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Dissensual Subjects examines the relationship between memory and human rights in postdictatorial Argentina, Brazil, and Uruguay. Combining cultural studies and critical theory, Andrew C. Rajca explores how the aftereffects of dictatorship are used to formulate dominant notions of human rights in the present. In so doing he critiques the exclusionary ...
Dissensual Subjects: Memory, Human Rights, and Postdictatorship in Argentina, Brazil, and Uruguay
Dissensual Subjects examines the relationship between memory and human rights in postdictatorial Argentina, Brazil, and Uruguay. Combining cultural studies and critical theory, Andrew C. Rajca explores how the aftereffects of dictatorship are used to formulate dominant notions of human rights in the present. In so doing he critiques the exclusionary nature of these processes and highlights who and what count (and do not count) as subjects of human rights as a result. Through an engaging exploration of the concept of never again (nunca mas/nunca mais) and close analysis of photography exhibits, audiovisual installations, and other art forms in spaces of cultural memory, the book explores how aesthetic interventions can suggest alternative ways of framing human rights subjectivity beyond the rhetoric of liberal humanitarianism. The book visits sites of memory, two of which functioned as detention and torture centers during dictatorships, to highlight the tensions between the testimonial tenor of permanent exhibits and the aesthetic interventions of temporary visual culture installations there. Rajca thus introduces perspectives that both undo common understandings of authoritarian violence and its effects as well as reconfigure who or what are made visible as subjects of memory and human rights in postdictatorship countries. Dissensual Subjects offers much to those concerned with several interlocking fields: memory, human rights, political subjectivity, aesthetics, cultural studies, visual culture, Southern Cone studies, postdictatorship studies, and sites of memory.
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36.700000 USD

Dissensual Subjects: Memory, Human Rights, and Postdictatorship in Argentina, Brazil, and Uruguay

by Andrew C. Rajca
Paperback
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Mexican Literature in Theory is the first book in any language to engage post-independence Mexican literature from the perspective of current debates in literary and cultural theory. It brings together scholars whose work is defined both by their innovations in the study of Mexican literature and by the theoretical sophistication ...
Mexican Literature in Theory
Mexican Literature in Theory is the first book in any language to engage post-independence Mexican literature from the perspective of current debates in literary and cultural theory. It brings together scholars whose work is defined both by their innovations in the study of Mexican literature and by the theoretical sophistication of their scholarship. Mexican Literature in Theory provides the reader with two contributions. First, it is one of the most complete accounts of Mexican literature available, covering both canonical texts as well as the most important works in contemporary production. Second, each one of the essays is in itself an important contribution to the elucidation of specific texts. Scholars and students in fields such as Latin American studies, comparative literature and literary theory will find in this book compelling readings of literature from a theoretical perspective, methodological suggestions as to how to use current theory in the study of literature, and important debates and revisions of major theoretical works through the lens of Mexican literary works.
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126.000000 USD

Mexican Literature in Theory

Hardback
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The Common People of Ancient Rome Studies of Roman Life and Literature
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9.440000 USD

The Common People of Ancient Rome Studies of Roman Life and Literature

by Frank Frost Abbott
Paperback
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Starting in 1780, a fugitive slave, known as Three-Fingered Jack or Jack Mansong, terrorized colonial Jamaica for almost two years. An outlaw, thief, and killer, he was also a freedom fighter who sabotaged the colonial machine by preying on traveling planters until his death at the hands of colonial troops. ...
Thieving Three-Fingered Jack: Transatlantic Tales of a Jamaican Outlaw, 1780-2015
Starting in 1780, a fugitive slave, known as Three-Fingered Jack or Jack Mansong, terrorized colonial Jamaica for almost two years. An outlaw, thief, and killer, he was also a freedom fighter who sabotaged the colonial machine by preying on traveling planters until his death at the hands of colonial troops. The legend of Three-Fingered Jack still has currency in Jamaica, but the story has expanded and contracted over the years to serve the various purposes of the teller. Frances R. Botkin has compiled and analyzed the various plays and songs written about Three-Fingered Jack throughout the centuries in order to show how this story traveled from the Caribbean to England and the United States, returning to Jamaica in a sanitized literary and artistic form, and then evolving from there to be reclaimed by the Jamaicans as the tale of a heroic resistance figure to be revered. As the various productions about Jack show, depending on who is telling the story, the character can evoke sympathy for a wronged rebel, or horror at the destruction he caused.
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30.400000 USD

Thieving Three-Fingered Jack: Transatlantic Tales of a Jamaican Outlaw, 1780-2015

by Frances R. Botkin
Paperback
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Starting in 1780, a fugitive slave, known as Three-Fingered Jack or Jack Mansong, terrorized colonial Jamaica for almost two years. An outlaw, thief, and killer, he was also a freedom fighter who sabotaged the colonial machine by preying on traveling planters until his death at the hands of colonial troops. ...
Thieving Three-Fingered Jack: Transatlantic Tales of a Jamaican Outlaw, 1780-2015
Starting in 1780, a fugitive slave, known as Three-Fingered Jack or Jack Mansong, terrorized colonial Jamaica for almost two years. An outlaw, thief, and killer, he was also a freedom fighter who sabotaged the colonial machine by preying on traveling planters until his death at the hands of colonial troops. The legend of Three-Fingered Jack still has currency in Jamaica, but the story has expanded and contracted over the years to serve the various purposes of the teller. Frances R. Botkin has compiled and analyzed the various plays and songs written about Three-Fingered Jack throughout the centuries in order to show how this story traveled from the Caribbean to England and the United States, returning to Jamaica in a sanitized literary and artistic form, and then evolving from there to be reclaimed by the Jamaicans as the tale of a heroic resistance figure to be revered. As the various productions about Jack show, depending on who is telling the story, the character can evoke sympathy for a wronged rebel, or horror at the destruction he caused.
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104.950000 USD

