The Moral Electricity of Print, the ideological glue that holds the American hemisphere together is a hope for the New World as a grand educational project combined with an anxiety about the baleful influence of a politically and morally decadent Old World that dominated literary output through its powerful publishing interests. The very nature of living as a writer and participating in the literary salons of Lima was, by definition, a revolutionary act that gave voice to the formerly colonized and now liberated people. In the actions of this literary community, as men and women worked toward the same educational goals, we see the birth of a truly independent Latin American literature.
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57.750000 USD

The Moral Electricity of Print: Transatlantic Education and the Lima Women's Circuit, 1876-1910

by Ronald Briggs
Hardback
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This book is the first collection of critical essays on Hilda Hilst (1930-2004) published in English. It brings together a variety of perspectives on one of Latin America's most inventive and innovative authors. Nine essays by scholars and translators reflect about various aspects of her work, placing it in the ...
Essays on Hilda Hilst: Between Brazil and World Literature
This book is the first collection of critical essays on Hilda Hilst (1930-2004) published in English. It brings together a variety of perspectives on one of Latin America's most inventive and innovative authors. Nine essays by scholars and translators reflect about various aspects of her work, placing it in the context of Brazil and world literature. During her lifetime, Hilst won several major national literary awards and attracted legions of devoted readers. Her writing spanned styles and genres, encompassing poetry, theatre, and experimental fiction. She was also considered to be a writer's writer, and her literary achievements eluded both mainstream acclaim and international recognition. In recent years, Hilst's books have enjoyed increased visibility in Brazil and beyond. A host of translators (including three contributors to this volume) have finally made some of her masterpieces available in English. This pioneering collection of essays should excite longtime readers and introduce her to a new audience.
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57.740000 USD

Essays on Hilda Hilst: Between Brazil and World Literature

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The 'Global South' has largely supplanted the 'Third World' in discussions of development studies, postcolonial studies, world literature and comparative literature respectively. The concept registers a new set of relationships between nations of the once colonized world as their connections to nations of the North diminish in significance. Such relationships ...
The Global South and Literature
The 'Global South' has largely supplanted the 'Third World' in discussions of development studies, postcolonial studies, world literature and comparative literature respectively. The concept registers a new set of relationships between nations of the once colonized world as their connections to nations of the North diminish in significance. Such relationships register particularly clearly in contemporary cultural theory and literary production. The Global South and Literature explores the historical, cultural and literary applications of the term for twenty-first-century flows of transnational cultural influence, tracing their manifestations across the Global Southern traditions of Africa, Asia and Latin America. This collection of interdisciplinary contributions examines the origins, development and applications of this emergent term, employed at the nexus of the critical social sciences and developments in literary humanities and cultural studies. This book will be a key resource for students, graduates and researchers working in the field of postcolonial studies and world literature.
136.49 USD

The Global South and Literature

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This collection of essays confirms Carmen de Burgos's pivotal place in Spanish feminist history by bringing together eminent international scholars who offer new readings of Burgos's work. It includes the analyses of a number of lesser-known texts, both fictional and non-fictional, which give us a more comprehensive examination of Burgos's ...
Multiple Modernities: Carmen de Burgos, Author and Activist
This collection of essays confirms Carmen de Burgos's pivotal place in Spanish feminist history by bringing together eminent international scholars who offer new readings of Burgos's work. It includes the analyses of a number of lesser-known texts, both fictional and non-fictional, which give us a more comprehensive examination of Burgos's multipronge feminist approach. Burgos's works, especially her essays, are essential feminist reading and complement other European and North American traditions. Gaining familiarity with the breadth and depth of her work serves not only to provide an understanding of Spanish firstwave feminism, but also enriches our appreciation of cultural studies, gender studies, subaltern studies and travel literature. Looking at the entirety of her life and work, and the wide-ranging contributions in this volume, it is evident that Burgos embodied the tensions between tradition and modernity, depicting multiple representations of womanhood. Encouraging women to take ownership of their personal fashion, the design of their homes and the decorum of their families were steps towards recognizing a female population that was cognizant of its own desires.
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157.450000 USD

