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As a growing number of contemporary novelists write for publication in multiple languages, the genre's form and aims are shifting. Born-translated novels include passages that appear to be written in different tongues, narrators who speak to foreign audiences, and other visual and formal techniques that treat translation as a medium ...
Born Translated: The Contemporary Novel in an Age of World Literature
As a growing number of contemporary novelists write for publication in multiple languages, the genre's form and aims are shifting. Born-translated novels include passages that appear to be written in different tongues, narrators who speak to foreign audiences, and other visual and formal techniques that treat translation as a medium rather than as an afterthought. These strategies challenge the global dominance of English, complicate native readership, and protect creative works against misinterpretation as they circulate. They have also given rise to a new form of writing that confounds traditional models of literary history and political community. Born Translated builds a much-needed framework for understanding translation's effect on fictional works, as well as digital art, avant-garde magazines, literary anthologies, and visual media. Artists and novelists discussed include J. M. Coetzee, Junot Diaz, Jonathan Safran Foer, Mohsin Hamid, Kazuo Ishiguro, Jamaica Kincaid, Ben Lerner, China Mieville, David Mitchell, Walter Mosley, Caryl Phillips, Adam Thirlwell, Amy Waldman, and Young-hae Chang Heavy Industries. The book understands that contemporary literature begins at once in many places, engaging in a new type of social embeddedness and political solidarity. It recasts literary history as a series of convergences and departures and, by elevating the status of born-translated works, redefines common conceptions of author, reader, and nation.
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27.300000 USD

Born Translated: The Contemporary Novel in an Age of World Literature

by Rebecca L. Walkowitz
Paperback / softback
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York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider ...
The Great Gatsby
York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.
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14.02 USD

The Great Gatsby

by Hana Sambrook
Paperback / softback
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Updated and expanded throughout with new illustrations and new material, this is the long- awaited second edition of a highly acclaimed and interdisciplinary book which quickly established itself as a seminal text in its field.
Imperial Eyes: Travel Writing and Transculturation
Updated and expanded throughout with new illustrations and new material, this is the long- awaited second edition of a highly acclaimed and interdisciplinary book which quickly established itself as a seminal text in its field.
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49.300000 USD

Imperial Eyes: Travel Writing and Transculturation

by Mary Louise Pratt
Paperback / softback
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Newly translated by Gregory Rabassa and superbly edited by Enylton de Sa Rego and Gilberto Pinheiro Passos, this Library of Latin America edition brings to English-speaking readers a literary delight of the highest order.
The Posthumous Memoirs of Bras Cubas
Newly translated by Gregory Rabassa and superbly edited by Enylton de Sa Rego and Gilberto Pinheiro Passos, this Library of Latin America edition brings to English-speaking readers a literary delight of the highest order.
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36.740000 USD

The Posthumous Memoirs of Bras Cubas

by Machado de Assis
Paperback / softback
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The fourteen essays in Food, Texts, and Cultures in Latin America and Spain showcase the eye-opening potential of a food lens within colonial studies, ethnic and racial studies, gender and sexuality studies, and studies of power dynamics, nationalisms and nation building, theories of embodiment, and identity. In short, Food, Texts, ...
Food, Texts, and Cultures in Latin America and Spain
The fourteen essays in Food, Texts, and Cultures in Latin America and Spain showcase the eye-opening potential of a food lens within colonial studies, ethnic and racial studies, gender and sexuality studies, and studies of power dynamics, nationalisms and nation building, theories of embodiment, and identity. In short, Food, Texts, and Cultures in Latin America and Spain grapples with an emerging field in need of a foundational text, and does so from multiple angles. The studies span from the Middle Ages to the twenty-first century, and the contributing scholars occupy diverse fields within Latin American and Hispanic Studies. As such, their essays showcase eclectic critical and theoretical approaches to the subject of Latin American and Iberian food. Food, Texts, and Cultures in Latin America and Spain also introduces the first English-language publication of works from such award-winning scholars as Adolfo Castanon of the Mexican Academy of Language; Sergio Ramirez, winner of the 2017 Miguel de Cervantes Prize in Literature; and Carmen Simon Palmer, winner of the 2015 Julian Marias Prize for Research.
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36.700000 USD

