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Published on the occasion of the first solo museum exhibition in the Middle East by acclaimed sculptor Diana Al-Hadid, at the Art Gallery of NYU Abu Dhabi.
This monograph surveys the oeuvre of Syrian-American artist Diana Al-Hadid at a critical juncture in her fast-growing career. In the 10 years since her MFA, this artist has had 22 solo exhibitions at museums and galleries around the world. Already represented by a major New York gallery (Marianne Boesky), Al-Hadid has gone on to mount important solo shows in museums in Europe, and participate in major group exhibitions and biennials internationally. This catalogue marks the occasion of her first solo show in the Middle East, at the Art Gallery of NYU Abu Dhabi – a new exhibition venue dedicated to museum-quality exhibitions and scholarly, timely publications.
Three essays frame Al-Hadid’s work in contrasting perspectives. A global authority on the Northern Renaissance, Reindert Falkenburg, reflects on Al-Hadid’s piece Phantom Limb – itself rich with Renaissance allusions – through the lens of his own training as an art historian. The Guggenheim curator and scholar of Middle Eastern contemporary art Sara Raza writes about Al-Hadid’s work as it intersects with architectural history and contemporary art practices. Finally, Alistair Rider, a historian of modern sculpture, expands the discussion to review her larger practice, in particular as she connects the materiality of her work to the ephemerality of memory and history.