Multiple Modernities: Carmen de Burgos, Author and Activist

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Graciliano Ramos and the Making of Modern Brazil brings updated criticism in English on the work of the prominent Brazilian writer Graciliano Ramos (1892-1953), a key figure in understanding the making of modern Brazil. Building on existing literature, this book innovates through chapters that consider issues such as Ramos's dialogue ...
Graciliano Ramos and the Making of Modern Brazil: Memory, Politics and Identities
Graciliano Ramos and the Making of Modern Brazil brings updated criticism in English on the work of the prominent Brazilian writer Graciliano Ramos (1892-1953), a key figure in understanding the making of modern Brazil. Building on existing literature, this book innovates through chapters that consider issues such as Ramos's dialogue with literary tradition, his cultural legacy for contemporary writers, and his treatment of racial discrimination and gender inequality through the multifarious, provocative and enduringly fascinating characters he created. The volume also addresses the question of Ramos's political involvement during the years of the Getulio Vargas government (1930-45), to revisit established readings of the author's politics. Through close reading of individual works as well as comparative analyses, this volume takes readers into the complexities of modernisation in Brazil, and highlights the writer's significance for our understanding of Brazil today.
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162.10 USD

Graciliano Ramos and the Making of Modern Brazil: Memory, Politics and Identities

Hardback
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Taking a cue from influential French philosopher Jacques Ranciere, who in The Emancipated Spectator rejects the idea of the passive, ignorant, duped spectators in need of instruction to become active, Stuart A. Day's goal in Outside Theater is to highlight written words and performances that exemplify effective strategies, past and ...
Outside Theater: Alliances That Shape Mexico
Taking a cue from influential French philosopher Jacques Ranciere, who in The Emancipated Spectator rejects the idea of the passive, ignorant, duped spectators in need of instruction to become active, Stuart A. Day's goal in Outside Theater is to highlight written words and performances that exemplify effective strategies, past and present, to reveal and promote civic engagement, to provoke disruptions, or to highlight fissures-and opportunities-in oppressive social structures.Through the study of one or two primary models per chapter, as well as multiple examples in the introduction and conclusion, Day presents Mexican plays from 1905 to 2015, including the 2010 Mexico City performance of Zoot Suit by Chicano playwright Luis Valdez. Using these plays, Day explores the concept of outside theater, where people or groups translate the tools of the theatrical trade to a different stage, outside the walls of the theater, and play the part of fictional or real life Celestinas-matchmakers who unite seemingly disparate entities to promote social awareness and social action by working the borders between life and art.Each work in this innovative analysis reveals productive social connections that, with the help of crucial artistic alliances, contradict the perception that art is somehow secondary to or disconnected from the public sphere of influence and the struggles of everyday life. With this book, Day shows that Mexican theater can and does bolster civil society and thus the country's fragile democracy.
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57.750000 USD

Outside Theater: Alliances That Shape Mexico

by Stuart A Day
Hardback
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Beginning with the Haitian Revolution, Scott Henkel lays out a literary history of direct democracy in the Americas. Much research considers direct democracy as a form oforganization fit for worker cooperatives or political movements. Henkel reinterprets it as a type of collective power, based on the massive slave revolt in ...
Direct Democracy: Collective Power, the Swarm, and the Literatures of the Americas
Beginning with the Haitian Revolution, Scott Henkel lays out a literary history of direct democracy in the Americas. Much research considers direct democracy as a form oforganization fit for worker cooperatives or political movements. Henkel reinterprets it as a type of collective power, based on the massive slave revolt in Haiti. In the representations of slaves, women, and workers, Henkel traces a history of power through the literatures of the Americas during the long nineteenth century.Thinking about democracy as a type of power presents a challenge to common, often bureaucratic and limited interpretations of the term and opens an alternative archive, which Henkel argues includes C. L. R. James's The Black Jacobins, Walt Whitman's Democratic Vistas, Lucy Parsons's speeches advocating for the eight-hour workday, B. Traven's novels of the Mexican Revolution, and Marie Vieux Chauvet's novella about Haitian dictatorship.Henkel asserts that each writer recognized this power and represented its physical manifestation as a swarm. This metaphor bears a complicated history, often describing a group, a movement, or a community. Indeed it conveys multiplicity and complexity, a collective power. This metaphor's many uses illustrate Henkel's main concerns, the problems of democracy, slavery, and labor,the dynamics of racial repression and resistance, and the issues of power which run throughout the Americas.
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68.250000 USD

