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In Orphan Narratives , Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote ...
Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse
In Orphan Narratives , Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote both in relation and in resistance to the violence of plantation slavery. She uses the term orphan narrative to capture the ways in which this violence servered the child, the text, and history from a traceable origin. Black or white, male or female, Antillean or American, these writers share a common inheritance and transnational connection through which their texts maintain familial, temporal, and narrative patterns without having any central authority figure. The author specifically cites Saint-John Perse's Eloges (1911), Faulkner's Light in August (1932), Morrison's Song of Solomon (1977), and Glissant's La Case du commandeur (1981) as postslavery texts. Where the actual family is dismembered, these narrative accounts invent new familian links. Reciprocally, biological family ties endure despite the literal and discursive violence inflicted upon them. Breaking new ground in trans-American studies by juxtaposing texts from the francophone Lesser Antilles and the U.S. South, Orphan Narratives will be a valuable addition to Caribbean, American, and postcolonial studies, not to mention its appeal to scholars and students of Faulkner, Glissant, Morrison, and Saint-John Perse.
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22.580000 USD

Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse

by Valerie Loichot
Paperback / softback
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Has poetry lost its relevance in the postmodern age, unable to keep pace with other forms of cultural production such as film, mass media, and the Internet? Quite the contrary, argues Jill Kuhnheim in this pathfinding book, which explores how recent Spanish American poetry participates in the fundamental cultural debates ...
Spanish American Poetry at the End of the Twentieth Century: Textual Disruptions
Has poetry lost its relevance in the postmodern age, unable to keep pace with other forms of cultural production such as film, mass media, and the Internet? Quite the contrary, argues Jill Kuhnheim in this pathfinding book, which explores how recent Spanish American poetry participates in the fundamental cultural debates of its time. Using a variety of interdisciplinary approaches, Kuhnheim engages in close readings of numerous poetic works to show how contemporary Spanish American poetry struggles with the divisions between politics and aesthetics and between visual and written images; grapples with issues of ethnic, national, sexual, and urban identities; and incorporates rather than rejects technological innovations and elements from the mass media. Her analysis illuminates the ways in which contemporary issues such as indigenismo and Latin America's postcolonial legacy, modernization, immigration, globalization, economic shifts toward neoliberalism and informal economies, urbanization, and the technological revolution have been expressed in-and even changed the very form of-Spanish American poetry since the 1970s.
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26.250000 USD

Spanish American Poetry at the End of the Twentieth Century: Textual Disruptions

by Jill S. Kuhnheim
Paperback / softback
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Mexico's leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Ines de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of ...
Sor Juana: Or, the Traps of Faith
Mexico's leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Ines de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age. Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine's protegee. For five years she enjoys the pleasures of life at court--then abruptly, at twenty, enters a convent for life. Yet, no recluse, she transforms the convent locutory into a literary and intellectual salon; she amasses an impressive library and collects scientific instruments, reads insatiably, composes poems, and corresponds with literati in Spain. To the consternation of the prelates of the Church, she persists in circulating her poems, redolent more of the court than the cloister. Her plays are performed, volumes of her poetry are published abroad, and her genius begins to be recognized throughout the Hispanic world. Suddenly she surrenders her books, forswears all literary pursuits, and signs in blood a renunciation of secular learning. The rest is silence. She dies two years later, at forty-six. Octavio Paz has long been intrigued by the enigmas of Sor Juana's personality and career. Why did she become a nun? How could she renounce her lifelong passion for writing and learning? Such questions can be answered only in the context of the world in which she lived. Paz gives a masterly portrayal of the life and culture of New Spain and the political and ideological forces at work in that autocratic, theocratic, male-dominated society, in which the subjugation of women was absolute. Just as Paz illuminates Sor Juana's life by placing it in its historical setting, so he situates her work in relation to the traditions that nurtured it. With critical authority he singles out the qualities that distinguish her work and mark her uniqueness as a poet. To Paz her writings, like her life, epitomize the struggle of the individual, and in particular the individual woman, for creative fulfillment and self-expression.
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38.320000 USD

