Shakespeare's Comic Changes: The Time-Lapse Metaphor As Plot Device

Sold by Ingram

This product may not be approved for your region.
Paperback
  • Free Shipping

    On orders of AED 100 or more. Standard delivery within 5-15 days.
  • Free Reserve & Collect

    Reserve & Collect from Magrudy's or partner stores accross the UAE.
  • Cash On Delivery

    Pay when your order arrives.
  • Free returns

    See more about our return policy.
Perhaps the central question about Shakespeare's comedies is whether they form a single group we can meaningfully call Shakespearean comedy. The problem arises in locating a unifying principle that is not so broad as to lack interpretive value. In Shakespeare's Comic Changes, Roger L. Cox argues that the thread connecting almost all of Shakespeare's comedies is a plot in which character change is presented metaphorically instead of realistically. Violating classical dramatic rules about the consistency of character, Shakespeare offers character changes that are improbable and unrealistic. Shakespeare's chief means for representing character change is what Cox calls the time-lapse metaphor. Two sharply contrasting views of a given character emerge in time-order: first, a fairly realistic view of the character as flawed and in conflict with society; then, an idealized view of the same character reformed. Cox argues that, by allowing us to see the plays as a cohesive whole, the time-lapse metaphor thus becomes the very basis for the plot.