Thieving Three-Fingered Jack: Transatlantic Tales of a Jamaican Outlaw, 1780-2015

by Frances R. Botkin
Hardback
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The Marrano Specter pursues the reciprocal influence between Jacques Derrida and Hispanism. On the one hand, Derrida's work has engendered a robust conversation among philosophers and critics in Spain and Latin America, where his work circulates in excellent translation, and where many of the terms and problems he addresses take ...
The Marrano Specter: Derrida and Hispanism
The Marrano Specter pursues the reciprocal influence between Jacques Derrida and Hispanism. On the one hand, Derrida's work has engendered a robust conversation among philosophers and critics in Spain and Latin America, where his work circulates in excellent translation, and where many of the terms and problems he addresses take on a distinctive meaning: nationalism and cosmopolitanism; spectrality and hauntology; the relation of subjectivity and truth; the university; disciplinarity; institutionality. Perhaps more remarkably, the influence is in a profound sense reciprocal: across his writings, Derrida grapples with the theme of marranismo, the phenomenon of Sephardic crypto-Judaism. Derrida's marranismo is a means of taking apart traditional accounts of identity; a way for Derrida to reflect on the status of the secret; a philosophical nexus where language, nationalism, and truth-telling meet and clash in productive ways; and a way of elaborating a critique of modern biopolitics. It is much more than a simple marker of his work's Hispanic identity, but it is also, and irreducibly, that. The essays collected in The Marrano Specter cut across the grain of traditional Hispanism, but also of the humanistic disciplines broadly conceived. Their vantage point-the theoretical, philosophically inflected critique of disciplinary practices-poses uncomfortable, often unfamiliar questions for both hispanophone studies and the broader theoretical humanities.
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31.500000 USD

The Marrano Specter: Derrida and Hispanism

Paperback
Book cover image
The Marrano Specter pursues the reciprocal influence between Jacques Derrida and Hispanism. On the one hand, Derrida's work has engendered a robust conversation among philosophers and critics in Spain and Latin America, where his work circulates in excellent translation, and where many of the terms and problems he addresses take ...
The Marrano Specter: Derrida and Hispanism
The Marrano Specter pursues the reciprocal influence between Jacques Derrida and Hispanism. On the one hand, Derrida's work has engendered a robust conversation among philosophers and critics in Spain and Latin America, where his work circulates in excellent translation, and where many of the terms and problems he addresses take on a distinctive meaning: nationalism and cosmopolitanism; spectrality and hauntology; the relation of subjectivity and truth; the university; disciplinarity; institutionality. Perhaps more remarkably, the influence is in a profound sense reciprocal: across his writings, Derrida grapples with the theme of marranismo, the phenomenon of Sephardic crypto-Judaism. Derrida's marranismo is a means of taking apart traditional accounts of identity; a way for Derrida to reflect on the status of the secret; a philosophical nexus where language, nationalism, and truth-telling meet and clash in productive ways; and a way of elaborating a critique of modern biopolitics. It is much more than a simple marker of his work's Hispanic identity, but it is also, and irreducibly, that. The essays collected in The Marrano Specter cut across the grain of traditional Hispanism, but also of the humanistic disciplines broadly conceived. Their vantage point-the theoretical, philosophically inflected critique of disciplinary practices-poses uncomfortable, often unfamiliar questions for both hispanophone studies and the broader theoretical humanities.
https://magrudy-assets.storage.googleapis.com/9780823277674.jpg
110.250000 USD

The Marrano Specter: Derrida and Hispanism

Hardback
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Inventario de Recuerdos: Caracas Como Memoria En La Narrativa de Finales del Siglo XX
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16.800000 USD

Inventario de Recuerdos: Caracas Como Memoria En La Narrativa de Finales del Siglo XX

by Maria Elena D'Alessandro Bello
Paperback
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This book is a series of original, critical meditations on short stories and novels from Central America between 1995 and 2016. During the Cold War, literary art in Central America, as in Latin America in general, was strongly over-determined by the politics of the Cold War, which gave rise to ...
Contemporary Central American Fiction: Gender, Subjectivity and Affect
This book is a series of original, critical meditations on short stories and novels from Central America between 1995 and 2016. During the Cold War, literary art in Central America, as in Latin America in general, was strongly over-determined by the politics of the Cold War, which gave rise to popular struggle and three major armed civil wars in the 1970s and 1980s in Nicaragua, El Salvador and Guatemala. The period produced intense literary activity with political ideology central, personified by social denunciation in the testimonial novel and revolutionary poetry. Since then, though themes of violence are still at much of its core, Central American fiction has become more complex. We have witnessed a resurgence of literary writing and criticism with a focus squarely on the artistic side of narrative art: writing aware of its own figurative manoeuvres and inventiveness, its philosophical and affective dimensions, and its carefully crafted syntax. This collection of essays by Jeffrey Browitt attempts to trace some of the contours of this new literature and the contemporary subjectivities of its writers through close readings of Guatemalas Rodrigo Rey Rosa, Eduardo Halfon and Denise Phe-Funchal; Nicaraguas Franz Galich and Sergio Ramirez; Belizes David Ruiz Puga; El Salvadors Jacinta Escudos and Claudia Hernandez; and Costa Ricas Carlos Cortes. Key themes are gender, subjectivity and affect as these intersect with the deconstruction of the family, hegemonic masculinity, motherhood, revolutionary romanticism, and the relationship of humans with animals.
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85.31 USD

