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A visionary new approach to the Americas during the age of colonization, made by engaging with the aural aspects of supposedly silent images Colonial depictions of the North and South American landscape and its indigenous inhabitants fundamentally transformed the European imagination-but how did those images reach Europe, and how did ...
Sound, Image, Silence: Art and the Aural Imagination in the Atlantic World
A visionary new approach to the Americas during the age of colonization, made by engaging with the aural aspects of supposedly silent images Colonial depictions of the North and South American landscape and its indigenous inhabitants fundamentally transformed the European imagination-but how did those images reach Europe, and how did they make their impact? In Sound, Image, Silence, noted art historian Michael Gaudio provides a groundbreaking examination of the colonial Americas by exploring the special role that aural imagination played in visible representations of the New World. Considering a diverse body of images that cover four hundred years of Atlantic history, Sound, Image, Silence addresses an important need within art history: to give hearing its due as a sense that can inform our understanding of images. Gaudio locates the noise of the pagan dance, the discord of battle, the din of revivalist religion, and the sublime sounds of nature in the Americas, such as lightning, thunder, and the waterfall. He invites readers to listen to visual media that seem deceptively couched in silence, offering bold new ideas on how art historians can engage with sound in inherently mute media. Sound, Image, Silence includes readings of Brazilian landscapes by the Dutch painter Frans Post, a London portrait of Benjamin Franklin, Thomas Edison's early Kinetoscope film Sioux Ghost Dance, and the work of Thomas Cole, founder of the Hudson River School of American landscape painting. It masterfully fuses a diversity of work across vast social, cultural, and spatial distances, giving us both a new way of understanding sound in art and a powerful new vision of the New World.
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31.500000 USD

Sound, Image, Silence: Art and the Aural Imagination in the Atlantic World

by Michael Gaudio
Paperback / softback
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Based on the BBC television series, John Berger's Ways of Seeing is a unique look at the way we view art, published as part of the Penguin on Design series in Penguin Modern Classics. 'Seeing comes before words. The child looks and recognizes before it can speak.' 'But there is ...
Ways of Seeing
Based on the BBC television series, John Berger's Ways of Seeing is a unique look at the way we view art, published as part of the Penguin on Design series in Penguin Modern Classics. 'Seeing comes before words. The child looks and recognizes before it can speak.' 'But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled.' John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the Sunday Times critic commented: 'This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures.' By now he has. John Berger (b. 1926) is an art critic, painter and novelist.born in Hackney, London. His novel G. (1972) won both the James Tait Black Memorial Prize and the Booker Prize. If you enjoyed Ways of Seeing, you might like Susan Sontag's On Photography, also available in Penguin Modern Classics. 'Berger has the ability to cut right through the mystification of professional art critics ... he is a liberator of images: and once we have allowed the paintings to work on us directly, we are in a much better position to make a meaningful evaluation' Peter Fuller, Arts Review 'The influence of the series and the book ... was enormous ... It opened up for general attention areas of cultural study that are now commonplace' Geoff Dyer in Ways of Telling 'One of the most influential intellectuals of our time' Observer
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15.16 USD

Ways of Seeing

by John Berger
Paperback / softback
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Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships ...
Ambivalent: Photography and Visibility in African History
Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography-and with visibility more generally-in ways that engage and disrupt the easy categories and genres that have characterized the field to date. Authors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa. As the contributors show, photography is itself a historical subject: it involves arrangement, financing, posture, positioning, and other kinds of work that are otherwise invisible. By moving us outside the frame of the photograph itself, by refusing to accept the photograph as the last word, this book makes photography into an engaging and important subject of historical investigation. Ambivalent's contributors bring photography into conversation with orality, travel writing, ritual, psychoanalysis, and politics, with new approaches to questions of race, time, and postcolonial and decolonial histories. Contributors: George Emeka Agbo, Isabelle de Rezende, Jung Ran Forte, Ingrid Masondo, Phindi Mnyaka, Okechukwu Nwafor, Vilho Shigwedha, Napandulwe Shiweda, Drew Thompson
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38.800000 USD

Ambivalent: Photography and Visibility in African History

Paperback / softback
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In A Fragile Inheritance Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram. Examining their written and visual works over the past fifty years, Mathur illuminates how her protagonists' political and aesthetic ...
A Fragile Inheritance: Radical Stakes in Contemporary Indian Art
In A Fragile Inheritance Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram. Examining their written and visual works over the past fifty years, Mathur illuminates how her protagonists' political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction. This book presents new understandings of the culture and politics of decolonization and the role of non-Western aesthetic avant-gardes within the discourses of contemporary art. Through skillful interpretation of Sundaram's and Kapur's practices, Mathur demonstrates how received notions of mainstream art history may be investigated and subjected to creative redefinition. Her scholarly methodology offers an impassioned model of critical aesthetics and advances a radical understanding of art and politics in our time.
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27.250000 USD