Sor Juana: Or, the Traps of Faith

by Octavio Paz
Paperback / softback
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In The Bow and the Lyre Octavio Paz, one of the most important poets writing in Spanish, presents his sustained reflections on the poetic phenomenon and on the place of poetry in history and in our personal lives. It is written in the same prose style that distinguishes The Labyrinth ...
The Bow and the Lyre: The Poem, The Poetic Revelation, Poetry and History
In The Bow and the Lyre Octavio Paz, one of the most important poets writing in Spanish, presents his sustained reflections on the poetic phenomenon and on the place of poetry in history and in our personal lives. It is written in the same prose style that distinguishes The Labyrinth of Solitude. The Bow and the Lyre will serve as an important complement to Paz's poetry. Paz's discussions of the different aspects of the poetic phenomenon are not limited to Spanish and Spanish American literature. He is almost as apt to choose an example from Homer, Vergil, Blake, Whitman, Rimbaud as he is from Lope de Vega, Jimenez, Dario, Neruda. In writing these essays, he draws on his vast storehouse of knowledge, revealing a world outlook of ample proportions. In reading these essays, we share the observations of a searching, original, highly cultivated mind.
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30.400000 USD

The Bow and the Lyre: The Poem, The Poetic Revelation, Poetry and History

by Octavio Paz
Paperback / softback
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Nobel Prize-winner Octavio Paz offers a dazzling mind journey to the sources of poetry. Poet, diplomat, writer, philosopher, hailed as an intellectual literary one-man band by the New York Times Book Review, Nobel Prize-winner Octavio Paz was a key figure in the Latin American Literary Renaissance and in world literature. ...
The Monkey Grammarian
Nobel Prize-winner Octavio Paz offers a dazzling mind journey to the sources of poetry. Poet, diplomat, writer, philosopher, hailed as an intellectual literary one-man band by the New York Times Book Review, Nobel Prize-winner Octavio Paz was a key figure in the Latin American Literary Renaissance and in world literature. In this entrancing work, part prose-poem and part rumination on the origins of language and the antic, erotic, sacred nature of poetry, Paz takes inspiration from Hanuman, the red-faced monkey chief and ninth grammarian of Hindu mythology. On a journey to the temple city of Galta in India-which Paz finds partially ruined in a leaf-filled countryside surrounded by forbidding hills-Hanuman's mythical encounters serve as the springboard for the poet's speculations on all manners of things, from movement and fixity to meaning and identity, the reality behind language, and the nature of nature. Images of the holy city, complete with the marauding monkeys for which it is known, constantly obtrude on his musings. Perhaps the most poetic of Paz's prose works, The Monkey Grammarian is visual: every page is rich in images, of palaces and temples, pilgrims and sadhus, and the monkey god himself. Paz's probing, crystalline prose makes this an unforgettable voyage of the mind.
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15.740000 USD

The Monkey Grammarian

by Octavio Paz
Paperback / softback
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Here is a new voice-new to us-reaching across a gap of three hundred years. Sor (Sister) Juana Ines de la Cruz was acclaimed in her time as Phoenix of Mexico, America's Tenth Muse ; a generation later she was forgotten. In our century she was rediscovered, her works were reissued, ...
A Sor Juana Anthology
Here is a new voice-new to us-reaching across a gap of three hundred years. Sor (Sister) Juana Ines de la Cruz was acclaimed in her time as Phoenix of Mexico, America's Tenth Muse ; a generation later she was forgotten. In our century she was rediscovered, her works were reissued, and she is now considered one of the finest Hispanic poets of the seventeenth century. She deserves to be known to English-speaking readers for another reason as well: she speaks directly to our concern for the freedom of women to realize themselves artistically and intellectually. Her poetry is surprising in its scope and variety. She handled with ease the intricate verse forms of her day and wrote in a wide range of genres. Many of her lyrics reflect the worldliness and wit of the courtly society she moved in before becoming a nun; some, composed to be sung, offer charming glimpses of the native people, their festivities and colorful diversity. Alan Trueblood has chosen, in consultation with Octavio Paz, a generous selection of Sor Juana's writings and has provided an introductory overview of her life and work. The short poems, and excerpts from her play The Divine Narcissus, are accompanied by the Spanish texts on facing pages. Her long philosophical poem, First Dream, is translated in its entirety, as is her famous autobiographical letter to the Bishop of Puebla, which is both a self-defense and a vindication of the right of women to cultivate their minds. The Anthology was conceived as a companion to the English-language edition of Octavio Paz's magisterial study of Sor Juana. On its own, it will be welcomed as the first representative selection in English of her verse and prose.
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33.600000 USD

