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In Orphan Narratives , Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote ...
Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse
In Orphan Narratives , Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote both in relation and in resistance to the violence of plantation slavery. She uses the term orphan narrative to capture the ways in which this violence servered the child, the text, and history from a traceable origin. Black or white, male or female, Antillean or American, these writers share a common inheritance and transnational connection through which their texts maintain familial, temporal, and narrative patterns without having any central authority figure. The author specifically cites Saint-John Perse's Eloges (1911), Faulkner's Light in August (1932), Morrison's Song of Solomon (1977), and Glissant's La Case du commandeur (1981) as postslavery texts. Where the actual family is dismembered, these narrative accounts invent new familian links. Reciprocally, biological family ties endure despite the literal and discursive violence inflicted upon them. Breaking new ground in trans-American studies by juxtaposing texts from the francophone Lesser Antilles and the U.S. South, Orphan Narratives will be a valuable addition to Caribbean, American, and postcolonial studies, not to mention its appeal to scholars and students of Faulkner, Glissant, Morrison, and Saint-John Perse.
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22.580000 USD

Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse

by Valerie Loichot
Paperback / softback
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Dude Lit: Mexican Men Writing and Performing Competence, 1955-2012
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68.250000 USD

Dude Lit: Mexican Men Writing and Performing Competence, 1955-2012

by Emily Hind
Hardback
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Revealing Rebellion in Abiayala: The Insurgent Poetics of Contemporary Indigenous Literature
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57.750000 USD

Revealing Rebellion in Abiayala: The Insurgent Poetics of Contemporary Indigenous Literature

by Hannah Burdette
Hardback
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Studies in Spanish-American Literature
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29.350000 USD

Studies in Spanish-American Literature

by Isaac Goldberg, Ed.
Hardback
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Studies in Spanish-American Literature
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29.350000 USD

Studies in Spanish-American Literature

by Isaac Goldberg, Ed.
Hardback
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Water Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valerie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf ...
Water Graves: The Art of the Unritual in the Greater Caribbean
Water Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valerie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf of Mexico, waters that constitute both early and contemporary sites of loss for the enslaved, the migrant, the refugee, and the destitute. Unritual, or the privation of ritual, Loichot argues, is a state more absolute than desecration. Desecration implies a previous sacred observance--a temple, a grave, a ceremony. Unritual, by contrast, denies the sacred from the beginning. In coastal Louisiana, Mississippi, Georgia, Miami, Haiti, Martinique, Cancun, and Trinidad and Tobago, the artists and writers featured in Water Graves-an eclectic cast that includes Beyonce, Radcliffe Bailey, Edwidge Danticat, Edouard Glissant, M. NourbeSe Philip, Jason deCaires Taylor, Edouard Duval-Carrie, Natasha Trethewey, and Kara Walker, among others-are an archipelago connected by a history of the slave trade and environmental vulnerability. In addition to figuring death by drowning in the unritual-whether in the context of the aftermath of slavery or of ecological and human-made catastrophes-their aesthetic creations serve as memorials, dirges, tombstones, and even material supports for the regrowth of life underwater.
67.720000 USD

Water Graves: The Art of the Unritual in the Greater Caribbean

by Valerie Loichot
Hardback
Book cover image
Water Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valerie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf ...
Water Graves: The Art of the Unritual in the Greater Caribbean
Water Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valerie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf of Mexico, waters that constitute both early and contemporary sites of loss for the enslaved, the migrant, the refugee, and the destitute. Unritual, or the privation of ritual, Loichot argues, is a state more absolute than desecration. Desecration implies a previous sacred observance--a temple, a grave, a ceremony. Unritual, by contrast, denies the sacred from the beginning. In coastal Louisiana, Mississippi, Georgia, Miami, Haiti, Martinique, Cancun, and Trinidad and Tobago, the artists and writers featured in Water Graves-an eclectic cast that includes Beyonce, Radcliffe Bailey, Edwidge Danticat, Edouard Glissant, M. NourbeSe Philip, Jason deCaires Taylor, Edouard Duval-Carrie, Natasha Trethewey, and Kara Walker, among others-are an archipelago connected by a history of the slave trade and environmental vulnerability. In addition to figuring death by drowning in the unritual-whether in the context of the aftermath of slavery or of ecological and human-made catastrophes-their aesthetic creations serve as memorials, dirges, tombstones, and even material supports for the regrowth of life underwater.
34.120000 USD

Water Graves: The Art of the Unritual in the Greater Caribbean

by Valerie Loichot
Paperback / softback
Book cover image
In Orphan Narratives , Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote ...
Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse
In Orphan Narratives , Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote both in relation and in resistance to the violence of plantation slavery. She uses the term orphan narrative to capture the ways in which this violence servered the child, the text, and history from a traceable origin. Black or white, male or female, Antillean or American, these writers share a common inheritance and transnational connection through which their texts maintain familial, temporal, and narrative patterns without having any central authority figure. The author specifically cites Saint-John Perse's Eloges (1911), Faulkner's Light in August (1932), Morrison's Song of Solomon (1977), and Glissant's La Case du commandeur (1981) as postslavery texts. Where the actual family is dismembered, these narrative accounts invent new familian links. Reciprocally, biological family ties endure despite the literal and discursive violence inflicted upon them. Breaking new ground in trans-American studies by juxtaposing texts from the francophone Lesser Antilles and the U.S. South, Orphan Narratives will be a valuable addition to Caribbean, American, and postcolonial studies, not to mention its appeal to scholars and students of Faulkner, Glissant, Morrison, and Saint-John Perse.
51.980000 USD

Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse

by Valerie Loichot
Hardback
Book cover image
The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or ...
The Tropics Bite Back: Culinary Coups in Caribbean Literature
The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or rather the colonial mouth) from the late nineteenth century to the twenty-first. Unlike previous scholars, Valerie Loichot does not read food simply as a cultural trope. Instead, she is interested in literary cannibalism, which she interprets in parallel with theories of relation and creolization. For Loichot, the culinary is an abstract mode of resistance and cultural production. The Francophone and Anglophone authors whose works she interrogates-including Patrick Chamoiseau, Suzanne Cesaire, Aime Cesaire, Maryse Conde, Edwidge Danticat, Edouard Glissant, Lafcadio Hearn, and Dany Laferriere- bite back at the controlling images of the cannibal, the starved and starving, the cunning cook, and the sexualized octoroon with the ultimate goal of constructing humanity through structural, literal, or allegorical acts of ingesting, cooking, and eating. The Tropics Bite Back employs cross-disciplinary methods to rethink notions of race and literary influence by providing a fresh perspective on forms of consumption both metaphorical and material.
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19.90 USD
Paperback / softback
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Magnarelli's latest contribution to the critical dialogue on Spanish-American literature offers fresh, new readings of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied. She employs a variety of contemporary critical approaches - feminism, post-colonial theory, gender theory, postmodern ...
Home is Where the (He)art is: The Family Romance in Late Twentieth-century Mexican and Argentine Theater
Magnarelli's latest contribution to the critical dialogue on Spanish-American literature offers fresh, new readings of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied. She employs a variety of contemporary critical approaches - feminism, post-colonial theory, gender theory, postmodern theory, and cultural theory, among others - to examine in detail ten plays written or performed between 1956 and 1999. In her analysis of works by Griselda Gambaro, Eduardo Rovner, Sabina Berman, Diana Raznovich, Roberto Cossa, Hugo Arguelles, Marcela del Rio, and Luisa Josefina Hernandez, the North American critic proffers a welcome balance between close readings of the plays in question and a provocative discussion of sociopolitical issues as well as the mechanisms of theatre itself.
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51.88 USD
Hardback
Book cover image
The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or ...
The Tropics Bite Back: Culinary Coups in Caribbean Literature
The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or rather the colonial mouth) from the late nineteenth century to the twenty-first. Unlike previous scholars, Valerie Loichot does not read food simply as a cultural trope. Instead, she is interested in literary cannibalism, which she interprets in parallel with theories of relation and creolization. For Loichot, the culinary is an abstract mode of resistance and cultural production. The Francophone and Anglophone authors whose works she interrogates-including Patrick Chamoiseau, Suzanne Cesaire, Aime Cesaire, Maryse Conde, Edwidge Danticat, Edouard Glissant, Lafcadio Hearn, and Dany Laferriere- bite back at the controlling images of the cannibal, the starved and starving, the cunning cook, and the sexualized octoroon with the ultimate goal of constructing humanity through structural, literal, or allegorical acts of ingesting, cooking, and eating. The Tropics Bite Back employs cross-disciplinary methods to rethink notions of race and literary influence by providing a fresh perspective on forms of consumption both metaphorical and material.
https://magrudy-assets.storage.googleapis.com/9780816679836.jpg
60.29 USD
Hardback
Book cover image
Through economic liberalization and the untethering of labor and production markets, masculinity as hegemon has entered a crisis stage. Renegotiated labor and familial orders have triggered a widespread cultural renegotiation of how masculinity operates and is represented. This holds especially true in Latin America. Addressing this, Vinodh Venkatesh uses contemporary ...
The Body as Capital: Masculinities in Contemporary Latin American Fiction
Through economic liberalization and the untethering of labor and production markets, masculinity as hegemon has entered a crisis stage. Renegotiated labor and familial orders have triggered a widespread cultural renegotiation of how masculinity operates and is represented. This holds especially true in Latin America. Addressing this, Vinodh Venkatesh uses contemporary Latin American literature to examine how masculinity is constructed and conceived. The Body as Capital centers socioeconomic and political concerns, anxieties, and paradigms on the male anatomy and on the matrices of masculinities presented in fiction. Developing concepts such as the "market of masculinities" and the "transnational theater of masculinities," the author explains how contemporary fiction centers the male body and masculine expressions as key components in the relationship between culture, space, and global tensile forces. Venkatesh includes novels by canonical and newer writers from Mexico, Central America, the Caribbean, Peru, and Chile. He focuses on texts produced after 1990, coinciding with what has popularly been termed the neoliberal experiment. In addition to probing well-known novels such as La fiesta del Chivo and La mujer habitada and their accompanying body of criticism, The Body as Capital defines and examines several masculine tropes that will be of interest to scholars of contemporary Latin American literature and gender studies. Ultimately, Venkatesh argues for a more holistic approximation of discursive gender that will feed into other angles of criticism, forging a new path in the critical debates over gender and sexuality in Latin American writing.
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26.200000 USD
Paperback / softback
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