A Fragile Inheritance: Radical Stakes in Contemporary Indian Art

by Saloni Mathur
Paperback / softback
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This volume examines the criticism of five influential British writers on the visual arts-John Ruskin, Walter Pater, Roger Fry, Clive Bell, and Sir Herbert Read. Their works span a period in the history of art that in productivity and significance is more impressive than any other period since the Renaissance. ...
Interpretation of Art: Essays on the Art Criticism of John Ruskin, Walter Pater, Clive Bell, Roger Fry, and Herbert Read
This volume examines the criticism of five influential British writers on the visual arts-John Ruskin, Walter Pater, Roger Fry, Clive Bell, and Sir Herbert Read. Their works span a period in the history of art that in productivity and significance is more impressive than any other period since the Renaissance. Each of these writers possesses extraordinary literary skills. Another common tie is their awareness of serving as spokesmen for art to an audience that was mainly indifferent or even hostile. Even though the aesthetic outlook of Pater, Fry, and Bell represents a violent reaction to Ruskin's moralistic and literary interpretation of art, they were no less concerned than he to overcome the national apathy toward art and to assert its cultural importance. Sir Herbert Read reconciles the oppositions in the work of his predecessors in an aesthetic philosophy that stresses the social and ethnical values of art without sacrificing the idea of individual expression. The major part of Solomon Fishman's study is an examination of the aesthetic theories embodied in the writings of each critic. He extracts the theoretical assumptions that form the basis of each writer's critical practice and traces the development of aesthetic doctrine as it was modified by the critic's experience of actual works of art. The body of work of these writers is representative of the whole development of modern art criticism and aesthetic theory. Although they display great diversity in ideas and taste, all five critics were instrumental in shaping the response of the public, first of all toward art in general, and finally toward modern art. Their work represents a unified segment of the larger enterprise to understand and illuminate art and will interest anyone who wishes to enlarge their own understanding. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.
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61.37 USD

Interpretation of Art: Essays on the Art Criticism of John Ruskin, Walter Pater, Clive Bell, Roger Fry, and Herbert Read

by Solomon Fishman
Paperback / softback
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However beautiful or technically dazzling your photographs might be, if they don't tell a story, convey an idea or make your viewer stop and think, they are unlikely to make a lasting impression. Context and Narrative in Photography introduces practical methods to help you plan, develop and present meaningful, communicative ...
Context and Narrative in Photography
However beautiful or technically dazzling your photographs might be, if they don't tell a story, convey an idea or make your viewer stop and think, they are unlikely to make a lasting impression. Context and Narrative in Photography introduces practical methods to help you plan, develop and present meaningful, communicative images. With dozens of examples from some of the world's most thought-provoking photographers, this is a beautiful introduction to a fascinating aspect of photography. Beginning with an exploration of different narrative techniques, you'll be guided through selecting and developing a compelling concept for your project and how it might be conveyed either through a single image or a series of photographs. You'll also learn ways to incorporate signs, symbols and text into your work and how to present the finished piece to best reach your audience. New to this edition are extended projects, additional exercises and discussion questions, expanded case studies, around 25% of the images and an expanded Chapter 6 on integrating text into photographic projects.
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61.35 USD

Context and Narrative in Photography

by Elisavet Kalpaxi, Sri-Kartini Leet, Maria Short
Paperback / softback
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Oscar Wildes famous quip All art is quite useless might not be as outrageous or demonstrably false as is often supposed. No-one denies that much art begins life with practical aims in mind: religious, moral, political, propagandistic, or the aggrandising of its subjects. But those works that survive the test ...
The Uselessness of Art: Essays in the Philosophy of Art and Literature
Oscar Wildes famous quip All art is quite useless might not be as outrageous or demonstrably false as is often supposed. No-one denies that much art begins life with practical aims in mind: religious, moral, political, propagandistic, or the aggrandising of its subjects. But those works that survive the test of time will move into contexts where for new audiences any initial instrumental values recede and the works come to be valued for their own sake. The book explores this idea and its ramifications. The glorious Palaeolithic paintings on the walls of the Chauvet Cave present a stark example. In spite of total ignorance of their original purposes, we irresistibly describe the paintings as works of art and value them as such. Here we are at the very limits of what is meant by art and aesthetic appreciation. Are we misusing these terms in such an application? The question goes to the heart of the scope and ambition of aesthetics. Must aesthetics in its pursuit of art and beauty inevitably be culture-bound? Or can it transcend cultural differences and speak meaningfully of universal values: timelessly human not merely historically relative? The case of literature or film puts further pressure on the idea of art valued for its own sake. Characters in works of literature and film or finely-honed emotions in poetry often give pleasure precisely because they resonate with our own lives and seem (in the great works) to say something profound about human existence. Is not this kind of insight why we value such works? Yet the conclusion is not quite as clear-cut as it might seem and the idea of valuing something for its own sake never quite goes away.
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36.700000 USD