A Sor Juana Anthology

by Sister Juana Ines de la Cruz
Paperback / softback
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Studies in Spanish-American Literature
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29.350000 USD

Studies in Spanish-American Literature

by Isaac Goldberg, Ed.
Hardback
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Itinerary: An Intellectual Journey
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13.600000 USD

Itinerary: An Intellectual Journey

by Octavio Paz
Paperback / softback
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Studies in Spanish-American Literature
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29.350000 USD

Studies in Spanish-American Literature

by Isaac Goldberg, Ed.
Hardback
Book cover image
Studies in Spanish-American Literature
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29.350000 USD

Studies in Spanish-American Literature

by Isaac Goldberg, Ed.
Hardback
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Water Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valerie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf ...
Water Graves: The Art of the Unritual in the Greater Caribbean
Water Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valerie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf of Mexico, waters that constitute both early and contemporary sites of loss for the enslaved, the migrant, the refugee, and the destitute. Unritual, or the privation of ritual, Loichot argues, is a state more absolute than desecration. Desecration implies a previous sacred observance--a temple, a grave, a ceremony. Unritual, by contrast, denies the sacred from the beginning. In coastal Louisiana, Mississippi, Georgia, Miami, Haiti, Martinique, Cancun, and Trinidad and Tobago, the artists and writers featured in Water Graves-an eclectic cast that includes Beyonce, Radcliffe Bailey, Edwidge Danticat, Edouard Glissant, M. NourbeSe Philip, Jason deCaires Taylor, Edouard Duval-Carrie, Natasha Trethewey, and Kara Walker, among others-are an archipelago connected by a history of the slave trade and environmental vulnerability. In addition to figuring death by drowning in the unritual-whether in the context of the aftermath of slavery or of ecological and human-made catastrophes-their aesthetic creations serve as memorials, dirges, tombstones, and even material supports for the regrowth of life underwater.
67.720000 USD

Water Graves: The Art of the Unritual in the Greater Caribbean

by Valerie Loichot
Hardback
Book cover image
Water Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valerie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf ...
Water Graves: The Art of the Unritual in the Greater Caribbean
Water Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valerie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf of Mexico, waters that constitute both early and contemporary sites of loss for the enslaved, the migrant, the refugee, and the destitute. Unritual, or the privation of ritual, Loichot argues, is a state more absolute than desecration. Desecration implies a previous sacred observance--a temple, a grave, a ceremony. Unritual, by contrast, denies the sacred from the beginning. In coastal Louisiana, Mississippi, Georgia, Miami, Haiti, Martinique, Cancun, and Trinidad and Tobago, the artists and writers featured in Water Graves-an eclectic cast that includes Beyonce, Radcliffe Bailey, Edwidge Danticat, Edouard Glissant, M. NourbeSe Philip, Jason deCaires Taylor, Edouard Duval-Carrie, Natasha Trethewey, and Kara Walker, among others-are an archipelago connected by a history of the slave trade and environmental vulnerability. In addition to figuring death by drowning in the unritual-whether in the context of the aftermath of slavery or of ecological and human-made catastrophes-their aesthetic creations serve as memorials, dirges, tombstones, and even material supports for the regrowth of life underwater.
34.120000 USD