Contemporary Central American Fiction: Gender, Subjectivity and Affect

by Jeffrey Browitt
Hardback
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The Chilean artist Violeta Parra (1917 - 1967) is a cultural icon in Latin America. Parra is best known as the progenitor of the Latin American New Song but she also carried out cultural research, wrote poetry, created exhibition spaces and worked in the plastic arts, where she was the ...
Violeta Parra: Life and Work
The Chilean artist Violeta Parra (1917 - 1967) is a cultural icon in Latin America. Parra is best known as the progenitor of the Latin American New Song but she also carried out cultural research, wrote poetry, created exhibition spaces and worked in the plastic arts, where she was the first Latin American artist to hold a solo exhibition in the Louvre gallery in Paris. There are numerous scholarly works about Parra in Spanish and French and a feature film about her life was released in 2012, yet, remarkably the only English language work on Parra is biographical. The proposed interdisciplinary collection will bring together research on the different areas of Parra's cultural production in order to present the full extent of her cultural praxis. It will present seminal work on Parra in English for the first time and bring this together with the most up-to-date research on Parra's oeuvre being carried out by leading academics in Chile, the United Kingdom, the USA and Germany. It will include chapters on her praxis in its widest sense; her work as a researcher; her music and poetry; her visual art and her performance space: La Carpa de la Reina (The Queen's Tent). Among the book's special features are a translation of a work about Parra written by the famous Chilean musician and writer Patricio Manns and an interview between Leonidas Morales and Violeta Parra's brother, the acclaimed Chilean poet Nicanor Parra. Lorna Dillon earned her PhD at King's College London in 2013. She is currently a network facilitator and assistant lecturer at the University of Kent.
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102.38 USD

Violeta Parra: Life and Work

Hardback
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York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider ...
The Great Gatsby
York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.
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12.86 USD

The Great Gatsby

by F. Scott Fitzgerald
Paperback
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Demonstrating the aesthetic, cultural, political and intellectual diversity of children's literature across the globe, The Routledge Companion to International Children's Literature is the first volume of its kind to focus on the undervisited regions of the world. With particular focus on Asia, Africa and Latin America, the collection raises awareness ...
The Routledge Companion to International Children's Literature
Demonstrating the aesthetic, cultural, political and intellectual diversity of children's literature across the globe, The Routledge Companion to International Children's Literature is the first volume of its kind to focus on the undervisited regions of the world. With particular focus on Asia, Africa and Latin America, the collection raises awareness of children's literature and related media as they exist in large regions of the world to which `mainstream' European and North American scholarship pays very little attention. Sections cover: * Concepts and theories * Historical contexts and national identity * Cultural forms and children's texts * Traditional story and adaptation * Picture books across the majority world * Trends in children's and young adult literatures. Exposition of the literary, cultural and historical contexts in which children's literature is produced, together with an exploration of intersections between these literatures and more extensively researched areas, will enhance access and understanding for a large range of international readers. The essays offer an ideal introduction for those newly approaching literature for children in specific areas, looking for new insights and interdisciplinary perspectives, or interested in directions for future scholarship.
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220.500000 USD
Hardback
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Recovering Lost Footprints: Contemporary Maya Narratives: Volume 1
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84.000000 USD

Recovering Lost Footprints: Contemporary Maya Narratives: Volume 1

by Arturo Arias
Hardback
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Salvage Work examines contemporary literary responses to the law's construction of personhood in the Americas. Tracking the extraordinary afterlives of the legal slave personality from the nineteenth century into the twenty-first, Angela Naimou shows the legal slave to be a fractured but generative figure for contemporary legal personhood across categories ...
Salvage Work: U.S. and Caribbean Literatures amid the Debris of Legal Personhood
Salvage Work examines contemporary literary responses to the law's construction of personhood in the Americas. Tracking the extraordinary afterlives of the legal slave personality from the nineteenth century into the twenty-first, Angela Naimou shows the legal slave to be a fractured but generative figure for contemporary legal personhood across categories of race, citizenship, gender, and labor. What emerges is a compelling and original study of how law invents categories of identification and how literature contends with the person as a legal fiction. Through readings of Francisco Goldman's The Ordinary Seaman, Edwidge Danticat's Krik?Krak!, Rosario Ferre's Sweet Diamond Dust (Maldito Amor), Gayl Jones's Song for Anninho and Mosquito, and John Edgar Wideman's Fanon, Naimou shows how literary engagements with legal personhood reconfigure formal narrative conventions in Black Atlantic historiography, the immigrant novel, the anticolonial romance, the trope of the talking book, and the bildungsroman. Revealing links between colonial, civic, slave, labor, immigration, and penal law, Salvage Work reframes debates over civil and human rights by revealing the shared hemispheric histories and effects of legal personhood across seemingly disparate identities-including the human and the corporate person, the political refugee and the economic migrant, and the stateless person and the citizen. In depicting the material remains of the legal slave personality in the de-industrialized neoliberal era, these literary texts develop a salvage aesthetic that invites us to rethink our political and aesthetic imagination of personhood. Questioning liberal frameworks for civil and human rights as well as what Naimou calls death-bound theories of personhood-in which forms of human life are primarily described as wasted, disposable, bare, or dead in law-Salvage Work thus responds to critical discussions of biopolitics and neoliberal globalization by exploring the potential for contemporary literature to reclaim the individual from the legal regimes that have marked her.
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26.250000 USD