The Uselessness of Art: Essays in the Philosophy of Art and Literature

by Peter Lamarque
Paperback / softback
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After the Crisis offers a platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and ...
After the Crisis - Contemporary States of Photography
After the Crisis offers a platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring together history and the contemporary. Comparing the current situation of photographic images with the crisis experienced by representation at the time of the birth of photography, they set our relationship with photographic images in the digital era in perspective. Through these discussions, we come to sense the existential burden of being surrounded by images, while also beginning to grasp the historical depth of a questioning of images that started long before the current generation and engages with crucial political and cultural issues of our time.
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37.19 USD

After the Crisis - Contemporary States of Photography

by Christoph Wiesner, Donatien Grau
Paperback / softback
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The concept of the avant garde is highly contested, whether one consigns it to history or claims it for present-day or future uses. The first volume of The Idea of the Avant Garde--And What It Means Today provided a lively forum on the kinds of radical art theory and partisan ...
The Idea of the Avant Garde - And What It Means Today 2
The concept of the avant garde is highly contested, whether one consigns it to history or claims it for present-day or future uses. The first volume of The Idea of the Avant Garde--And What It Means Today provided a lively forum on the kinds of radical art theory and partisan practices that are possible in today's world of global art markets and creative industry entrepreneurialism. This second volume presents the work of another fifty artists and writers, exploring the diverse ways that avant-gardism develops reflexive and experimental combinations of aesthetic and political praxis. The manifest strategies, temporalities, and genealogies of avant-garde art and politics are expressed through an international, intergenerational, and interdisciplinary convocation of ideas that covers the fields of film, video, architecture, visual art, art activism, literature, poetry, theater, performance, intermedia, and music.
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52.07 USD

The Idea of the Avant Garde - And What It Means Today 2

by Marc James Leger
Paperback / softback
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In Insurgent Aesthetics Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence ...
Insurgent Aesthetics: Security and the Queer Life of the Forever War
In Insurgent Aesthetics Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror's violent destruction and its impacts on immigrant and refugee communities. Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms the sensorial life of empire. In this way, these artists forge new aesthetic and social alliances that sustain critical opposition to the global war machine and create alternative ways of knowing and feeling beyond the forever war.
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30.400000 USD

Insurgent Aesthetics: Security and the Queer Life of the Forever War

by Ronak K Kapadia
Paperback / softback
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A rigorous and wide-ranging investigation of the techniques and reasons behind the artistic practice of replication Volume 4 of the National Gallery of Art's biennial conservation research journal Facture examines the complex themes of series, multiples, and replicas. With a broad historical purview that spans from the Renaissance to the ...
Facture: Conservation, Science, Art History: Volume 4: Series, Multiples, Replicas
A rigorous and wide-ranging investigation of the techniques and reasons behind the artistic practice of replication Volume 4 of the National Gallery of Art's biennial conservation research journal Facture examines the complex themes of series, multiples, and replicas. With a broad historical purview that spans from the Renaissance to the 20th century, this publication considers various modes of replication-by the artist's own hand or workshop, as a posthumous creation, or as a preferred practice-and their motivations. Drawing on new research into materials and techniques, nine essays focus on works in diverse media by artists such as Sandro Botticelli, Auguste Rodin, and Robert Rauschenberg and present intriguing conclusions about the nature of serialization and the relationships among multiple versions of a composition. Filled with spectacularly detailed photographs and fresh discoveries, this volume provides exceptional insight into these extraordinary works of art and offers the possibility of exciting new avenues of inquiry.
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46.49 USD

Facture: Conservation, Science, Art History: Volume 4: Series, Multiples, Replicas

Paperback / softback
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Contemporary art is often preoccupied with time, or acts in which the past is recovered. Through specific case studies of artists who strategically work with historical moments, this book examines how art from the last two decades has sought to mobilize these particular histories, and to what effect, against the ...
Retroactivity and Contemporary Art
Contemporary art is often preoccupied with time, or acts in which the past is recovered. Through specific case studies of artists who strategically work with historical moments, this book examines how art from the last two decades has sought to mobilize these particular histories, and to what effect, against the backdrop of Modernism. Drawing on the art theory of Rosalind Krauss and the philosophies of Paul Ricoeur, Gerhard Richter, and Pierre Nora, Retroactivity and Contemporary Art interprets those works that foreground some aspect of retroactivity - whether re-enacting, commemorating, or re-imagining - as key artistic strategies. This book is striking philosophical reflection on time within art and art within time, and an indispensable read for those attempting to understand the artistic significance of history, materiality, and memory.
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53.92 USD

