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In Orphan Narratives , Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote ...
Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse
In Orphan Narratives , Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote both in relation and in resistance to the violence of plantation slavery. She uses the term orphan narrative to capture the ways in which this violence servered the child, the text, and history from a traceable origin. Black or white, male or female, Antillean or American, these writers share a common inheritance and transnational connection through which their texts maintain familial, temporal, and narrative patterns without having any central authority figure. The author specifically cites Saint-John Perse's Eloges (1911), Faulkner's Light in August (1932), Morrison's Song of Solomon (1977), and Glissant's La Case du commandeur (1981) as postslavery texts. Where the actual family is dismembered, these narrative accounts invent new familian links. Reciprocally, biological family ties endure despite the literal and discursive violence inflicted upon them. Breaking new ground in trans-American studies by juxtaposing texts from the francophone Lesser Antilles and the U.S. South, Orphan Narratives will be a valuable addition to Caribbean, American, and postcolonial studies, not to mention its appeal to scholars and students of Faulkner, Glissant, Morrison, and Saint-John Perse.
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22.580000 USD

Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse

by Valerie Loichot
Paperback / softback
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The city is not only built of towers of steel and glass; it is a product of culture. It plays an especially important role in Latin America, where urban areas hold a near-monopoly on resources and are home to an expanding population. The essays in this collection assert that women's ...
Unfolding the City: Women Write the City in Latin America
The city is not only built of towers of steel and glass; it is a product of culture. It plays an especially important role in Latin America, where urban areas hold a near-monopoly on resources and are home to an expanding population. The essays in this collection assert that women's views of the city are unique and revealing. For the first time, Unfolding the City addresses issues of gender and the urban in literature-particularly lesser-known works of literature-written by Latin American women from Mexico City, Santiago, and Buenos Aires. The contributors propose new mappings of urban space; interpret race and class dynamics; and describe Latin American urban centers in the context of globalization.Contributors: Debra A. Castillo, Cornell U; Sandra Messinger Cypess, U of Maryland; Guillermo Irizarry, U of Massachusetts, Amherst; Naomi Lindstrom, U of Texas, Austin; Jacqueline Loss, U of Connecticut; Dorothy E. Mosby, Mount Holyoke College; Angel Rivera, Worcester Polytechnic Institute; Lidia Santos, Yale U; Marcy Schwartz, Rutgers U; Daniel Noemi Voionmaa, U of Michigan; Gareth Williams, U of Michigan.Anne Lambright is associate professor of modern languages and literature at Trinity College in Hartford, Connecticut. Elisabeth Guerrero is associate professor of Spanish at Bucknell University.
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26.250000 USD

Unfolding the City: Women Write the City in Latin America

Paperback / softback
Book cover image
In Orphan Narratives , Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote ...
Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse
In Orphan Narratives , Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote both in relation and in resistance to the violence of plantation slavery. She uses the term orphan narrative to capture the ways in which this violence servered the child, the text, and history from a traceable origin. Black or white, male or female, Antillean or American, these writers share a common inheritance and transnational connection through which their texts maintain familial, temporal, and narrative patterns without having any central authority figure. The author specifically cites Saint-John Perse's Eloges (1911), Faulkner's Light in August (1932), Morrison's Song of Solomon (1977), and Glissant's La Case du commandeur (1981) as postslavery texts. Where the actual family is dismembered, these narrative accounts invent new familian links. Reciprocally, biological family ties endure despite the literal and discursive violence inflicted upon them. Breaking new ground in trans-American studies by juxtaposing texts from the francophone Lesser Antilles and the U.S. South, Orphan Narratives will be a valuable addition to Caribbean, American, and postcolonial studies, not to mention its appeal to scholars and students of Faulkner, Glissant, Morrison, and Saint-John Perse.
51.980000 USD

Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse

by Valerie Loichot
Hardback
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Magnarelli's latest contribution to the critical dialogue on Spanish-American literature offers fresh, new readings of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied. She employs a variety of contemporary critical approaches - feminism, post-colonial theory, gender theory, postmodern ...
Home is Where the (He)art is: The Family Romance in Late Twentieth-century Mexican and Argentine Theater
Magnarelli's latest contribution to the critical dialogue on Spanish-American literature offers fresh, new readings of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied. She employs a variety of contemporary critical approaches - feminism, post-colonial theory, gender theory, postmodern theory, and cultural theory, among others - to examine in detail ten plays written or performed between 1956 and 1999. In her analysis of works by Griselda Gambaro, Eduardo Rovner, Sabina Berman, Diana Raznovich, Roberto Cossa, Hugo Arguelles, Marcela del Rio, and Luisa Josefina Hernandez, the North American critic proffers a welcome balance between close readings of the plays in question and a provocative discussion of sociopolitical issues as well as the mechanisms of theatre itself.
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51.88 USD
Hardback
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One-third of the population of Puerto Rico moved to New York City during the mid-twentieth century. Since this massive migration, Puerto Rican literature and culture have grappled with an essential change in self-perception. Mainland Passage examines the history of that transformation, the political struggle over its representation, and the ways ...
Mainland Passage: The Cultural Anomaly of Puerto Rico
One-third of the population of Puerto Rico moved to New York City during the mid-twentieth century. Since this massive migration, Puerto Rican literature and culture have grappled with an essential change in self-perception. Mainland Passage examines the history of that transformation, the political struggle over its representation, and the ways it has been imagined in Puerto Rico and in the work of Latina/o fiction writers. Ramon E. Soto-Crespo argues that the most significant consequence of this migration is the creation of a cultural and political borderland state. He intervenes in the Puerto Rico status debate to show that the two most discussed options-Puerto Rico's becoming either a fully federated state of the United States or an independent nation-represent false alternatives, and he forcefully reasons that Puerto Rico should be recognized as an anomalous political entity that does not conform to categories of political belonging. Investigating a fundamental shift in the way Puerto Rican writers, politicians, and scholars have imagined their cultural identity, Mainland Passage demonstrates that Puerto Rico's commonwealth status exemplifies a counterhegemonic logic and introduces a vital new approach to understanding Puerto Rican culture and history. An extraordinarily effective and persuasive synthesis of political theory, historical exposition, and cultural analysis that does real justice to a topic of daunting complexity. Ramon Soto-Crespo's readings strike me as some of the best work being done now in US Latino literary criticism. -Ricardo L. Ortiz, Georgetown University Mainland Passage is a provocative intervention into some of the most intractable problems in Puerto Rican studies. -The Americas
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18.31 USD
Paperback / softback
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An analysis of selected texts that are viewed as cultural responses to military tyranny, and especially to the military dictatorship in Argentina between 1976 and 1983, this important work studies the process of institutional redemocratization. Basing his discussion on the principle that a literary work constitutes a rewriting of the ...
Violence in Argentine Literature: Cultural Responses to Tyranny
An analysis of selected texts that are viewed as cultural responses to military tyranny, and especially to the military dictatorship in Argentina between 1976 and 1983, this important work studies the process of institutional redemocratization. Basing his discussion on the principle that a literary work constitutes a rewriting of the sociohistorical text, Foster examines a range of essays and novels for the ways in which they structure an interpretation of sociopolitical events. Of particular concern is the ideological framing of the literary work and the semiotic complications that arise in the rewriting of a complex and often elusive historical past. Foster pays special attention to the contributions of feminist writing and discusses two dramatic texts by women. There are also references to other dimensions of subalternity, especially within the framework of the military's tight ideological array of enemies of the fatherland whose cultural production suffered repression. Foster discusses the works of such authors as Enrique Medina, Marta Lynch, Griselda Gambaro, Ricardo Piglia, and Alejandra Pizarnik, among others. By focusing on major literary texts produced during a time of censorship and other forms of repression, Foster provides a deeper understanding of Argentine culture. Scholars and students of Latin American literature in general, and humanists and social scientists specializing in Argentina in particular, will welcome this insightful new contribution.
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47.84 USD
Hardback
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Through economic liberalization and the untethering of labor and production markets, masculinity as hegemon has entered a crisis stage. Renegotiated labor and familial orders have triggered a widespread cultural renegotiation of how masculinity operates and is represented. This holds especially true in Latin America. Addressing this, Vinodh Venkatesh uses contemporary ...
The Body as Capital: Masculinities in Contemporary Latin American Fiction