Water Graves: The Art of the Unritual in the Greater Caribbean

by Valerie Loichot
Paperback / softback
Book cover image
In Orphan Narratives , Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote ...
Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse
In Orphan Narratives , Valerie Loichot investigates the fiction and poetry of four writers who emerged from the postslavery plantation world of the Americas - William Faulkner (USA), Edouard Glissant (Martinique), Toni Morrison (USA), and Saint-John Perse (Guadeloupe) - to show how these descendants from slaves and from slaveholders wrote both in relation and in resistance to the violence of plantation slavery. She uses the term orphan narrative to capture the ways in which this violence servered the child, the text, and history from a traceable origin. Black or white, male or female, Antillean or American, these writers share a common inheritance and transnational connection through which their texts maintain familial, temporal, and narrative patterns without having any central authority figure. The author specifically cites Saint-John Perse's Eloges (1911), Faulkner's Light in August (1932), Morrison's Song of Solomon (1977), and Glissant's La Case du commandeur (1981) as postslavery texts. Where the actual family is dismembered, these narrative accounts invent new familian links. Reciprocally, biological family ties endure despite the literal and discursive violence inflicted upon them. Breaking new ground in trans-American studies by juxtaposing texts from the francophone Lesser Antilles and the U.S. South, Orphan Narratives will be a valuable addition to Caribbean, American, and postcolonial studies, not to mention its appeal to scholars and students of Faulkner, Glissant, Morrison, and Saint-John Perse.
51.980000 USD

Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse

by Valerie Loichot
Hardback
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One of the great thinkers of the twentieth century has some of his finest art, culture and literary criticism collected here for the first time. A Nobel laureate, Octavio Paz's lucid poetry has been translated by such luminaries as Mark Strand, Elizabeth Bishop, and Samuel Beckett, while his work as ...
Five Works by Octavio Paz: Conjunctions and Disjunctions / Marcel Duchamp: Appearance Stripped Bare / The Monkey Grammarian / On Poets and Others / Alternating Current
One of the great thinkers of the twentieth century has some of his finest art, culture and literary criticism collected here for the first time. A Nobel laureate, Octavio Paz's lucid poetry has been translated by such luminaries as Mark Strand, Elizabeth Bishop, and Samuel Beckett, while his work as a diplomat earned him the German Peace Prize late in life. His extraordinary essays, however, have rarely been gathered in one place. In Conjunctions and Disjunctions (2005), he explores the duality of human nature in all its variations in cultures around the world. In Marcel Duchamp (2005), he conveys his awareness of Duchamp as a great cautionary figure in our culture, warning us with jest and quiet scandals of the menacing encroachment of criticism, science and even art (New York Times Book Review). In Alternating Current (2005), Paz, with poetic prose and intellectual vigor, displays his determination to bring the world to Mexico and perhaps even Mexico to the world (New York Times Book Review). On Poets and Others (2005) is a true artist's brilliant criticism on sixteen fellow poets. The Monkey Grammarian (1990) is a dazzling exploration of time and reality, ?xity and decay, and the origin of language. This beautifully bound collector's edition is an essential collection for both the classroom and the personal library.
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42.000000 USD

Five Works by Octavio Paz: Conjunctions and Disjunctions / Marcel Duchamp: Appearance Stripped Bare / The Monkey Grammarian / On Poets and Others / Alternating Current

by Octavio Paz
Hardback
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Magnarelli's latest contribution to the critical dialogue on Spanish-American literature offers fresh, new readings of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied. She employs a variety of contemporary critical approaches - feminism, post-colonial theory, gender theory, postmodern ...
Home is Where the (He)art is: The Family Romance in Late Twentieth-century Mexican and Argentine Theater
Magnarelli's latest contribution to the critical dialogue on Spanish-American literature offers fresh, new readings of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied. She employs a variety of contemporary critical approaches - feminism, post-colonial theory, gender theory, postmodern theory, and cultural theory, among others - to examine in detail ten plays written or performed between 1956 and 1999. In her analysis of works by Griselda Gambaro, Eduardo Rovner, Sabina Berman, Diana Raznovich, Roberto Cossa, Hugo Arguelles, Marcela del Rio, and Luisa Josefina Hernandez, the North American critic proffers a welcome balance between close readings of the plays in question and a provocative discussion of sociopolitical issues as well as the mechanisms of theatre itself.
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51.88 USD
Hardback
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When a master novelist, essayist, and critic searches for the wellsprings of his own work, where does he turn? Mario Vargas Llosa - Peruvian writer, presidential contender, and public intellectual - answers this most personal question with elegant concision in this collection of essays. In Four Centuries of Don Quixote, ...
Wellsprings
When a master novelist, essayist, and critic searches for the wellsprings of his own work, where does he turn? Mario Vargas Llosa - Peruvian writer, presidential contender, and public intellectual - answers this most personal question with elegant concision in this collection of essays. In Four Centuries of Don Quixote, he revisits the quintessential Spanish novel -a fiction about fiction whose ebullient prose still questions the certainties of our stumbling ideals. In recounting his illicit, delicious discovery of Borges' fiction - the most important thing to happen to imaginative writing in the Spanish language in modern times - Vargas Llosa stands in for a generation of Latin American novelists who were liberated from their sense of isolation and inferiority by this Argentinean master of the European tradition.In a nuanced appreciation of Ortega y Gasset, Vargas Llosa recovers the democratic liberalism of a misunderstood radical -a mid-century political philosopher on a par with Sartre and Russell, ignored because he was only a Spaniard. And in essays on the influence of Karl Popper and Isaiah Berlin, the author finds an antidote to the poisonous well of fanaticism in its many modern forms, from socialist utopianism and nationalism to religious fundamentalism. From these essays a picture emerges of a writer for whom the enchantment of literature awakens a critical gaze on the turbulent world in which we live.
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13.25 USD