Retroactivity and Contemporary Art

by Craig Staff
Paperback / softback
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Interrogating Secularism is a call to rethink binary categories of religion and secularism in contemporary Arab American fiction and art. While most studies that explore the traffic between literature and issues of secularism emphasize how canonical texts naturalize and reinforce secular values, Interrogating Secularism approaches this nexus through novels written ...
Interrogating Secularism: Race and Religion in Arab Transnational Art and Literature
Interrogating Secularism is a call to rethink binary categories of religion and secularism in contemporary Arab American fiction and art. While most studies that explore the traffic between literature and issues of secularism emphasize how canonical texts naturalize and reinforce secular values, Interrogating Secularism approaches this nexus through novels written by and about ethnic and religious minorities. Haque juxtaposes accounts of secular experience in the writing of Arab Anglophone authors such as Mohja Kahf, Rabih Alameddine, Khaled Mattawa, Laila Lalami, and Rawi Hage, with Arab and Muslim artists such as Ninar Esber, Mounir Fatmi, Hasan Elahi, and Emily Jacir. Looking at multiple genres and modes of aesthetic production, including AIDS narratives, visual art, and digital media, Haque explores how their conventions are used to subvert the ideals tied to secularism and the various anxieties and investments that support secularism as a premise. These authors and artists critique Western iterations of secular thought in spaces such as art exhibits, airports, borders, and literary discourses to capture how the secularism thesis reproduces the exclusivity it intends to remedy.
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31.450000 USD

Interrogating Secularism: Race and Religion in Arab Transnational Art and Literature

by Danielle Haque
Paperback / softback
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"This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially--statistically speaking--there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, ...
Art & Fear
"This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially--statistically speaking--there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius." ---from the Introduction Art & Fear explores the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. The book's co-authors, David Bayles and Ted Orland, are themselves both working artists, grappling daily with the problems of making art in the real world. Their insights and observations, drawn from personal experience, provide an incisive view into the world of art as it is expeienced by artmakers themselves. This is not your typical self-help book. This is a book written by artists, for artists --- it's about what it feels like when artists sit down at their easel or keyboard, in their studio or performance space, trying to do the work they need to do. First published in 1994, Art & Fear quickly became an underground classic. Word-of-mouth response alone--now enhanced by internet posting--has placed it among the best-selling books on artmaking and creativity nationally. Art & Fear has attracted a remarkably diverse audience, ranging from beginning to accomplished artists in every medium, and including an exceptional concentration among students and teachers. The original Capra Press edition of Art & Fear sold 80,000 copies. An excerpt: Today, more than it was however many years ago, art is hard because you have to keep after it so consistently. On so many different fronts. For so little external reward. Artists become veteran artists only by making peace not just with themselves, but with a huge range of issues. You have to find your work...
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13.600000 USD

Art & Fear

by Ted Orland, David Bayles
Paperback / softback
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How do images hold and convey meaning? How do we understand them? What are they trying to say? How do they persuade and influence us? The author writes a complete account analyzing the meaning and construction of images, throughout history to present times, from the point of view of visual ...
What Images Really Tell Us: Visual Rhetoric in Graphic Design, Art and Advertising
How do images hold and convey meaning? How do we understand them? What are they trying to say? How do they persuade and influence us? The author writes a complete account analyzing the meaning and construction of images, throughout history to present times, from the point of view of visual rhetoric. From advertising to graphic design, cinema and art, the book takes the reader on a journey of metaphors, metonymies, hyperboles and other rhetorical figures, which compose the visual language and the power of its meaning. By learning to identify them, and knowing examples of how they have been used, the reader will learn how to use and master the language of images.
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46.47 USD

What Images Really Tell Us: Visual Rhetoric in Graphic Design, Art and Advertising

by Massimo Mariani
Paperback / softback
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Marina Warner explores the tradition of personifying liberty, justice, wisdom, charity, and other ideals and desiderata in the female form, and examines the tension between women's historic and symbolic roles. Drawing on the evidence of public art, especially sculpture, and painting, poetry, and classical mythology, she ranges over the allegorical ...
Monuments and Maidens: The Allegory of the Female Form
Marina Warner explores the tradition of personifying liberty, justice, wisdom, charity, and other ideals and desiderata in the female form, and examines the tension between women's historic and symbolic roles. Drawing on the evidence of public art, especially sculpture, and painting, poetry, and classical mythology, she ranges over the allegorical presence of the woman in the Western tradition with a sharply observant eye and a piquant and engaging style.
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35.650000 USD