Salvage Work: U.S. and Caribbean Literatures amid the Debris of Legal Personhood

by Angela Naimou
Paperback
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Paula Burnett offers a new interpretation of the life's work of acclaimed St. Lucian poet, playwright, and Nobel Prize winner Derek Walcott. Often regarded as the radical voice of the Third World, his drama and poetry together form a coherent project designed to create a legacy for modern Caribbean society. ...
Derek Walcott: Politics and Poetics
Paula Burnett offers a new interpretation of the life's work of acclaimed St. Lucian poet, playwright, and Nobel Prize winner Derek Walcott. Often regarded as the radical voice of the Third World, his drama and poetry together form a coherent project designed to create a legacy for modern Caribbean society. Illuminating his ideology and the technique that informs his writing, Burnett discusses his unique approach to myth, identity, and aesthetics. In addition to his poetry, the book draws extensively on Walcott's essays, plays, broadcasts, private interviews, and public appearances, some previously unpublished or unrecorded. What emerges is the picture of an epic poet with remarkable gifts working to impart the distinctive wisdom of Caribbean culture-a politically aware writer celebrating his people, place, and language. Burnett also reveals an artist with a message to the world: that a positive sense of identity can be built out of negative circumstances like injustice and exploitation, if only creativity is mobilized. The book serves as a critical study for more experienced scholars and as a solid introductory text for students of Walcott's work. Its readable and well-organized style also makes it appealing to anyone with a general interest in poetry.
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57.93 USD

Derek Walcott: Politics and Poetics

by Paula Burnett
Paperback
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In Spain, the two hundred years that elapsed between the beginning of the early modern period and the final years of the Habsburg empire saw a profusion of works written by women. Whether secular or religious, noble or middle class, early modern Spanish women actively composed creative works such as ...
The Routledge Research Companion to Early Modern Spanish Women Writers
In Spain, the two hundred years that elapsed between the beginning of the early modern period and the final years of the Habsburg empire saw a profusion of works written by women. Whether secular or religious, noble or middle class, early modern Spanish women actively composed creative works such as poetry, prose narratives, and plays. The Ashgate Research Companion to Early Modern Spanish Women Writers covers the broad array of different kinds of writings-literary as well as extra-literary-that these women wrote, taking into consideration their subject positions and the cultural and historical contexts that influenced and were influenced by them. Beyond merely recognizing the individual women authors who had influence in literary, religious, and intellectual circles, this Research Companion investigates their participation in these circles through their writings, as well as the ways in which their texts informed Spain's cultural production during the early modern period. In order to contextualize women's writings across the historical and cultural spectrum of early modern Spain, the research companion is divided into six sections of general thematic interest: Women's Worlds; Conventual Spaces; Secular Literature; Women in the Public Sphere; Private Circles; Women Travelers. Each section is subdivided into chapters that focus on specific issues or topics.
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255.94 USD

The Routledge Research Companion to Early Modern Spanish Women Writers

Hardback
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Winner of the Caribbean Studies Association's 2016 Barbara T. Christian Award Tourists flock to the Caribbean for its beaches and spread more than just blankets and dollars. Indeed tourism has overly affected the culture there. Resisting Paradise explores the import of both tourism and diaspora in shaping Caribbean identity. It ...
Resisting Paradise: Tourism, Diaspora, and Sexuality in Caribbean Culture
Winner of the Caribbean Studies Association's 2016 Barbara T. Christian Award Tourists flock to the Caribbean for its beaches and spread more than just blankets and dollars. Indeed tourism has overly affected the culture there. Resisting Paradise explores the import of both tourism and diaspora in shaping Caribbean identity. It examines Caribbean writers and others who confront the region's overdependence on the tourist industry and the many ways that tourism continues the legacy of colonialism. Angelique V. Nixon interrogates the relationship between culture and sex within the production of paradise and investigates the ways in which Caribbean writers, artists, and activists respond to and powerfully resist this production. Forms of resistance include critiquing exploitation, challenging dominant historical narratives, exposing tourism's influence on cultural and sexual identity in the Caribbean and its diaspora, and offering alternative models of tourism and travel. Resisting Paradise places emphasis on the Caribbean people and its diasporic subjects as travelers and as cultural workers contributing to alternate and defiant understandings of tourism in the region. Through a unique multidisciplinary approach to comparative literary analysis, interviews, and participant observation, Nixon analyzes the ways Caribbean cultural producers are taking control of representation. While focused mainly on the Anglophone Caribbean, the study covers a range of territories including Antigua, the Bahamas, Grenada, Haiti, Jamaica, as well as Trinidad and Tobago, to deliver a potent critique.
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48.63 USD