Wellsprings

by Mario Vargas Llosa
Hardback
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The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or ...
The Tropics Bite Back: Culinary Coups in Caribbean Literature
The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or rather the colonial mouth) from the late nineteenth century to the twenty-first. Unlike previous scholars, Valerie Loichot does not read food simply as a cultural trope. Instead, she is interested in literary cannibalism, which she interprets in parallel with theories of relation and creolization. For Loichot, the culinary is an abstract mode of resistance and cultural production. The Francophone and Anglophone authors whose works she interrogates-including Patrick Chamoiseau, Suzanne Cesaire, Aime Cesaire, Maryse Conde, Edwidge Danticat, Edouard Glissant, Lafcadio Hearn, and Dany Laferriere- bite back at the controlling images of the cannibal, the starved and starving, the cunning cook, and the sexualized octoroon with the ultimate goal of constructing humanity through structural, literal, or allegorical acts of ingesting, cooking, and eating. The Tropics Bite Back employs cross-disciplinary methods to rethink notions of race and literary influence by providing a fresh perspective on forms of consumption both metaphorical and material.
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19.90 USD
Paperback / softback
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Central at the Margin examines the work of five Brazilian women writers: Julia Lopes de Almeida, and women's power within and outside the family; Rachel de Queiroz and the relation between backcountry matriarchs and city wives and workers; Lygia Fagundes Telles and the crumbling world of the coffee aristocrat; Clarice ...
Central at the Margin: Five Brazilian Women Writers
Central at the Margin examines the work of five Brazilian women writers: Julia Lopes de Almeida, and women's power within and outside the family; Rachel de Queiroz and the relation between backcountry matriarchs and city wives and workers; Lygia Fagundes Telles and the crumbling world of the coffee aristocrat; Clarice Lispector and what constitutes a Brazilian, a woman, a writer; Carolina Maria de Jesus and the definition of marginality at the margin.They lived and worked between the late nineteenth century and the 1970s. Their names are widely recognized in Brazil: they are central to the literary scene there; collectively they have received every literary honor and prize available. The book examines the meaning of such centrality for women whose work is nevertheless not included in the history of the development of Brazilian literature - their centrality is problematic in their place of origin - and by implication, it questions concepts of centrality and marginality within Brazilian literature and in the relation between Brazilian and world literatures. Renata R. M. Wasserman is a Professor of English and Comparative Literatures at Wayne State University.
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48.95 USD
Hardback
Book cover image
This book analyzes the narrative and rhetorical structures of Latin American colonial texts by establishing a dialogue with contemporary studies on minority discourse, minor literatures, and colonial and postcolonial theory. The first chapter reviews the current disciplinary debate between colonial Latin American studies and early modern, transatlantic, and postcolonial studies, ...
From Lack to Excess: Minor Reading of Latin American Colonial Discourse
This book analyzes the narrative and rhetorical structures of Latin American colonial texts by establishing a dialogue with contemporary studies on minority discourse, minor literatures, and colonial and postcolonial theory. The first chapter reviews the current disciplinary debate between colonial Latin American studies and early modern, transatlantic, and postcolonial studies, paying attention to the epistemic and institutional junctures that explain the current reconfiguration of these fields of scholarship. As an alternative to an exhausted debate, this study uses Gilles Deleuze and Felix Guattari's notion of a 'minor literature' along with current studies on minority discourse to propose new close readings of canonical texts by Hernan Cortes, Alvar Nunez Cabeza de Vaca, the Inca Garcilaso de la Vega, Carlos de Siguenza y Gongora and Sor Juana Ines de la Cruz. Yolanda Martinez-San Miguel is Associate Professor of Romance Languages at the University of Pennsylvania.
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48.44 USD
Hardback
Book cover image