Monuments and Maidens: The Allegory of the Female Form

by Marina Warner
Paperback / softback
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A classic work on radical aesthetics by one of the great philosophers of the early twentieth century No work of philosopher and essayist Jose Ortega y Gasset has been more frequently cited, admired, or criticized than his response to modernism, The Dehumanization of Art. The essay, originally published in Spanish ...
The Dehumanization of Art and Other Essays on Art, Culture, and Literature
A classic work on radical aesthetics by one of the great philosophers of the early twentieth century No work of philosopher and essayist Jose Ortega y Gasset has been more frequently cited, admired, or criticized than his response to modernism, The Dehumanization of Art. The essay, originally published in Spanish in 1925, grappled with the newness of nonrepresentational art and sought to make it more understandable to the public. Many embraced the essay as a manifesto extolling the virtues of vanguard artists and promoting efforts to abandon the realism and the romanticism of the nineteenth century. Others took it as a denunciation of everything that was radical about the avant-garde. This Princeton Classics edition makes this essential work, along with four of Ortega's other critical essays, available in English. A new foreword by Anthony J. Cascardi considers how Ortega's philosophy remains relevant and significant in the twenty-first century.
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17.800000 USD

The Dehumanization of Art and Other Essays on Art, Culture, and Literature

by Jose Ortega y Gasset
Paperback / softback
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'This is a history of intellectual courage, hard work, occasional inspiration and every conceivable form of human failing. It is also an extended invitation to wonder, to pleasure' How far have we come in our understanding of the world around us? In this eye-opening collection, Ian McEwan looks back at ...
Science: Vintage Minis
'This is a history of intellectual courage, hard work, occasional inspiration and every conceivable form of human failing. It is also an extended invitation to wonder, to pleasure' How far have we come in our understanding of the world around us? In this eye-opening collection, Ian McEwan looks back at the history of scientific discovery from Darwin to Dawkins as well as exploring, with brilliant originality, what a future with AI and climate change could hold for us. Selected from Solar, Enduring Love, Machines Like Me VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS. A series of short books by the world's greatest writers on the experiences that make us human Also in the Vintage Minis 'Great Ideas' series: Religion by Karen Armstrong Art by Simon Schama
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6.01 USD

Science: Vintage Minis

by Ian McEwan
Paperback / softback
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'Great art has dreadful manners... ...The hushed reverence of the gallery can fool you into believing masterpieces are visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock and proceed in short order to re-arrange your sense of ...
Art: Vintage Minis
'Great art has dreadful manners... ...The hushed reverence of the gallery can fool you into believing masterpieces are visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock and proceed in short order to re-arrange your sense of reality.' In inimitable style, our greatest historian and master storyteller Simon Schama makes an irresistible case for the power of art and its necessary place in our lives, examining art through the prism of the troubling life and works of Italian master painter, and murderer, Caravaggio. Selected from The Power of Art VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS. A series of short books by the world's greatest writers on the experiences that make us human Also in the Vintage Minis 'Great Ideas' series: Religion by Karen Armstrong Science by Ian McEwan
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6.01 USD

Art: Vintage Minis

by Simon Schama, CBE
Paperback / softback
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Yuri Tynianov was a key figure of Russian Formalism, an intellectual movement in early 20th century Russia that also included Viktor Shklovsky and Roman Jakobson. Tynianov developed a groundbreaking conceptualization of literature as a system within-and in constant interaction with-other cultural and social systems. His essays on Russian literary classics, ...
Permanent Evolution: Selected Essays on Literature, Theory and Film
Yuri Tynianov was a key figure of Russian Formalism, an intellectual movement in early 20th century Russia that also included Viktor Shklovsky and Roman Jakobson. Tynianov developed a groundbreaking conceptualization of literature as a system within-and in constant interaction with-other cultural and social systems. His essays on Russian literary classics, like Pushkin's Eugene Onegin and works by Dostoevsky and Gogol, as well as on the emerging art form of filmmaking, provide insight into the ways art and literature evolve and adapt new forms of expression. Although Tynianov was first a scholar of Russian literature, his ideas transcend the boundaries of any one genre or national tradition. Permanent Evolution gathers together for the first time Tynianov's seminal articles on literary theory and film, including several articles never before translated into English.
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41.950000 USD