Resisting Paradise: Tourism, Diaspora, and Sexuality in Caribbean Culture

by Angelique V Nixon
Paperback
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This astonishing memoir of a childhood lived in extreme poverty in Latin America was hailed as an instant classic when first published in Colombia in 2012, nine years after the death of its author, who was encouraged in her writing by Gabriel Garcia Marquez. Comprised of letters written over the ...
The Book of Emma Reyes: A Memoir in Correspondence
This astonishing memoir of a childhood lived in extreme poverty in Latin America was hailed as an instant classic when first published in Colombia in 2012, nine years after the death of its author, who was encouraged in her writing by Gabriel Garcia Marquez. Comprised of letters written over the course of thirty years, it describes in vivid, painterly detail the remarkable courage and limitless imagination of a young girl growing up with nothing. Emma was an illegitimate child, raised in a windowless room in Bogota with no water or toilet and only ingenuity to keep her and her sister alive. Abandoned by their mother, she and her sister moved to a convent housing 150 orphan girls, where they washed pots, ironed and mended laundry, scrubbed floors, cleaned bathrooms, and sewed garments and decorative cloths for church. Illiterate and knowing nothing of the outside world, Emma escaped at age nineteen, eventually coming to have a career as an artist and to befriend the likes of Frida Kahlo and Diego Rivera. Far from self-pitying, the portrait that emerges from this clear-eyed account inspires awe at the stunning early life of a gifted writer whose talent remained hidden for far too long.
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25.58 USD

The Book of Emma Reyes: A Memoir in Correspondence

by Emma Reyes
Hardback
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As a growing number of contemporary novelists write for publication in multiple languages, the genre's form and aims are shifting. Born-translated novels include passages that appear to be written in different tongues, narrators who speak to foreign audiences, and other visual and formal techniques that treat translation as a medium ...
Born Translated: The Contemporary Novel in an Age of World Literature
As a growing number of contemporary novelists write for publication in multiple languages, the genre's form and aims are shifting. Born-translated novels include passages that appear to be written in different tongues, narrators who speak to foreign audiences, and other visual and formal techniques that treat translation as a medium rather than as an afterthought. These strategies challenge the global dominance of English, complicate native readership, and protect creative works against misinterpretation as they circulate. They have also given rise to a new form of writing that confounds traditional models of literary history and political community. Born Translated builds a much-needed framework for understanding translation's effect on fictional works, as well as digital art, avant-garde magazines, literary anthologies, and visual media. Artists and novelists discussed include J. M. Coetzee, Junot Diaz, Jonathan Safran Foer, Mohsin Hamid, Kazuo Ishiguro, Jamaica Kincaid, Ben Lerner, China Mieville, David Mitchell, Walter Mosley, Caryl Phillips, Adam Thirlwell, Amy Waldman, and Young-hae Chang Heavy Industries. The book understands that contemporary literature begins at once in many places, engaging in a new type of social embeddedness and political solidarity. It recasts literary history as a series of convergences and departures and, by elevating the status of born-translated works, redefines common conceptions of author, reader, and nation.
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34.12 USD

Born Translated: The Contemporary Novel in an Age of World Literature

by Rebecca L. Walkowitz
Paperback
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First published in 1936, the classic work Roots of Brazil by Sergio Buarque de Holanda presented an analysis of why and how a European culture flourished in a large tropical environment that was totally foreign to its traditions, and the manner and consequences of this development. In The Other Roots, ...
The Other Roots: Wandering Origins in Roots of Brazil and the Impasses of Modernity in Ibero-America
First published in 1936, the classic work Roots of Brazil by Sergio Buarque de Holanda presented an analysis of why and how a European culture flourished in a large tropical environment that was totally foreign to its traditions, and the manner and consequences of this development. In The Other Roots, Pedro Meira Monteiro contends that Roots of Brazil is an essential work for understanding Brazil and the current impasses of politics in Latin America. Meira Monteiro demonstrates that the ideas expressed in Roots of Brazil have taken on new forms and helped to construct some of the most lasting images of the country, such as the cordial man, a central concept that expresses the Ibero-American cultural and political experience and constantly wavers between liberalism's claims to impersonality and deeply ingrained forms of personalism. Meira Monteiro examines in particular how cordiality reveals the everlasting conflation of the public and the private spheres in Brazil. Despite its ambivalent relationship to liberal democracy, Roots of Brazil may be seen as part of a Latin Americanist assertion of a shared continental experience, which today might extend to the idea of solidarity across the so-called Global South. Taking its cue from Buarque de Holanda, The Other Roots investigates the reasons why national discourses invariably come up short, and shows identity to be a poetic and political tool, revealing that any collectivity ultimately remains intact thanks to the multiple discourses that sustain it in fragile, problematic, and fascinating equilibrium.
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105.000000 USD