The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or ...
The Tropics Bite Back: Culinary Coups in Caribbean Literature
The ubiquitous presence of food and hunger in Caribbean writing-from folktales, fiction, and poetry to political and historical treatises-signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or rather the colonial mouth) from the late nineteenth century to the twenty-first. Unlike previous scholars, Valerie Loichot does not read food simply as a cultural trope. Instead, she is interested in literary cannibalism, which she interprets in parallel with theories of relation and creolization. For Loichot, the culinary is an abstract mode of resistance and cultural production. The Francophone and Anglophone authors whose works she interrogates-including Patrick Chamoiseau, Suzanne Cesaire, Aime Cesaire, Maryse Conde, Edwidge Danticat, Edouard Glissant, Lafcadio Hearn, and Dany Laferriere- bite back at the controlling images of the cannibal, the starved and starving, the cunning cook, and the sexualized octoroon with the ultimate goal of constructing humanity through structural, literal, or allegorical acts of ingesting, cooking, and eating. The Tropics Bite Back employs cross-disciplinary methods to rethink notions of race and literary influence by providing a fresh perspective on forms of consumption both metaphorical and material.
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60.29 USD
Hardback
Book cover image
Epic, Empire, and Community in the Atlantic World studies the epic poem Espejo de paciencia by Silvestre de Balboa, written in 1608 in order to commemorate the abduction of bishop Fray Juan de las Cabezas Altamirano, which took place near the town of Bayamo in the eastern part of Cuba ...
Epic, Empire, and Community in the Atlantic World: Silvestre De Balboa's Espejo De Paciencia
Epic, Empire, and Community in the Atlantic World studies the epic poem Espejo de paciencia by Silvestre de Balboa, written in 1608 in order to commemorate the abduction of bishop Fray Juan de las Cabezas Altamirano, which took place near the town of Bayamo in the eastern part of Cuba on April 29, 1604. Marrer-Fente argues that the disappearance of the Espejo de paciencia manuscript during the seventeenth and eighteenth centuries did not prevent the poetic world described in the text from founding a trope of enduring possibilities in Cuban literature. Epic, Empire, and Community in the Atlantic World makes a salient contribution to Cuban colonial studies by offering a comparison between Balboa's poem and the works of other contemporary authors from the Canary Islands, Spain, Spanish America, emphasizing the relevance of transatlantic relations in the poetic production of the period.
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38.21 USD
Hardback
Book cover image
This book offers a richly detailed panorama of contemporary Spanish Caribbean literature and culture, as well as a compelling theoretical exploration of how authors of the Spanish Caribbean (Cuba, Santo Domingo, and Puerto Rico) have incorporated the cultural legacy of Africa into their narrative fictions. The book offers an in-depth ...
Voices Out of Africa in Twentieth-century Spanish Caribbean Literature
This book offers a richly detailed panorama of contemporary Spanish Caribbean literature and culture, as well as a compelling theoretical exploration of how authors of the Spanish Caribbean (Cuba, Santo Domingo, and Puerto Rico) have incorporated the cultural legacy of Africa into their narrative fictions. The book offers an in-depth analysis of cultural and religious expressions associated with Africa in the Caribbean and of the complex codification associated with the representation of those expressions. Voices Out of Africa explores how literary representations of Africa in the Spanish Caribbean construct a self-referential discourse about Africa in a Caribbean landscape, and examines how Afro-Caribbean practices, rituals, local memories, and belief systems inform such discourse. It is a textual journey through the multiple layers of the region's cultural expressions. It is also a work of scholarship and theory accessible to scholars and to interested laypersons in Afro-Caribbean lore and culture. Julia Cuervo Hewitt is Associate Professor of Spanish and Portuguese at Pennsylvania State University.
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67.22 USD
Hardback
Book cover image
Verses Against the Darkness: offers a new assessment of Pablo Neruda's poetry by looking at the intersection of his aesthetic method and political radicalism from 1925 to 1954. It challenges the canonical view that Neruda was a gifted verse maker who, in 1936, let himself be carried away by the ...