Permanent Evolution: Selected Essays on Literature, Theory and Film

by Yuri Tynianov
Paperback / softback
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Translated and with an Introduction by Daniel W. Smith Afterword by Tom Conley Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter's method and style as well as his motifs of seriality, difference, and repetition influenced Deleuze's work. This first English translation shows ...
Francis Bacon: The Logic of Sensation
Translated and with an Introduction by Daniel W. Smith Afterword by Tom Conley Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter's method and style as well as his motifs of seriality, difference, and repetition influenced Deleuze's work. This first English translation shows us one of the most original and important French philosophers of the twentieth century in intimate confrontation with one of that century's most original and important painters. In considering Bacon, Deleuze offers implicit and explicit insights into the origins and development of his own philosophical and aesthetic ideas, ideas that represent a turning point in his intellectual trajectory. First published in French in 1981, Francis Bacon has come to be recognized as one of Deleuze's most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon's paintings but also as a crucial text within Deleuze's broader philosophy of art. In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon's paintings but at the same time finds a place in the general logic of sensation. Illuminating Bacon's paintings, the nonrational logic of sensation, and the act of painting itself, this work-presented in lucid and nuanced translation-also points beyond painting toward connections with other arts such as music, cinema, and literature. Francis Bacon is an indispensable entry point into the conceptual proliferation of Deleuze's philosophy as a whole. Gilles Deleuze (1925-1995) was professor of philosophy at the University of Paris, Vincennes-St. Denis. He coauthored Anti-Oedipus and A Thousand Plateaus with Felix Guattari. These works, as well as Cinema 1, Cinema 2, The Fold, Proust and Signs, and others, are published in English by Minnesota. Daniel W. Smith teaches in the Department of Philosophy at Purdue University.
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21.000000 USD

Francis Bacon: The Logic of Sensation

by Gilles Deleuze
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A recently discovered book manuscript by the celebrated artist Mark Rothko offering a landmark discussion of his views on topics ranging from the Renaissance to contemporary art, criticism, and the role of art and artists in society One of the most important artists of the twentieth century, Mark Rothko (1903-1970) ...
The Artist's Reality: Philosophies of Art
A recently discovered book manuscript by the celebrated artist Mark Rothko offering a landmark discussion of his views on topics ranging from the Renaissance to contemporary art, criticism, and the role of art and artists in society One of the most important artists of the twentieth century, Mark Rothko (1903-1970) created a new and impassioned form of abstract painting over the course of his career. Rothko also wrote a number of essays and critical reviews during his lifetime, adding his thoughtful, intelligent, and opinionated voice to the debates of the contemporary art world. Although the artist never published a book of his varied and complex views, his heirs indicate that he occasionally spoke of the existence of such a manuscript to friends and colleagues. Stored in a New York City warehouse since the artist's death more than thirty years ago, this extraordinary manuscript, titled The Artist's Reality, is now being published for the first time. Probably written around 1940-41, this revelatory book discusses Rothko's ideas on the modern art world, art history, myth, beauty, the challenges of being an artist in society, the true nature of American art, and much more. The Artist's Reality alsoincludes an introduction by Christopher Rothko, the artist's son, who describes the discovery of the manuscript and the complicated and fascinating process of bringing the manuscript to publication. The introduction is illustrated with a small selection of relevant examples of the artist's own work as well as with reproductions of pages from the actual manuscript. The Artist's Reality willbe a classic text for years to come, offering insight into both the work and the artistic philosophies of this great painter.
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23.100000 USD

The Artist's Reality: Philosophies of Art

by Mark Rothko
Paperback / softback
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- What is an earthquake gown? - Who wore eelskin masher trousers? - What did the word dudes mean in the 16th century? A Dictionary of English Costume by C. Willett Cunnington, Phillis Cunnington and Charles Beard was originally published in 1960. A monumental achievement and encyclopaedic in scope, it ...
The Dictionary of Fashion History
- What is an earthquake gown? - Who wore eelskin masher trousers? - What did the word dudes mean in the 16th century? A Dictionary of English Costume by C. Willett Cunnington, Phillis Cunnington and Charles Beard was originally published in 1960. A monumental achievement and encyclopaedic in scope, it was a comprehensive catalogue of fashion terms from the mid-medieval period up to 1900. It was reissued and updated several times, for the last time in 1976. For decades it has served as a bible for costume historians. The Dictionary of Fashion History completely updates and supplements the Cunningtons' landmark work to bring it up to the present day. Featuring additional terms and revised definitions, this new edition represents an essential reference for costume historians, students of fashion history, or anyone involved in creating period costume for the theatre, film or television. It also is fascinating reading for those simply interested in the subject. Clear, concise, and meticulous in detail, this essential reference answers countless questions relating to the history of dress and adornment and promises to be a definitive guide for generations to come.
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35.31 USD