Food, Texts, and Cultures in Latin America and Spain

Paperback / softback
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Analyzing a wide variety of late-nineteenth-century sources, Sex, Skulls, and Citizens argues that Argentine scientific projects of the era were not just racial encounters, but were also conditioned by sexual relationships in all their messy, physical reality. The writers studied here (an eclectic group of scientists, anthropologists, and novelists, including ...
Sex, Skulls, and Citizens: Gender and Racial Science in Argentina (1860-1910)
Analyzing a wide variety of late-nineteenth-century sources, Sex, Skulls, and Citizens argues that Argentine scientific projects of the era were not just racial encounters, but were also conditioned by sexual relationships in all their messy, physical reality. The writers studied here (an eclectic group of scientists, anthropologists, and novelists, including Estanislao Zeballos, Lucio and Eduarda Mansilla, Ramon Lista, and Florence Dixie) reflect on Indigenous sexual practices, analyze the advisability and effects of interracial sex, and use the language of desire to narrate encounters with Indigenous peoples as they try to scientifically pinpoint Argentina's racial identity and future potential. Kerr's reach extends into history of science, literary studies, and history of anthropology, illuminating a scholarly time and place in which the lines betwixt were much blurrier, if they existed at all.
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36.700000 USD

Sex, Skulls, and Citizens: Gender and Racial Science in Argentina (1860-1910)

by Ashley Elizabeth Kerr
Paperback / softback
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Analyzing a wide variety of late-nineteenth-century sources, Sex, Skulls, and Citizens argues that Argentine scientific projects of the era were not just racial encounters, but were also conditioned by sexual relationships in all their messy, physical reality. The writers studied here (an eclectic group of scientists, anthropologists, and novelists, including ...
Sex, Skulls, and Citizens: Gender and Racial Science in Argentina (1860-1910)
Analyzing a wide variety of late-nineteenth-century sources, Sex, Skulls, and Citizens argues that Argentine scientific projects of the era were not just racial encounters, but were also conditioned by sexual relationships in all their messy, physical reality. The writers studied here (an eclectic group of scientists, anthropologists, and novelists, including Estanislao Zeballos, Lucio and Eduarda Mansilla, Ramon Lista, and Florence Dixie) reflect on Indigenous sexual practices, analyze the advisability and effects of interracial sex, and use the language of desire to narrate encounters with Indigenous peoples as they try to scientifically pinpoint Argentina's racial identity and future potential. Kerr's reach extends into history of science, literary studies, and history of anthropology, illuminating a scholarly time and place in which the lines betwixt were much blurrier, if they existed at all.
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104.950000 USD

Sex, Skulls, and Citizens: Gender and Racial Science in Argentina (1860-1910)

by Ashley Elizabeth Kerr
Hardback
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Offers techniques for teaching modern Latin American poetry in college courses, including considerations of teaching the silva, human rights, poetry in indigenous Languages, community-based learning, lesser-known contemporary poetry, Afro-descendant poetry, performance, the long poem, and queer theory. Provides classroom exercises and assignments.
Teaching Modern Latin American Poetries
Offers techniques for teaching modern Latin American poetry in college courses, including considerations of teaching the silva, human rights, poetry in indigenous Languages, community-based learning, lesser-known contemporary poetry, Afro-descendant poetry, performance, the long poem, and queer theory. Provides classroom exercises and assignments.
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35.700000 USD

Teaching Modern Latin American Poetries

Paperback / softback
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Over the course of the last twenty years, Native American and Indigenous American literary studies has experienced a dramatic shift from a critical focus on identity and authenticity to the intellectual, cultural, political, historical, and tribal nation contexts from which these Indigenous literatures emerge. The Oxford Handbook of Indigenous American ...
The Oxford Handbook of Indigenous American Literature
Over the course of the last twenty years, Native American and Indigenous American literary studies has experienced a dramatic shift from a critical focus on identity and authenticity to the intellectual, cultural, political, historical, and tribal nation contexts from which these Indigenous literatures emerge. The Oxford Handbook of Indigenous American Literature reflects on these changes and provides a complete overview of the current state of the field. The Handbook's forty-three essays, organized into four sections, cover oral traditions, poetry, drama, non-fiction, fiction, and other forms of Indigenous American writing from the seventeenth through the twenty-first century. Part I attends to literary histories across a range of communities, providing, for example, analyses of Inuit, Chicana/o, Anishinaabe, and Metis literary practices. Part II draws on earlier disciplinary and historical contexts to focus on specific genres, as authors discuss Indigenous non-fiction, emergent trans-Indigenous autobiography, Mexicanoh and Spanish poetry, Native drama in the U.S. and Canada, and even a new Indigenous children's literature canon. The third section delves into contemporary modes of critical inquiry to expound on politics of place, comparative Indigenism, trans-Indigenism, Native rhetoric, and the power of Indigenous writing to communities of readers. A final section thoroughly explores the geographical breadth and expanded definition of Indigenous American through detailed accounts of literature from Indian Territory, the Red Atlantic, the far North, Yucatan, Amerika Samoa, and Francophone Quebec. Together, the volume is the most comprehensive and expansive critical handbook of Indigenous American literatures published to date. It is the first to fully take into account the last twenty years of recovery and scholarship, and the first to most significantly address the diverse range of texts, secondary archives, writing traditions, literary histories, geographic and political contexts, and critical discourses in the field.
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57.750000 USD