Verses Against the Darkness: Pablo Neruda's Poetry and Politics
Verses Against the Darkness: offers a new assessment of Pablo Neruda's poetry by looking at the intersection of his aesthetic method and political radicalism from 1925 to 1954. It challenges the canonical view that Neruda was a gifted verse maker who, in 1936, let himself be carried away by the excesses of communist politics. Instead, by focusing primarily on Tercera residencia (1935-1945), Greg Dawes argues for an uneven yet steady evolution and continuity in Neruda's work, politics, and morality. Dawes relies on historical accounts, biographies, literary history, and criticism - and on Neruda's political and aesthetic theory - to prove that his poetry became, contrary to received critical opinion, more sophisticated literarily and politically as he became more radicalized during the Spanish Civil War and World War II and as he developed his dialectical realism or guided spontaneity. Greg Dawes is Associate Professor of Latin American and World Literatures at North Carolina State University and is the editor of the on-line journal A contracorriente.
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Littoral of the Letter is the first full-fledged study in English of the work of the late Argentine author Juan Jose Saer (1937-2005), who was highly regarded as Argentina's best living novelist, a continuator of Burgess' literary legacy. Characterized by an uncommon coherence and rigor, Juan Jose Saer's writing defies ...
Littoral of the Letter: Saer's Art of Narration
Littoral of the Letter is the first full-fledged study in English of the work of the late Argentine author Juan Jose Saer (1937-2005), who was highly regarded as Argentina's best living novelist, a continuator of Burgess' literary legacy. Characterized by an uncommon coherence and rigor, Juan Jose Saer's writing defies simple categories. In both his fictional and essayistic writing, Saer defamiliarizes the reader by questioning some of his most cherished certainties, especially those having to do with the role ascribed to Latin American literature, the uses of prose and poetry in the present, and the relation between language and the mass media. By questioning the assimilation of prose theory and the novel theory dictated by pragmatic needs of the state and the market, Saer produces a change in the function of narrative language that allows him to start where more traditional forms of realism end: the unsayable. The purpose of the book is to make explicit Saer's procedures, the main coordinates of his poetics and to reflect on the situation of literature in an age dominated by images and the total cultural phenomenon. Gabriel Riera is Assistant Professor of Comparative Literature at Princeton University.
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The End of the World as They Knew It maps the shifting constructions of the space of the South in Argentine discourses of identity, nation, and self-fashioning. In works by Domingo F. Sarmiento, Lucio V. Mansilla, Francisco P. Moreno, Jorge Luis Borges, Ricardo Piglia, and Cesar Aira, Eva-Lynn Alicia Jagoe ...
The End of the World as They Knew it: Writing Experiences of the Argentine South
The End of the World as They Knew It maps the shifting constructions of the space of the South in Argentine discourses of identity, nation, and self-fashioning. In works by Domingo F. Sarmiento, Lucio V. Mansilla, Francisco P. Moreno, Jorge Luis Borges, Ricardo Piglia, and Cesar Aira, Eva-Lynn Alicia Jagoe examines how representations of the South - as primitive, empty, violent, or a place of potential - inform Argentine liberal ideology. Part of this process entails the reception of travel narratives by Francis Bond Head, Charles Darwin, and W.H. Hudson, which served the purpose of ratifying the gaze of the criollo, and of appropriating the South through civilized discourses.Focusing on crucial moments in Argentine cultural history, such as the 1871 Conquest of the Desert and the military dictatorship of the 1970s, Jagoe compellingly argues that these intensely experiential narrations of the South are inextricably linked to questions of collective memory and the construction of an Argentine history and tradition. Well written and thoroughly researched, The End of the World as They Knew It will appeal to scholars of Argentine literature and culture, as well as those interested in travel writing and nation building.
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