The Other Roots: Wandering Origins in Roots of Brazil and the Impasses of Modernity in Ibero-America

by Pedro Meira Monteiro
Hardback
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First published in 1936, the classic work Roots of Brazil by Sergio Buarque de Holanda presented an analysis of why and how a European culture flourished in a large tropical environment that was totally foreign to its traditions, and the manner and consequences of this development. In The Other Roots, ...
The Other Roots: Wandering Origins in Roots of Brazil and the Impasses of Modernity in Ibero-America
First published in 1936, the classic work Roots of Brazil by Sergio Buarque de Holanda presented an analysis of why and how a European culture flourished in a large tropical environment that was totally foreign to its traditions, and the manner and consequences of this development. In The Other Roots, Pedro Meira Monteiro contends that Roots of Brazil is an essential work for understanding Brazil and the current impasses of politics in Latin America. Meira Monteiro demonstrates that the ideas expressed in Roots of Brazil have taken on new forms and helped to construct some of the most lasting images of the country, such as the cordial man, a central concept that expresses the Ibero-American cultural and political experience and constantly wavers between liberalism's claims to impersonality and deeply ingrained forms of personalism. Meira Monteiro examines in particular how cordiality reveals the everlasting conflation of the public and the private spheres in Brazil. Despite its ambivalent relationship to liberal democracy, Roots of Brazil may be seen as part of a Latin Americanist assertion of a shared continental experience, which today might extend to the idea of solidarity across the so-called Global South. Taking its cue from Buarque de Holanda, The Other Roots investigates the reasons why national discourses invariably come up short, and shows identity to be a poetic and political tool, revealing that any collectivity ultimately remains intact thanks to the multiple discourses that sustain it in fragile, problematic, and fascinating equilibrium.
https://magrudy-assets.storage.googleapis.com/9780268102340.jpg
30.450000 USD

The Other Roots: Wandering Origins in Roots of Brazil and the Impasses of Modernity in Ibero-America

by Pedro Meira Monteiro
Paperback
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Rewrites our understanding of the last 50 years of Chicana/o cultural production. Chicana/o Remix casts new light not only on artists-such as Sandra de la Loza, Judy Baca, and David Botello, among others-but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it. ...
Chicana/o Remix: Art and Errata Since the Sixties
Rewrites our understanding of the last 50 years of Chicana/o cultural production. Chicana/o Remix casts new light not only on artists-such as Sandra de la Loza, Judy Baca, and David Botello, among others-but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it. Combining feminist theory, critical ethnic studies, art historical analysis, and extensive archival and field research, Karen Mary Davalos argues that narrow notions of identity, politics, and aesthetics limit our ability to understand the full capacities of Chicana/o art. She employs fresh vernacular concepts such as the errata exhibit, or the staging of exhibits that critically question mainstream art museums, and the remix, or the act of bringing new narratives and forgotten histories from the background and into the foreground. These concepts, which emerge out of art practice itself, drive her analysis and reinforce the rejection of familiar narratives that evaluate Chicana/o art in simplistic, traditional terms, such as political versus commercial, or realist versus conceptual. Throughout Chicana/o Remix, Davalos explores undocumented or previously ignored information about artists, their cultural production, and the exhibitions and collections that feature their work. Each chapter exposes and challenges conventions in art history and Chicana/o studies, documenting how Chicana artists were the first to critically challenge exhibitions of Chicana/o art, tracing the origins of the first Chicano arts organizations, and highlighting the influence of Europe and Asia on Chicana/o artists who traveled abroad. As a leading scholar in the study of Chicana/o artists, art spaces, and exhibition practices, Davalos presents her most ambitious project to date in this re-examination of fifty years of Chicana/o art production.
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31.500000 USD

Chicana/o Remix: Art and Errata Since the Sixties

by Karen Mary Davalos
Paperback
Book cover image
Rewrites our understanding of the last 50 years of Chicana/o cultural production. Chicana/o Remix casts new light not only on artists-such as Sandra de la Loza, Judy Baca, and David Botello, among others-but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it. ...
Chicana/o Remix: Art and Errata Since the Sixties
Rewrites our understanding of the last 50 years of Chicana/o cultural production. Chicana/o Remix casts new light not only on artists-such as Sandra de la Loza, Judy Baca, and David Botello, among others-but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it. Combining feminist theory, critical ethnic studies, art historical analysis, and extensive archival and field research, Karen Mary Davalos argues that narrow notions of identity, politics, and aesthetics limit our ability to understand the full capacities of Chicana/o art. She employs fresh vernacular concepts such as the errata exhibit, or the staging of exhibits that critically question mainstream art museums, and the remix, or the act of bringing new narratives and forgotten histories from the background and into the foreground. These concepts, which emerge out of art practice itself, drive her analysis and reinforce the rejection of familiar narratives that evaluate Chicana/o art in simplistic, traditional terms, such as political versus commercial, or realist versus conceptual. Throughout Chicana/o Remix, Davalos explores undocumented or previously ignored information about artists, their cultural production, and the exhibitions and collections that feature their work. Each chapter exposes and challenges conventions in art history and Chicana/o studies, documenting how Chicana artists were the first to critically challenge exhibitions of Chicana/o art, tracing the origins of the first Chicano arts organizations, and highlighting the influence of Europe and Asia on Chicana/o artists who traveled abroad. As a leading scholar in the study of Chicana/o artists, art spaces, and exhibition practices, Davalos presents her most ambitious project to date in this re-examination of fifty years of Chicana/o art production.
https://magrudy-assets.storage.googleapis.com/9781479877966.jpg
93.450000 USD