Direct Democracy: Collective Power, the Swarm, and the Literatures of the Americas

by Scott Henkel
Hardback
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The Colonial Fortune highlights the features of a paracolonial aesthetics emanating from a significant body of contemporary Hexagonal and non-metropolitan texts. Authored by writers who are either directly involved in the debate about the colonial past and its remanence (J. M. G. Le Clezio, Paule Constant, Edouard Glissant, Tierno Monenembo, ...
The Colonial Fortune in Contemporary Fiction in French
The Colonial Fortune highlights the features of a paracolonial aesthetics emanating from a significant body of contemporary Hexagonal and non-metropolitan texts. Authored by writers who are either directly involved in the debate about the colonial past and its remanence (J. M. G. Le Clezio, Paule Constant, Edouard Glissant, Tierno Monenembo, Marie NDiaye, and Leila Sebbar) or who do not overtly manifest such concerns (Stephane Audeguy, Marie Darrieussecq, Regis Jauffret, Pierre Michon, and Claude Simon), these works create a shared imaginary space permeated by the symbolic, rhetorical, and conceptual presence colonialism in our postcolonial era. The paracolonial describes the phenomena of revival, resurgence, remanence, and residue - in other words, the permanence of the colonial in contemporary imagination. It also addresses the re-imagining, revisiting, and recasting of the colonial in current works of literature (fiction, autobiography, and essay). The idea of the colonial fortune emerges as an interface between our era's concerns with issues of fate, economics, legacy, and debt stemming from the understudied persistence of the colonial in today's political and cultural conversation, and literature's ways of making sense of them both sensorially and sensibly.
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127.97 USD

The Colonial Fortune in Contemporary Fiction in French

by Oana Panaite
Hardback
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The Francophone Caribbean boasts a trove of literary gems. Distinguished by innovative, elegant writing and thought-provoking questions of history and identity, this exciting body of work demands scholarly attention. Its authors treat the traumatic legacies of shared and personal histories pervading Caribbean experience in striking ways, delineating a path towards ...
Connecting Histories: Francophone Caribbean Writers Interrogating Their Past
The Francophone Caribbean boasts a trove of literary gems. Distinguished by innovative, elegant writing and thought-provoking questions of history and identity, this exciting body of work demands scholarly attention. Its authors treat the traumatic legacies of shared and personal histories pervading Caribbean experience in striking ways, delineating a path towards reconciliation and healing.The creation of diverse personal narratives-encompassing autobiography, autofiction (heavily autobiographical fiction), travel writing, and reflective essay-remains characteristic of many Caribbean writers and offers poignant illustrations of the complexinterchange between shared and personal pasts and how they affect individual lives.Through their historically informed autobiography, the authorsin this study-Maryse Conde, Gisele Pineau, Patrick Chamoiseau, Edwidge Danticat, and Dany Laferriere-offer compelling insights into confronting, coming to terms with, and reconciling their past. The employment of personal narratives as the vehicle to carry out this investigation points to a tension evident in these writers' reflections, which constantly move between the collective and the personal. As an inescapably complex network, their past extends beyond the notion of a single, private life.These contemporary authors from Martinique, Guadeloupe, and Haiti intertwine their personal memories with reflections on the histories of their homelands and on the European and North American countries they adopt through choice or necessity. They reveal a multitude of deep connections that illuminate distinct Francophone Caribbean experiences.
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68.250000 USD

Connecting Histories: Francophone Caribbean Writers Interrogating Their Past

by Bonnie Thomas
Hardback
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Contemporary Latin American fiction establishes a unique connection between masquerade, frequently motivated by stigma or trauma, and social justice. Using an interdisciplinary approach that combines philosophy, history, psychology, literature, and social justice theory, this study delineates the synergistic connection between these two themes. Weldt-Basson examines fourteen novels by twelve different ...
Masquerade and Social Justice in Contemporary Latin American Fiction
Contemporary Latin American fiction establishes a unique connection between masquerade, frequently motivated by stigma or trauma, and social justice. Using an interdisciplinary approach that combines philosophy, history, psychology, literature, and social justice theory, this study delineates the synergistic connection between these two themes. Weldt-Basson examines fourteen novels by twelve different Latin American authors: Mario Vargas Llosa, Sergio Galindo, Augusto Roa Bastos, Fernando del Paso, Mayra Santos-Febres, Isabel Allende, Carmen Boullosa, Antonio Benitez-Rojo, Marcela Serrano, Sara Sefchovich, Luisa Valenzuela, and Ariel Dorfman. She elucidates the varieties of social justice operating in the plots of contemporary Latin American novels: distributive, postmodern/feminist, postcolonial, transitional, and historical justices. The author further examines how masquerade and disguise aid in articulating the theme of social justice, why this is important, and how it relates to Latin American history and the historical novel.
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57.750000 USD

Masquerade and Social Justice in Contemporary Latin American Fiction

by Helene Carol Weldt-Basson
Hardback
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