The Dictionary of Fashion History

by P. E. Cunnington, C. Willett Cunnington, Valerie Cumming
Paperback
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Over thousands of years, the art of Chinese painting has evolved, while also staying loyal to its traditional roots. Despite various schools of thought, styles and techniques, three primary categories have emerged across the discipline: landscape, figure and bird-and-flower. Using fine ink and water brush strokes on paper or silk, ...
An Illustrated Guide to 50 Masterpieces of Chinese Paintings
Over thousands of years, the art of Chinese painting has evolved, while also staying loyal to its traditional roots. Despite various schools of thought, styles and techniques, three primary categories have emerged across the discipline: landscape, figure and bird-and-flower. Using fine ink and water brush strokes on paper or silk, Chinese artists have developed a unique style-one that's famous throughout the world. This book highlights 50 Chinese paintings, pulled from museum collections in China and around the world, including: British Museum, London Museum of Fine Arts, Boston Metropolitan Museum of Art, New York Nelson-Atkins Museum of Art, Kansas Osaka City Museum of Art, Osaka Palace Museum, Beijing Palace Museum, Taipei Shanghai Museum, Shanghai The paintings shown are representative of the categories, historical periods and styles of this artistic tradition. Detailed professional interpretations and notes allow readers to learn more about the pieces themselves, the artists and the context in which they were created. Plus, photo enlargements of key details get readers up close to these masterpieces. As one of the world's oldest continuous art forms, Chinese painting has a truly special history. This comprehensive guide allows modern readers to travel through time, experiencing important moments in Chinese history and society through beautiful pieces of artwork.
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20.950000 USD

An Illustrated Guide to 50 Masterpieces of Chinese Paintings

by Huang Kunfeng
Paperback / softback
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It's no secret that working with others, rather than alone, on a creative project can often yield the most unexpected results, a new and surprising sum greater than the whole of its parts. Please RSVP presents a bold new theory of just how powerful collaboration can be in the making ...
Please RSVP - Questions on Collaborative Aesthetics, Trans-Subjectivity, and the Politics of Love
It's no secret that working with others, rather than alone, on a creative project can often yield the most unexpected results, a new and surprising sum greater than the whole of its parts. Please RSVP presents a bold new theory of just how powerful collaboration can be in the making of art. April Durham argues that collaborative activity has the potential to broaden and expand an individual participant's static identity through what she calls trans-subjectivity. She offers a fine-grained analysis of the ways in which personal subjectivity becomes porous and malleable during the process of shared creative labor. Durham's concept of the trans-subjective offers a new way to come to terms with the networks, either digital or otherwise, that have developed over the twentieth- and twenty-first centuries, providing a bold new frame for topics like the experience of time, community, language, and ethics. This is a crucial and eye-opening book for contemporary artists and art historians alike.
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47.250000 USD

Please RSVP - Questions on Collaborative Aesthetics, Trans-Subjectivity, and the Politics of Love

by April Durham
Paperback / softback
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In Art to Come Terry Smith-who is widely recognized as one of the world's leading historians and theorists of contemporary art-traces the emergence of contemporary art and further develops his concept of contemporaneity. Smith shows that embracing contemporaneity as both a historical concept and a condition of the globalized world ...
Art to Come: Histories of Contemporary Art
In Art to Come Terry Smith-who is widely recognized as one of the world's leading historians and theorists of contemporary art-traces the emergence of contemporary art and further develops his concept of contemporaneity. Smith shows that embracing contemporaneity as both a historical concept and a condition of the globalized world allows us to grasp how contemporary art exists in a fluid space of increasing interdependencies, multiple contemporaneous modernities, and persistent inequalities. Throughout these essays, Smith offers systematic proposals for writing contemporary art's histories while assessing how curators, critics, philosophers, artists, and art historians are currently doing so. Among other topics, Smith examines the intersection of architecture with other visual arts, Chinese art since the Cultural Revolution, how philosophers are theorizing concepts associated with the contemporary, Australian Indigenous art, and the current state of art history. Art to Come will be essential reading for artists, art students, curators, gallery workers, historians, critics, and theorists.
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32.500000 USD

Art to Come: Histories of Contemporary Art

by Terry Smith
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Lauded by major contemporary artists and philosophers, Jacques Ranci re's work returns politics to its central place in understanding art. In The Future of the Image, Jacques Ranci re develops a fascinating new concept of the image incontemporary art, showing how art and politics have always beenintrinsically intertwined. Covering a ...
The Future of the Image
Lauded by major contemporary artists and philosophers, Jacques Ranci re's work returns politics to its central place in understanding art. In The Future of the Image, Jacques Ranci re develops a fascinating new concept of the image incontemporary art, showing how art and politics have always beenintrinsically intertwined. Covering a range of art movements, filmmakers such as Godard and Bresson, andthinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard andGreenberg, Ranci re shows that contemporary theorists of the image aresuffering from religious tendencies. He argues that there is a starkpolitical choice in art: it can either reinforce a radical democracy, or create a new reactionary mysticism. For Ranci re there is never apure art: the aesthetic revolution must always embrace egalitarianideals.
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22.30 USD