Chicana/o Remix: Art and Errata Since the Sixties

by Karen Mary Davalos
Hardback
Book cover image
A re-examination of the Cuban diaspora through the lens of popular culture. In an era of warming relations between the US and Cuba, this book updates the conversation about Cuban America by showing how this community has changed over the past 25 years. No longer a conservative Republican voting bloc, ...
Diversion: Play and Popular Culture in Cuban America
A re-examination of the Cuban diaspora through the lens of popular culture. In an era of warming relations between the US and Cuba, this book updates the conversation about Cuban America by showing how this community has changed over the past 25 years. No longer a conservative Republican voting bloc, the majority of Cubans today want more engagement with the island instead of less. Laguna investigates the generational shifts and tensions in a Cuban America where the majority is now made up of immigrants who arrived since the 1990s and those born in the US. To probe these changes, Laguna examines the aesthetic and social logics of a wide range of popular culture forms originating in Miami and Cuba from the 1970s through the 2010s. They include the stand-up comedy of performers like Alvarez Guedes and Robertico, a festival called Cuba Nostalgia, Miami morning radio shows, a form of media distribution on the island known as el paquete, and the viral social media content of Los Pichy Boys. This study illustrates the centrality of play in a community that has been described historically as angry, reactionary, and melancholic. Diversion contends that our understanding of the Cuban diaspora is lacking not in seriousness, but in play. By unpacking this archive, Laguna explores our complex, often fraught attachments to popular culture and the way it can challenge and reproduce typical cultural ideologies-especially in relation to politics and race. In the wake of the largest migration wave to the US in Cuban history, Diversion and its focus on play is crucial reading for those who seek to understand not only the Cuban American diaspora, but cultural and economic life on the island.
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93.450000 USD

Diversion: Play and Popular Culture in Cuban America

by Albert Sergio Laguna
Hardback
Book cover image
A re-examination of the Cuban diaspora through the lens of popular culture. In an era of warming relations between the US and Cuba, this book updates the conversation about Cuban America by showing how this community has changed over the past 25 years. No longer a conservative Republican voting bloc, ...
Diversion: Play and Popular Culture in Cuban America
A re-examination of the Cuban diaspora through the lens of popular culture. In an era of warming relations between the US and Cuba, this book updates the conversation about Cuban America by showing how this community has changed over the past 25 years. No longer a conservative Republican voting bloc, the majority of Cubans today want more engagement with the island instead of less. Laguna investigates the generational shifts and tensions in a Cuban America where the majority is now made up of immigrants who arrived since the 1990s and those born in the US. To probe these changes, Laguna examines the aesthetic and social logics of a wide range of popular culture forms originating in Miami and Cuba from the 1970s through the 2010s. They include the stand-up comedy of performers like Alvarez Guedes and Robertico, a festival called Cuba Nostalgia, Miami morning radio shows, a form of media distribution on the island known as el paquete, and the viral social media content of Los Pichy Boys. This study illustrates the centrality of play in a community that has been described historically as angry, reactionary, and melancholic. Diversion contends that our understanding of the Cuban diaspora is lacking not in seriousness, but in play. By unpacking this archive, Laguna explores our complex, often fraught attachments to popular culture and the way it can challenge and reproduce typical cultural ideologies-especially in relation to politics and race. In the wake of the largest migration wave to the US in Cuban history, Diversion and its focus on play is crucial reading for those who seek to understand not only the Cuban American diaspora, but cultural and economic life on the island.
https://magrudy-assets.storage.googleapis.com/9781479846146.jpg
31.500000 USD

Diversion: Play and Popular Culture in Cuban America

by Albert Sergio Laguna
Paperback
Book cover image
This book is a study of gender and place in twentieth-century Chicana/o literature and culture, covering the early period of regional writing to contemporary art. Remapping Chicana/o literary and cultural history from the critical regional perspective of the Mexican American Southwest, it uncovers the aesthetics of Chicana/o critical regionalism in ...
Gender and Place in Chicana/o Literature: Critical Regionalism and the Mexican American Southwest
This book is a study of gender and place in twentieth-century Chicana/o literature and culture, covering the early period of regional writing to contemporary art. Remapping Chicana/o literary and cultural history from the critical regional perspective of the Mexican American Southwest, it uncovers the aesthetics of Chicana/o critical regionalism in the writings of Cleofas Jaramillo, Fray Angelico Chavez, Elena Zamora O'Shea, and Jovita Gonzalez. In addition to bringing renewed attention to contemporary writers like Richard Rodriguez and introducing the work of Chicana artist Carlota d.Z. EspinoZa, the study also revisits the more recognized work of Americo Paredes, Mario Suarez, Mary Helen Ponce, and Rodolfo Corky Gonzales to reconsider the aesthetics of gender and place in Chicana/o literature and culture.
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73.490000 USD

Gender and Place in Chicana/o Literature: Critical Regionalism and the Mexican American Southwest

by Melina V. Vizcaino-Aleman
Hardback
Book cover image
This volume sheds a much-needed light on Edwidge Danticat (b. 1969) and her ability to depict timely issues in sparkling prose that delves deep into the borderlands, an uncharted in-between space located outside fixed geographic, cultural, and ideological bounds. Prevalent throughout many interviews here is Danticat's expressed determination not only ...
Conversations with Edwidge Danticat
This volume sheds a much-needed light on Edwidge Danticat (b. 1969) and her ability to depict timely issues in sparkling prose that delves deep into the borderlands, an uncharted in-between space located outside fixed geographic, cultural, and ideological bounds. Prevalent throughout many interviews here is Danticat's expressed determination not only to reveal Haitian immigrant experience, but also to make that nuanced culture and its vibrant traditions accessible to a wide audience. These interviews coincide with Edwidge Danticat's evolving artistic vision, her steady book publication, and her expanding roles as fiction writer, essayist, memoirist, documentarian, young adult book author, editor, songwriter, cultural critic, and political commentator. Dating from her appearance on the literary scene at the age of twenty-five, the many interviews that she has granted attest to not only her productivity, but also her accessibility to scholars, teachers, writers, and journalists eager for knowledge about her vision. Included in this volume are interviews that range from 2000, covering the publication of her debut work of fiction, Breath, Eyes, Memory, to a personal interview conducted with the volume editor in 2016. In that conversation, which appears for the first time as part of this collection, Danticat provides insight into little-known aspects of her life, art, and politics. Her candid interviews carry out a careful stripping away of preconceived notions of Danticat, disclosing the private and public life of a first-class writer and intellectual whose countless achievements have assured her an enduring place within contemporary world letters.
26.250000 USD