The Oxford Handbook of Indigenous American Literature

Paperback / softback
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What happens inside Latin American prisons? How does the social organisation of prisoners relate to the political structures beyond the walls? Is it possible to resist corrupt penal regimes? In Prison Writing of Latin America, Joey Whitfield turns to those best placed to answer these questions: people who have been ...
Prison Writing of Latin America
What happens inside Latin American prisons? How does the social organisation of prisoners relate to the political structures beyond the walls? Is it possible to resist corrupt penal regimes? In Prison Writing of Latin America, Joey Whitfield turns to those best placed to answer these questions: people who have been imprisoned themselves. Drawing on a century of material produced by Latin American prisoners from Mexico, Cuba, Costa Rica, Colombia, Peru, Bolivia and Brazil, Whitfield weaves readings of novels, memoirs and testimonial texts with social and political analysis. Rather than distinguishing between dictatorial and democratic periods of government, he shows that from the point of view of the prisoner, all states are authoritarian in nature. In the face of oppression, however, prisoners both 'political' and 'criminal' have found ways not only to resist but also to create alternative communities both real and imagined, sometimes in collaboration with each other.
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41.950000 USD

Prison Writing of Latin America

by Joey Whitfield
Paperback / softback
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In 2015, members of the philosophy department at the University of Madrid conducted an interview with Alberto Moreiras for the university's digital archive. The resulting dialogues and the Spanish edition of this work, Marranismo e inscripcion, o el abandono de la conciencia desdichada, are the basis for Against Abstraction, supplemented ...
Against Abstraction: Notes from an Ex-Latin Americanist
In 2015, members of the philosophy department at the University of Madrid conducted an interview with Alberto Moreiras for the university's digital archive. The resulting dialogues and the Spanish edition of this work, Marranismo e inscripcion, o el abandono de la conciencia desdichada, are the basis for Against Abstraction, supplemented with an interview conducted for the Chilean journal Papel maquina. In these landmark conversations, Moreiras describes how, though he was initially committed to Latin American literary studies, he eventually transitioned to become an eminent scholar of critical theory, existential philosophy, and ultimately infrapolitics and posthegemony. Blending intellectual autobiography with a survey of Hispanism as practiced in universities in the United States (including the schisms in Latin American subaltern studies that eventually led to Moreiras's departure from Duke University), these narratives read like a picaresque and a polemic on the symbolic power of scholars. Drawing on the concept of marranism (originally a term for Iberian Jews and Muslims forced to convert to Christianity during the Middle Ages) to consider the situations and allegiances he has navigated over the years, Moreiras has produced a multifaceted self-portrait that will surely spark further discourse.
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47.250000 USD

Against Abstraction: Notes from an Ex-Latin Americanist

by Alberto Moreiras
Hardback
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How do we read after the so-called death of literature? If we are to attend to the proclamations that the representational apparatuses of literature and politics are dead, what aesthetic, ethical, and political possibilities remain for us today? Our critical moment, Graff Zivin argues, demands anarchaeological reading: reading for the ...
Anarchaeologies: Reading as Misreading
How do we read after the so-called death of literature? If we are to attend to the proclamations that the representational apparatuses of literature and politics are dead, what aesthetic, ethical, and political possibilities remain for us today? Our critical moment, Graff Zivin argues, demands anarchaeological reading: reading for the blind spots, errors, points of opacity or untranslatability in works of philosophy and art. Rather than applying concepts from philosophy in order to understand or elucidate cultural works, the book exposes works of philosophy, literary theory, narrative, poetry, film, and performance art and activism to one another. Working specifically with art, film, and literature from Argentina (Jorge Luis Borges, Juan Jose Saer, Ricardo Piglia, Cesar Aira, Albertina Carri, the Internacional Errorista), Graff Zivin allows such thinkers as Levinas, Derrida, Badiou, and Ranciere to be inflected by Latin American cultural production. Through these acts of interdiscursive and interdisciplinary (or indisciplinary) exposure, such ethical and political concepts as identification and recognition, decision and event, sovereignty and will, are read as constitutively impossible, erroneous. Rather than weakening either ethics or politics, however, the anarchaeological reading these works stage and demand opens up and radicalizes the possibility of justice.
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99.750000 USD