Through economic liberalization and the untethering of labor and production markets, masculinity as hegemon has entered a crisis stage. Renegotiated labor and familial orders have triggered a widespread cultural renegotiation of how masculinity operates and is represented. This holds especially true in Latin America. Addressing this, Vinodh Venkatesh uses contemporary Latin American literature to examine how masculinity is constructed and conceived. The Body as Capital centers socioeconomic and political concerns, anxieties, and paradigms on the male anatomy and on the matrices of masculinities presented in fiction. Developing concepts such as the "market of masculinities" and the "transnational theater of masculinities," the author explains how contemporary fiction centers the male body and masculine expressions as key components in the relationship between culture, space, and global tensile forces. Venkatesh includes novels by canonical and newer writers from Mexico, Central America, the Caribbean, Peru, and Chile. He focuses on texts produced after 1990, coinciding with what has popularly been termed the neoliberal experiment. In addition to probing well-known novels such as La fiesta del Chivo and La mujer habitada and their accompanying body of criticism, The Body as Capital defines and examines several masculine tropes that will be of interest to scholars of contemporary Latin American literature and gender studies. Ultimately, Venkatesh argues for a more holistic approximation of discursive gender that will feed into other angles of criticism, forging a new path in the critical debates over gender and sexuality in Latin American writing.
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26.200000 USD
Paperback / softback
Book cover image
The city is not only built of towers of steel and glass; it is a product of culture. It plays an especially important role in Latin America, where urban areas hold a near-monopoly on resources and are home to an expanding population. The essays in this collection assert that women's ...
Unfolding the City: Women Write the City in Latin America
The city is not only built of towers of steel and glass; it is a product of culture. It plays an especially important role in Latin America, where urban areas hold a near-monopoly on resources and are home to an expanding population. The essays in this collection assert that women's views of the city are unique and revealing. For the first time, Unfolding the City addresses issues of gender and the urban in literature-particularly lesser-known works of literature-written by Latin American women from Mexico City, Santiago, and Buenos Aires. The contributors propose new mappings of urban space; interpret race and class dynamics; and describe Latin American urban centers in the context of globalization.Contributors: Debra A. Castillo, Cornell U; Sandra Messinger Cypess, U of Maryland; Guillermo Irizarry, U of Massachusetts, Amherst; Naomi Lindstrom, U of Texas, Austin; Jacqueline Loss, U of Connecticut; Dorothy E. Mosby, Mount Holyoke College; Angel Rivera, Worcester Polytechnic Institute; Lidia Santos, Yale U; Marcy Schwartz, Rutgers U; Daniel Noemi Voionmaa, U of Michigan; Gareth Williams, U of Michigan.Anne Lambright is associate professor of modern languages and literature at Trinity College in Hartford, Connecticut. Elisabeth Guerrero is associate professor of Spanish at Bucknell University.
58.16 USD
Hardback
Book cover image
One-third of the population of Puerto Rico moved to New York City during the mid-twentieth century. Since this massive migration, Puerto Rican literature and culture have grappled with an essential change in self-perception. Mainland Passage examines the history of that transformation, the political struggle over its representation, and the ways ...
Mainland Passage: The Cultural Anomaly of Puerto Rico
One-third of the population of Puerto Rico moved to New York City during the mid-twentieth century. Since this massive migration, Puerto Rican literature and culture have grappled with an essential change in self-perception. Mainland Passage examines the history of that transformation, the political struggle over its representation, and the ways it has been imagined in Puerto Rico and in the work of Latina/o fiction writers. Ramon E. Soto-Crespo argues that the most significant consequence of this migration is the creation of a cultural and political borderland state. He intervenes in the Puerto Rico status debate to show that the two most discussed options-Puerto Rico's becoming either a fully federated state of the United States or an independent nation-represent false alternatives, and he forcefully reasons that Puerto Rico should be recognized as an anomalous political entity that does not conform to categories of political belonging. Investigating a fundamental shift in the way Puerto Rican writers, politicians, and scholars have imagined their cultural identity, Mainland Passage demonstrates that Puerto Rico's commonwealth status exemplifies a counterhegemonic logic and introduces a vital new approach to understanding Puerto Rican culture and history. An extraordinarily effective and persuasive synthesis of political theory, historical exposition, and cultural analysis that does real justice to a topic of daunting complexity. Ramon Soto-Crespo's readings strike me as some of the best work being done now in US Latino literary criticism. -Ricardo L. Ortiz, Georgetown University Mainland Passage is a provocative intervention into some of the most intractable problems in Puerto Rican studies. -The Americas
54.35 USD
Hardback
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The distinction in North Atlantic cultures between aesthetics and politics, argues Greg Dawes, is artificially constructed because it does not take into account the socially based origins of these spheres. Although it is true that intellectuals and artists often function as politicians or diplomats in Latin America and that they ...
Aesthetics and Revolution: Nicaraguan Poetry 1979-1990
The distinction in North Atlantic cultures between aesthetics and politics, argues Greg Dawes, is artificially constructed because it does not take into account the socially based origins of these spheres. Although it is true that intellectuals and artists often function as politicians or diplomats in Latin America and that they are relegated to an autonomous realm in North America, the fact remains that aesthetics in both regions is embedded in sociohistorical events.In Aesthetics and Revolution, Dawes demonstrates that there is an objective grounding for cultural studies found in the aesthetic means of production. By analyzing the relations and forces of production in this realm we inevitably cross over into the economic means of production as well as the struggle for political representation. Ultimately, aesthetics is at the intersection of class and gender interests and their struggle for hegemony. In Aesthetics and Revolution, Dawes has chosen a group of writers of different theoretical sympathies, class, gender, and social positions to reveal the conflictual interests of the social classes and genders as a whole. Through close readings of their work, Dawes examines the thematic nodes that are expressed in positions as diverse as Ernesto Cardenal's liberation theology, Pablo Antonio Cuadra's populism, the campesino's oral tradition, and Gioconda Belli's erotic verses in relation to the changes taking place in revolutionary Nicaragua.
31.450000 USD
Hardback
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