Conversations with Edwidge Danticat

Paperback
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Following the publication of Adam Smith's The Wealth of Nations, nineteenth-century liberal economic thinkers insisted that a globally hegemonic Britain would profit only by abandoning the formal empire. British West Indians across the divides of race and class understood that, far from signaling an invitation to nationalist independence, this liberal ...
Empire of Neglect: The West Indies in the Wake of British Liberalism
Following the publication of Adam Smith's The Wealth of Nations, nineteenth-century liberal economic thinkers insisted that a globally hegemonic Britain would profit only by abandoning the formal empire. British West Indians across the divides of race and class understood that, far from signaling an invitation to nationalist independence, this liberal economic discourse inaugurated a policy of imperial neglect -a way of ignoring the ties that obligated Britain to sustain the worlds of the empire's distant fellow subjects. In Empire of Neglect Christopher Taylor examines this neglect's cultural and literary ramifications, tracing how nineteenth-century British West Indians reoriented their affective, cultural, and political worlds toward the Americas as a response to the liberalization of the British Empire. Analyzing a wide array of sources, from plantation correspondence, political economy treatises, and novels to newspapers, socialist programs, and memoirs, Taylor shows how the Americas came to serve as a real and figurative site at which abandoned West Indians sought to imagine and invent postliberal forms of political subjecthood.
28.300000 USD

Empire of Neglect: The West Indies in the Wake of British Liberalism

by Christopher Taylor
Paperback
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New World Postcolonial presents the first full-length study to treat both parts of Inca Garcilaso de la Vega's foundational text Royal Commentaries of the Incas as a seminal work of political thought in the formation of the early Americas and the early-modern period. It is also among a handful of ...
New World Postcolonial: The Political Thought of Inca Garcilaso de la Vega
New World Postcolonial presents the first full-length study to treat both parts of Inca Garcilaso de la Vega's foundational text Royal Commentaries of the Incas as a seminal work of political thought in the formation of the early Americas and the early-modern period. It is also among a handful of studies to explore the Commentaries as a mestizo rhetoric, written to subtly address both native Andean readers and Hispano-Europeans. As Fuerst demonstrates, by blending both Andean and European discourses to represent Incan history, Garcilaso further proposed restoring indigenous sovereignty by adopting a new mestizo governing body via the political alliance and intermarriage of encomenderos (estate holders) and Incas. This policy extended to education, missionary practices, and others, reflecting Garcilaso's hopes of forming a peaceful coexistence among native Andeans, mestizos, and first generation Spaniards.
31.450000 USD

New World Postcolonial: The Political Thought of Inca Garcilaso de la Vega

by James W Fuerst
Paperback
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Surveying the Avant-Garde examines the art and literature of the Americas in the early twentieth century through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde. Questions such as How do you imagine Latin America? and What should American art be? ...
Surveying the Avant-Garde: Questions on Modernism, Art, and the Americas in Transatlantic Magazines
Surveying the Avant-Garde examines the art and literature of the Americas in the early twentieth century through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde. Questions such as How do you imagine Latin America? and What should American art be? issued by avant-garde magazines like Im n, a Latin American periodical based in Paris, and Cuba's Revista de Avance demonstrate how editors, writers, and readers all grappled with the concept of America, particularly in relationship to Europe, and how the questionnaire became a structuring device for reflecting on their national and aesthetic identities in print. Through an analysis of these questionnaires and their responses, Lori Cole reveals how ideas like American art, as well as modernism and avant-garde, were debated at the very moment of their development and consolidation. Unlike a manifesto, whose signatories align with a single polemical text, the questionnaire produces a patchwork of responses, providing a composite and sometimes fractured portrait of a community. Such responses yield a self-reflexive history of the era as told by its protagonists, which include figures such as Gertrude Stein, Alfred Stieglitz, Jean Toomer, F. T. Marinetti, Diego Rivera, and Jorge Luis Borges. The book traces a genealogy of the genre from the Renaissance paragone, or comparison of the arts, through the rise of enqu tes in the late nineteenth century, up to the contemporary questionnaire, which proliferates in art magazines today. By analyzing a selection of surveys issued across the Atlantic, Cole indicates how they helped shape artists' and writers' understanding of themselves and their place in the world. Derived from extensive archival research, this book reorients our understanding of modernism as both hemispheric and transatlantic by narrating how the artists and writers of the period engaged in aesthetic debates that informed and propelled print communities in Europe, the United States, and Latin America. Scholars of modernism and the avant-garde will welcome Cole's original and compellingly crafted work.
99.700000 USD

Surveying the Avant-Garde: Questions on Modernism, Art, and the Americas in Transatlantic Magazines

by Lori Cole
Hardback
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