Anarchaeologies: Reading as Misreading

by Erin Graff Zivin
Hardback
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How do we read after the so-called death of literature? If we are to attend to the proclamations that the representational apparatuses of literature and politics are dead, what aesthetic, ethical, and political possibilities remain for us today? Our critical moment, Graff Zivin argues, demands anarchaeological reading: reading for the ...
Anarchaeologies: Reading as Misreading
How do we read after the so-called death of literature? If we are to attend to the proclamations that the representational apparatuses of literature and politics are dead, what aesthetic, ethical, and political possibilities remain for us today? Our critical moment, Graff Zivin argues, demands anarchaeological reading: reading for the blind spots, errors, points of opacity or untranslatability in works of philosophy and art. Rather than applying concepts from philosophy in order to understand or elucidate cultural works, the book exposes works of philosophy, literary theory, narrative, poetry, film, and performance art and activism to one another. Working specifically with art, film, and literature from Argentina (Jorge Luis Borges, Juan Jose Saer, Ricardo Piglia, Cesar Aira, Albertina Carri, the Internacional Errorista), Graff Zivin allows such thinkers as Levinas, Derrida, Badiou, and Ranciere to be inflected by Latin American cultural production. Through these acts of interdiscursive and interdisciplinary (or indisciplinary) exposure, such ethical and political concepts as identification and recognition, decision and event, sovereignty and will, are read as constitutively impossible, erroneous. Rather than weakening either ethics or politics, however, the anarchaeological reading these works stage and demand opens up and radicalizes the possibility of justice.
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29.400000 USD

Anarchaeologies: Reading as Misreading

by Erin Graff Zivin
Paperback / softback
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From Zora Neale Hurston to Derek Walcott to Toni Morrison, New World black authors have written about African-derived religious traditions and spiritual practices. The Sacred Act of Reading examines religion and sociopolitical power in modern and contemporary texts of a variety of genres from the black Americas. By engaging with ...
The Sacred Act of Reading: Spirituality, Performance, and Power in Afro-Diasporic Literature
From Zora Neale Hurston to Derek Walcott to Toni Morrison, New World black authors have written about African-derived religious traditions and spiritual practices. The Sacred Act of Reading examines religion and sociopolitical power in modern and contemporary texts of a variety of genres from the black Americas. By engaging with spiritual traditions such as Vodou, Kumina, and Protestant Christianity while drawing on canonical Euro-centric literary theory, Anne Margaret Castro presents a novel, nuanced reading of power through the physical and metaphysical relationships portrayed in these great works of New World black literature. Castro examines prophecy in the dramas of Derek Walcott, preaching in the ethnography of Zora Neale Hurston, and liturgy in the novels of Toni Morrison, offering comparative readings alongside the works of Afro-Colombian anthropologist Manuel Zapata Olivella, Jamaican sociologist Erna Brodber, and Canadian fiction writer Nalo Hopkinson. The Sacred Act of Reading is the first book to bring together literary texts, historical and contemporary anthropological studies, theology, and critical theory to show how black authors in the Americas employ spiritual phenomena as theoretical frameworks for thinking within, against, and beyond structures of political dominance, dependence, and power.
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72.980000 USD

The Sacred Act of Reading: Spirituality, Performance, and Power in Afro-Diasporic Literature

by Anne Margaret Castro
Hardback
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Juan Francisco Manzano and Gabriel de la Concepcion Valdes (Placido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic Language for African-inspired spirituality. Likewise, Placido and Manzano subverted the popular imagery of neoclassicism and ...
Cuban Literature in the Age of Black Insurrection: Manzano, Placido, and Afro-Latino Religion
Juan Francisco Manzano and Gabriel de la Concepcion Valdes (Placido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic Language for African-inspired spirituality. Likewise, Placido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Placido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. Matthew Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Placido's antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway's emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Placido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation.
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31.500000 USD

Cuban Literature in the Age of Black Insurrection: Manzano, Placido, and Afro-Latino Religion

by Matthew Pettway
Paperback / softback
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Jorge Luis Borges (1899-1986) is Argentina's most celebrated author. This volume brings together for the first time the numerous contexts in which he lived and worked; from the history of the Borges family and that of modern Argentina, through two world wars, to events including the Cuban Revolution, military dictatorship, ...
Jorge Luis Borges in Context
Jorge Luis Borges (1899-1986) is Argentina's most celebrated author. This volume brings together for the first time the numerous contexts in which he lived and worked; from the history of the Borges family and that of modern Argentina, through two world wars, to events including the Cuban Revolution, military dictatorship, and the Falklands War. Borges' distinctive responses to the Western tradition, Cervantes and Shakespeare, Kafka, and the European avant garde are explored, along with his appraisals of Sarmiento, gauchesque literature and other strands of the Argentine cultural tradition. Borges' polemical stance on Catholic integralism in early twentieth-century Argentina is accounted for, whilst chapters on Buddhism, Judaism and landmarks of Persian literature illustrate Borges's engagement with the East. Finally, his legacy is visible in the literatures of the Americas, in European countries such as Italy and Portugal, and in the novels of J. M. Coetzee, representing the Global South.
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115.500000 USD