The Future of the Image

by Jacques Ranciere
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A century ago, all art was evaluated through the lens of European classicism and its tradition. This volume explores and questions the foundations of the European canon, offers a critical rethinking of ancient and classical art and interrogates the canons of cultures and regions that have often been left at ...
Canons and Values - Ancient to Modern
A century ago, all art was evaluated through the lens of European classicism and its tradition. This volume explores and questions the foundations of the European canon, offers a critical rethinking of ancient and classical art and interrogates the canons of cultures and regions that have often been left at the margins of art history. It underscores the historical and geographical diversity of canons and the local values underlying them. Twelve international scholars consider how canons are constructed and contested, focusing on the relationship between canonical objects and the value systems that shape their hierarchies. Deploying an array of methodologies-including archaeological investigations, visual analysis and literary critique-the authors examine canon formation throughout the world, including Africa, India, East Asia, Mesoamerica, South America, ancient Egypt, classical Greece and Europe. Global studies of art, which are dismantling the traditionally Eurocentric canon, promise to make art history more inclusive. To this end, this volume raises new questions about the importance of canons-including those from outside Europe-for the wider discipline of art history.
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63.000000 USD

Canons and Values - Ancient to Modern

by Kevin Terraciano, Larry Silver
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Jointly published by the Getty Research Institute and the New Museum. The first anthology to assemble the writings of the groundbreaking art historian, critic, and curator Marcia Tucker. These influential, hard-to-obtain texts--many of which have never before been published--by Marcia Tucker, founding director of New York's New Museum, showcase her ...
Out of Bounds - The Collected Writings of Marcia Tucker
Jointly published by the Getty Research Institute and the New Museum. The first anthology to assemble the writings of the groundbreaking art historian, critic, and curator Marcia Tucker. These influential, hard-to-obtain texts--many of which have never before been published--by Marcia Tucker, founding director of New York's New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive bibliography of Tucker's writing and highlights her critical attention to art's relationship to broader culture and politics. The book is divided into three sections: monographic texts on a selection of the visionary artists whom Tucker championed, among them Bruce Nauman, Joan Mitchell, Richard Tuttle, and Andres Serrano; exhibition essays from some of the formative group shows she organized, such as Anti-Illusion: Procedures/Materials (1969) and Bad Girls (1994), which expanded the canons of curating and art history; and other critical works, including lectures, that interrogated museum practice, inequities of the art world, and institutional responsibility. These texts attest to Tucker's tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting contributions to the field. Marcia Tucker's radical leadership profoundly impacted the contemporary museum field. Her legacy informs the work so many of us do today and inspires our vision of the future. This volume--filled with groundbreaking criticism, enduring wisdom, and razor-sharp wit--is an essential reference for any museum professional. --Thelma Golden, Director and Chief Curator, The Studio Museum in Harlem Marcia Tucker devoted her life to fighting for a new kind of art world: diverse and artistcentric, with museums that tell the real story of our culture, not just the history of wealth and power. She was a close friend and a passionate supporter. --Guerrilla Girls Marcia Tucker was one of America's most intelligent, generous, and courageous curators. She was a true heart who believed in and defended artists and their work totally. Her vision and determination, often against heavy resistance, changed how we think and feel about art. --Terry Allen
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42.000000 USD

Out of Bounds - The Collected Writings of Marcia Tucker

by Kate Wiener, Alicia Ritson, Johanna Burton, Lisa Phillips
Paperback / softback
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What is beauty, and what is truth? These are some of the questions which aesthetics tries to answer. In our everyday life, we talk about the 'aesthetics' of an artwork or a piece of design. But aesthetics goes beyond the simple experience of art. It is also a branch of ...
Introducing Aesthetics: A Graphic Guide
What is beauty, and what is truth? These are some of the questions which aesthetics tries to answer. In our everyday life, we talk about the 'aesthetics' of an artwork or a piece of design. But aesthetics goes beyond the simple experience of art. It is also a branch of philosophy concerned with the whole nature of experience itself, explored through our perceptions, feelings and emotions.
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10.450000 USD

Introducing Aesthetics: A Graphic Guide

by Christopher Kul-Want
Paperback / softback