Joyce Treiman, one of the finest American painters of the late twentieth century, was also one of the most individualistic, combining virtuosic draftsmanship and expressive brushwork with a lifelong devotion to painting the human figure in images that are direct, visceral, and sensuous. The qualities that characterize Treiman's mature work are direct, uncompromising representationalism; an old-master attitude toward the handling of paint; a subtle but pervasive undercurrent of both irony and compassion; vibrant color and fluid brushwork; compositional complexity; and a passion for telling stories in paint. Joyce Treiman is the first monograph devoted to this extraordinary artist. Theodore F. Wolff's essay provides a chronological overview of her life and career, while Michael Duncan analyzes her extraordinary late series of self-portraits. Treiman began as a draftsman and never denied drawing its central role in her creative vision. This elegant volume includes a separate album of drawings, reproducing in rich duotone what are, in Wolff's words, a number of the finest examples of draftsmanship produced by an American during the past half century. The book's glorious centerpiece is a series of full-color reproductions of eighty-seven of Treiman's finest paintings, ranging from luridly colored pastels of Las Vegas night life to an ambitious cycle representing the labors of Hercules.