Jorge Luis Borges in Context

Hardback
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The Black Butterfly focuses on the slavery writings of three of Brazil's literary giants-Machado de Assis, Castro Alves, and Euclides da Cunha. These authors wrote in the late nineteenth and early twentieth centuries, as Brazil moved into and then through the 1888 abolition of slavery. Assis was Brazil's most experimental ...
The Black Butterfly: Brazilian Slavery and the Literary Imagination
The Black Butterfly focuses on the slavery writings of three of Brazil's literary giants-Machado de Assis, Castro Alves, and Euclides da Cunha. These authors wrote in the late nineteenth and early twentieth centuries, as Brazil moved into and then through the 1888 abolition of slavery. Assis was Brazil's most experimental novelist; Alves was a Romantic poet with passionate liberationist politics, popularly known as the poet of the slaves ; and da Cunha is known for the masterpiece Os Sertoes (The Backlands), a work of genius that remains strangely neglected in the scholarship of transatlantic slavery. Wood finds that all three writers responded to the memory of slavery in ways that departed from their counterparts in Europe and North America, where emancipation has typically been depicted as a moment of closure. He ends by setting up a wider literary context for his core authors by introducing a comparative study of their great literary abolitionist predecessors Luis Gonzaga Pinto da Gama and Joaquim Nabuco. The Black Butterfly is a revolutionary text that insists Brazilian culture has always refused a clean break between slavery and its aftermath. Brazilian slavery thus emerges as a living legacy subject to continual renegotiation and reinvention.
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34.640000 USD

The Black Butterfly: Brazilian Slavery and the Literary Imagination

by Marcus Wood
Paperback / softback
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The Francophone Caribbean boasts a trove of literary gems. Distinguished by innovative, elegant writing and thought-provoking questions of history and identity, this exciting body of work demands scholarly attention. Its authors treat the traumatic legacies of shared and personal histories pervading Caribbean experience in striking ways, delineating a path towards ...
Connecting Histories: Francophone Caribbean Writers Interrogating Their Past
The Francophone Caribbean boasts a trove of literary gems. Distinguished by innovative, elegant writing and thought-provoking questions of history and identity, this exciting body of work demands scholarly attention. Its authors treat the traumatic legacies of shared and personal histories pervading Caribbean experience in striking ways, delineating a path towards reconciliation and healing. The creation of diverse personal narratives-encompassing autobiography, autofiction (heavily autobiographical fiction), travel writing, and reflective essay-remains characteristic of many Caribbean writers and offers poignant Illustrations of the complex interchange between shared and personal pasts and how they affect individual lives. Through their historically informed autobiography, the authors in this study-Maryse Conde, Gisele Pineau, Patrick Chamoiseau, Edwidge Danticat, and Dany Laferriere-offer compelling insights into confronting, coming to terms with, and reconciling their past. The employment of personal narratives as the vehicle to carry out this investigation points to a tension evident in these writers' reflections, which constantly move between the collective and the personal. As an inescapably complex network, their past extends beyond the notion of a single, private life. These contemporary authors from Martinique, Guadeloupe, and Haiti intertwine their personal memories with reflections on the histories of their homelands and on the European and North American countries they adopt through choice or necessity. They reveal a multitude of deep connections that illuminate distinct Francophone Caribbean experiences.
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31.500000 USD

Connecting Histories: Francophone Caribbean Writers Interrogating Their Past

by Bonnie Thomas
Paperback / softback
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This book provides readers with a valuable and concise introduction to the work and ideas of world renowned Mexican writer, and Nobel Prize winner, Octavio Paz. Written and edited by Alberto Ruy Sanchez, a well-respected and awarding winning writer whom Paz considered one of Mexicos best essayists, this book offers ...
Introduction to Octavio Paz
This book provides readers with a valuable and concise introduction to the work and ideas of world renowned Mexican writer, and Nobel Prize winner, Octavio Paz. Written and edited by Alberto Ruy Sanchez, a well-respected and awarding winning writer whom Paz considered one of Mexicos best essayists, this book offers a comprehensive overview of the vast literary, intellectual and poetic legacy of Mexicos greatest writer. Paz thought of poetry as revelatory creation and activity, and Ruy Sanchez takes this idea as a guide for his book, as he unravels Pazs complex life and huge bibliography. For every reader who wants to look deep into the literary labyrinth of Mexicos emblematic writer, this concise and solid book proves an indispensable handbook.
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19.900000 USD

Introduction to Octavio Paz

by Alberto Ruy Sanchez
Paperback / softback
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Joining a timely conversation within the field of intra-American literature, this study takes a fresh look at Latin America by locating fragments and making evident the mostly untold story of horizontal (south-south) contacts across a multilingual, multicultural continent.
Literary and Cultural Relations between Brazil and Mexico: Deep Undercurrents
Joining a timely conversation within the field of intra-American literature, this study takes a fresh look at Latin America by locating fragments and making evident the mostly untold story of horizontal (south-south) contacts across a multilingual, multicultural continent.
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115.490000 USD

Literary and Cultural Relations between Brazil and Mexico: Deep Undercurrents

by Paulo Moreira
Hardback
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Combining in innovative ways the tools and approaches of postcolonial and popular culture studies as well as comparative literary analysis, this is an ambitious, interdisciplinary study that develops - across several related discursive sites - an argument about the centrality of time travel in the Latin American and Caribbean imagination.
Time Travel in the Latin American and Caribbean Imagination: Re-reading History
Combining in innovative ways the tools and approaches of postcolonial and popular culture studies as well as comparative literary analysis, this is an ambitious, interdisciplinary study that develops - across several related discursive sites - an argument about the centrality of time travel in the Latin American and Caribbean imagination.
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104.990000 USD

Time Travel in the Latin American and Caribbean Imagination: Re-reading History

by Rudyard J. Alcocer
Hardback
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This book is the first collection of critical essays on Hilda Hilst (1930-2004) published in English. It brings together a variety of perspectives on one of Latin America's most inventive and innovative authors. Nine essays by scholars and translators reflect about various aspects of her work, placing it in the ...
Essays on Hilda Hilst: Between Brazil and World Literature
This book is the first collection of critical essays on Hilda Hilst (1930-2004) published in English. It brings together a variety of perspectives on one of Latin America's most inventive and innovative authors. Nine essays by scholars and translators reflect about various aspects of her work, placing it in the context of Brazil and world literature. During her lifetime, Hilst won several major national literary awards and attracted legions of devoted readers. Her writing spanned styles and genres, encompassing poetry, theatre, and experimental fiction. She was also considered to be a writer's writer, and her literary achievements eluded both mainstream acclaim and international recognition. In recent years, Hilst's books have enjoyed increased visibility in Brazil and beyond. A host of translators (including three contributors to this volume) have finally made some of her masterpieces available in English. This pioneering collection of essays should excite longtime readers and introduce her to a new audience.
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57.740000 USD

Essays on Hilda Hilst: Between Brazil and World Literature

Hardback
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The Cuban writer Nicolas Guillen has traditionally been considered a poet of mestizaje, a term that, whilst denoting racial mixture, also refers to a homogenizing nationalist discourse that proclaims the harmonious nature of Cuban identity. Yet, many aspects of Guillen's work enhance black Cuban and Afro-Cuban identities. Miguel Arnedo-Gomez explores ...
Uniting Blacks in a Raceless Nation: Blackness, Afro-Cuban Culture, and Mestizaje in the Prose and Poetry of Nicolas Guillen
The Cuban writer Nicolas Guillen has traditionally been considered a poet of mestizaje, a term that, whilst denoting racial mixture, also refers to a homogenizing nationalist discourse that proclaims the harmonious nature of Cuban identity. Yet, many aspects of Guillen's work enhance black Cuban and Afro-Cuban identities. Miguel Arnedo-Gomez explores this paradox in Guillen's pre-Cuban Revolution writings placing them alongside contemporaneous intellectual discourses that feigned adherence to the homogenizing ideology whilst upholding black interests. On the basis of links with these and other 1930s Cuban discourses, Arnedo-Gomez shows Guillen's work to contain a message of black unity aimed at the black middle classes. Furthermore, against a tendency to seek a single authorial consciousness-be it mulatto or based on a North American construction of blackness-Guillen's prose and poetry are also characterized as a struggle for a viable identity in a socio-culturally heterogeneous society.
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105.000000 USD

Uniting Blacks in a Raceless Nation: Blackness, Afro-Cuban Culture, and Mestizaje in the Prose and Poetry of Nicolas Guillen

by Miguel Arnedo-Gomez
Hardback
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Afro-Greeks examines the reception of Classics in the English-speaking Caribbean, from about 1920 to the beginning of the 21st century. Emily Greenwood focuses on the ways in which Greco-Roman antiquity has been put to creative use in Anglophone Caribbean literature, and relates this regional classical tradition to the educational context, ...
Afro-Greeks: Dialogues between Anglophone Caribbean Literature and Classics in the Twentieth Century
Afro-Greeks examines the reception of Classics in the English-speaking Caribbean, from about 1920 to the beginning of the 21st century. Emily Greenwood focuses on the ways in which Greco-Roman antiquity has been put to creative use in Anglophone Caribbean literature, and relates this regional classical tradition to the educational context, specifically the way in which Classics was taught in the colonial school curriculum. Discussions of Caribbean literature tend to assume an antagonistic relationship between Classics, which is treated as a legacy of empire, and Caribbean literature. While acknowledging the importance of this imperial context, Greenwood argues that Caribbean appropriations of Classics played an important role in formulating original, anti-colonial and anti-imperial criticism in Anglophone Caribbean fiction. Afro-Greeks reveals how, in the twentieth century, two generations of Caribbean writers, including Kamau Brathwaite, Austin Clarke, John Figueroa, C. L. R. James, V. S. Naipaul, Derek Walcott and Eric Williams, created a distinctive, regional counter-tradition of reading Greco-Roman Classics.
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136.500000 USD

Afro-Greeks: Dialogues between Anglophone Caribbean Literature and Classics in the Twentieth Century

by Emily Greenwood
Hardback
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While there are differences between cultures in different places and times, colonial representations of indigenous peoples generally suggest they are not capable of literature nor are they worthy of being represented as nations. Colonial representations of indigenous people continue on into the independence era and can still be detected in ...
Decolonizing Indigeneity: New Approaches to Latin American Literature
While there are differences between cultures in different places and times, colonial representations of indigenous peoples generally suggest they are not capable of literature nor are they worthy of being represented as nations. Colonial representations of indigenous people continue on into the independence era and can still be detected in our time. The thesis of this book is that there are various ways to decolonize the representation of Amerindian peoples. Each chapter has its own decolonial thesis which it then resolves. Chapter 1 proves that there is coloniality in contemporary scholarship and argues that word choices can be improved to decolonize the way we describe the first Americans. Chapter 2 argues that literature in Latin American begins before 1492 and shows the long arc of Mayan expression, taking the Popol Wuj as a case study. Chapter 3 demonstrates how colonialist discourse is reinforced by a dualist rhetorical ploy of ignorance and arrogance in a Renaissance historical chronicle, Agustin de Zarate's Historia del descubrimiento y conquista del Peru. Chapter 4 shows how by inverting the Renaissance dualist configuration of civilization and barbarian, the Nahua (Aztecs) who were formerly considered barbarian can be civilized within Spanish norms. This is done by modeling the categories of civilization discussed at length by the Friar Bartolome de las Casas as a template that can serve to evaluate Nahua civil society as encapsulated by the historiography of Fernando de Alva Ixtlilxochitl, a possibility that would have been available to Spaniards during that time. Chapter 5 maintains that the colonialities of the pre-Independence era survive, but that Criollo-indigenous dialogue is capable of excavating their roots to extirpate them. By comparing the discussions of the hacienda system by the Peruvian essayist Manuel Gonzalez Prada and by the Mayan-Quiche eye-witness to history Rigoberta Menchu, this books shows that there is common ground between their viewpoints despite the different genres in which their work appears and despite the different countries and the eight decades that separated them, suggesting a universality to the problem of the hacienda which can be dissected. This book models five different decolonizing methods to extricate from the continuities of coloniality both indigenous writing and the representation of indigenous peoples by learned elites.
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110.250000 USD

Decolonizing Indigeneity: New Approaches to Latin American Literature

by Thomas Ward
Hardback
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From reviews of the first edition: A compulsively readable account of the life and works of our greatest...writer of fantasy. With a keen appreciation of Borges himself and a pleasant disregard for the critical cliches, Bell-Villada tells us all we really want to know about the modern master-from pronouncing his ...
Borges and His Fiction: A Guide to His Mind and Art
From reviews of the first edition: A compulsively readable account of the life and works of our greatest...writer of fantasy. With a keen appreciation of Borges himself and a pleasant disregard for the critical cliches, Bell-Villada tells us all we really want to know about the modern master-from pronouncing his name to understanding the stories. -New York Daily News Of the scores of Borges studies by now published in English, Bell-Villada's excellent book stands out as one of the freshest and most generally helpful.... Lay readers and specialists alike will find his book a valuable and highly readable companion to Ficciones and El Aleph. -Choice Since its first publication in 1981, Borges and His Fiction has introduced the life and works of this Argentinian master-writer to an entire generation of students, high school and college teachers, and general readers. Responding to a steady demand for an updated edition, Gene H. Bell-Villada has significantly revised and expanded the book to incorporate new information that has become available since Borges' death in 1986. In particular, he offers a more complete look at Borges and Peronism and Borges' personal experiences of love and mysticism, as well as revised interpretations of some of Borges' stories. As before, the book is divided into three sections that examine Borges' life, his stories in Ficciones and El Aleph, and his place in world literature.
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36.700000 USD

Borges and His Fiction: A Guide to His Mind and Art

by Gene H Bell-Villada
Paperback / softback
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Awarded the Nobel Prize in 2010 at the age of seventy-four, Peruvian writer Mario Vargas Llosa has held pivotal roles in the evolution and revolutions of modern Latin American literature. Perhaps surprisingly, no complete history of Vargas Llosa's works, placed in biographical and historical context, has been published-until now. A ...
Mario Vargas Llosa: A Life of Writing
Awarded the Nobel Prize in 2010 at the age of seventy-four, Peruvian writer Mario Vargas Llosa has held pivotal roles in the evolution and revolutions of modern Latin American literature. Perhaps surprisingly, no complete history of Vargas Llosa's works, placed in biographical and historical context, has been published-until now. A masterwork from one of America's most revered scholars of Latin American fiction, Mario Vargas Llosa: A Life of Writing provides a critical overview of Vargas Llosa's numerous novels while reinvigorating debates regarding conventional interpretations of the work. Weaving analysis with discussions of the writer's political commentary, Raymond Leslie Williams traces the author's youthful identity as a leftist student of the 1960s to a repudiation of some of his earlier ideas beginning in the 1980s. Providing a unique perspective on the complexity, nuance, and scope of Vargas Llosa's lauded early novels and on his passionate support of indigenous populations in his homeland, Williams then turns his eye to the recent works, which serve as a bridge between the legacies of the Boom and the diverse array of contemporary Latin American fiction writers at work today. In addition, Williams provides a detailed description of Vargas Llosa's traumatic childhood and its impact on him-seen particularly in his lifelong disdain for authority figures-as well as of the authors who influenced his approach, from Faulkner to Flaubert. Culminating in reflections drawn from Williams's formal interviews and casual conversations with the author at key phases of both men's careers, this is a landmark publication that will spark new lines of inquiry into an intricate body of work.
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24.100000 USD

Mario Vargas Llosa: A Life of Writing

by Raymond Leslie Williams
Paperback / softback
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This is the first book to analyse Spanish and Spanish American literature in the light of modern theories of sexuality. Its aim is twofold: to provide a readable introduction to the varied and complex treatments of sexuality since Freud; and to read, in this context, a representative selection of major ...
The Body Hispanic: Gender and Sexuality in Spanish and Spanish American Literature
This is the first book to analyse Spanish and Spanish American literature in the light of modern theories of sexuality. Its aim is twofold: to provide a readable introduction to the varied and complex treatments of sexuality since Freud; and to read, in this context, a representative selection of major texts from different areas of Hispanic studies - Renaissance, modern peninsular, and Spanish American. The writers discussed include Fuentes, Neruda, Lorca, and Galdos.
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54.600000 USD

The Body Hispanic: Gender and Sexuality in Spanish and Spanish American Literature

by Paul Julian Smith
Paperback / softback
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This book began in what seemed like a counterfactual intuition . . . that what had been happening in Nicaraguan poetry was essential to the victory of the Nicaraguan Revolution, write John Beverley and Marc Zimmerman. In our own postmodern North American culture, we are long past thinking of literature ...
Literature and Politics in the Central American Revolutions
This book began in what seemed like a counterfactual intuition . . . that what had been happening in Nicaraguan poetry was essential to the victory of the Nicaraguan Revolution, write John Beverley and Marc Zimmerman. In our own postmodern North American culture, we are long past thinking of literature as mattering much at all in the `real' world, so how could this be? This study sets out to answer that question by showing how literature has been an agent of the revolutionary process in Nicaragua, El Salvador, and Guatemala. The book begins by discussing theory about the relationship between literature, ideology, and politics, and charts the development of a regional system of political poetry beginning in the late nineteenth century and culminating in late twentieth-century writers. In this context, Ernesto Cardenal of Nicaragua, Roque Dalton of El Salvador, and Otto Rene Castillo of Guatemala are among the poets who receive detailed attention.
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26.250000 USD

Literature and Politics in the Central American Revolutions

by Marc Zimmerman, John Beverley
Paperback / softback
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